Reviews

Uneasy listening by out-spoken wordstress

Influential pre-grunge landmark re-emerges after years in limbo

Expert Appalachian pickers on fire in '74

Slow-burning critique of modern China's crisis

Standout supernatural action movie from 1987. The tale of a poor young scholar who falls in love with a ghostly princess, it involves a journey to the underworld, a battle with a mile-long tongue, sword fights, songs, slapstick and some real shocks. Despite its evident lack of a budget, it's magical, mildly erotic and only marginally insane.

Roberto Rossellini's small-scale but infinitely moving 1953 masterwork plucks two stars from Hollywood—Rossellini's wife Ingrid Bergman and the magnificent George Sanders—and smashes them down on the road as a crisis-hit couple coming apart during a trip in Italy. Rossellini gave his actors the bare bones of a situation, then left them to improvise; they stumble beautifully, trying to discover their own story. The random feel anticipates the French new wave.

Tom DiCillo's offbeat comedy is a blend of cop thriller and romance which may confuse the uninitiated, but diehards will lap up his calmly twisted humour. Denis Leary's an NY cop with backache, recently widowed, who's lousy on the job till chiropractor Liz Hurley shows him love and partner Steve Buscemi questions his sexuality. Factor in many cinephile in-jokes and it's an intelligent, cynical joy.

Tom Waits, Chrissie Hynde et al join gospel veterans on Christmas album

Like everyone, I'm prone to enthuse how utterly electric the jiggling phenomenon known as Beyoncé is. Yet the honeymoon's expiring, and those first doubts are creeping in. She is mutating into Mariah Carey, or, worse, Tina Turner. She does one magic single, then we turn a blind eye to three rubbish ones. She has the cold eyes of a mugger. She has another film out, and is tapping into the profitable gospel market.

Extraordinary hotel-room musings in vinyl-only form