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“This is great, you don’t have to cheer for that,” deadpans Josh Tillman as a smattering of whistles and applause greet his arrival on stage. “It was pretty lazy of me. But I thank you for your faith.” Tillman, a tall, commendably hirsute figure, has a fine line in flint-dry humour, which he seems more than happy to indulge himself in many times during his 90+ minute set. After a slow, sedentary “Firstborn”, for instance, he stares out into the crowd and drawls, “This is no Vampire Weekend show, for sure.”

This one arrived a couple of days ago and it’s been hard to stop playing ever since. It’s the debut solo album of a French guy previously known as half of the Zombie Zombie duo, who I vaguely recall as being Krautrockish, but not as interesting as they were made out to be. I need to check them out again, I think.

Just in case you haven’t come across it yet, the first song to surface from Vampire Weekend’s forthcoming “Contra” album (due early January, I believe) turned up on their website yesterday.

The new Broadcast album, in the company of Julian House’s Focus Group, has proved to be one of those records that resist, in some way, being written about. Perhaps it may be something to do with how “Broadcast And The Focus Group Investigate Witch Cults Of The Radio Age” is a slippery, fragmentary listen; a collage of 23 disjointed, often dislocated snippets that feel as if they’ve been harvested from a dusty collection of neglected old soundtracks. An album that slips in and out of focus and of your attention, sneaking up when you least expect it.

After the slightly jarring presence of Robbie Williams’ new album in last week’s list, pretty much business as usual with this lot.

Following on from yesterday’s catch-up session (thanks for the Gothenburg report on J Tillman and dulcimer, by the way), another bunch of stuff today that I’ve been meaning to write about for a while.

Bit of a catch-up, today. These are a bunch of records that’ve figured in a good few Uncut playlists, and that I’ve been meaning to write about for weeks – in some cases months – but haven’t managed to tackle properly. In a bid to tidy up a little, here’s a fast round-up of some worthwhile stuff.

I’ve been working my way through a shedload of new releases from Thurston Moore’s Ecstatic Peace! label this past week or so, including ones from a few Wild Mercury Sound regulars like Sunburned Hand Of The Man with Kieran Hebden and MV & EE, as well as some less familiar things, like Little Claw and a pretty fierce free jam from White Out in the company of Moore and Jim O’Rourke.

A great line in the press release that comes with this third full album from Espers. “The band attempted to create something that would be perhaps cheery at times,” it reads, “though that mark may have been missed.”

Another week, and I really can’t believe that we played the Robbie Williams all the way through. Not the only sub-par album in this list, to be honest; you might notice slightly desperate recourse to Chris Bell at one point.