Reviews

Takeshi Kitano delicately intertwines three stories of endless love, inspired by traditional Japanese puppet theatre. In the main strand, a young man returns to his spurned lover following her suicide attempt, and the two roam the country, bound together by a red rope. Intersecting stories concern a yakuza pining for the girl he deserted, and a reclusive, disfigured pop star, stalked by an obsessive fan. A strange, visually ravishing film, with Takeshi's meditative, minimalist style as hypnotic as ever.

Barefoot, chain-smoking and velvetvoiced, the Cape Verdean diva returns

Oddly English-sounding quirkadelica from Paris

Return of Ed Sanders' and Tuli Kupferberg's legendary punk-poets

Major label debut produced by Talking Head Jerry Harrison

First release on boutique imprint from synth-pop veteran behind "Pop Muzik"

Best known for their late-'60s hit "Only One Woman" and its identically arranged follow-up "The Walls Fall Down", the Marbles were driven by the sheet metal-bending larynx of Graham Bonnet and the prolific writing of the Gibb brothers, who are responsible for half of the tracks featured here.

Rollicking techno daftness from John Woo

Canadian master deals with age and mortality

Director Claire Denis rediscovers her personal vision after the debacle that was Trouble Every Day. With echoes of Godard's Weekend, it's an erotic tone poem in which a woman stuck in a rainy Paris traffic jam picks up a man for a mutually satisfying one-night stand. That's the entire plot, but the auteur's intensity makes every moment telling and tactile.