LUX INTERIOR 1946-2009
A near obsessive passion for rough-hewn rockabilly and schlocky horror B-movies may not sound like the most obvious template on which to build a lasting music career, but it kept The Cramps busy for the best part of three-and-a-half decades. Almost oblivious to changing fads and trends, the group stumbled into a twilight world somewhere between โGreat Balls Of Fireโ and The Creature From The Black Lagoon and decided to stay there.
Lux Interior โ born Erick Lee Purkhiser just outside Akron, Ohio, and taking his stage name from a TV ad description of a Chevrolet โ formed the band in the mid-1970s after picking up hitchhiker Kristy Wallace in California. Discovering they were both enrolled on the same course at Sacramento City College (which he claimed was called โart and shamanismโ), they parlayed their shared interests into a group that was as much a reaction to the music scene as it was a platform for their own ideas.
โI have nothing to do with these bands that call themselves new wave when all they are is a bunch of snotty-nosed little art students that donโt care anything about rock โnโ roll,โ he told NME in 1980. โWeโve loved rock โnโ roll all our lives, and this band is the end of it. Weโre not using the band to get into galleries or become mime dancers or anything. We want to be a rock โnโ roll band, and Iโll do it โtil past when Iโm dead.โ
Kristy was reborn as Poison Ivy Rorschach (the pair would later marry), and The Cramps set about chronicling white trash culture to a garage punk beat. Songs like โI Was A Teenage Werewolfโ, โGoo Goo Muckโ, โCan Your Pussy Do The Dog?โ and โI Ainโt Nothinโ But A Gorehoundโ embraced all things low-brow, but there was nonetheless wit, intelligence and sophistication at work somewhere in the mix. One of their most enduring numbers, โNaked Girl Falling Down The Stairsโ, was inspired by Marcel Duchampโs 1912 painting Nude Descending Staircase.
Releasing two independent singles produced by Alex Chilton in 1977, the band went on to sign for Miles Copelandโs IRS label and made their UK bow with the 1979 EP Gravest Hits, but it was two 1983 albums, Off The Bone and Smell Of Female, that brought them to a wider audience, followed by 1985โs A Date With Elvis, perhaps their best-loved work.
Mainstream success eluded them, but their cult following was always devoted. One ardent fan, serial killer John Wayne Gacy wrote to them regularly, even sending gifts of paintings from Death Row. Ultimately, the band became part of the kitsch world they so lovingly celebrated, even cropping up in an episode of Bevery Hills 90120 (entitled โGypsies, Cramps and Fleasโ), while Lux himself got to voice a character in Spongebob Squarepants.
But it was as a live act that theyโll be best remembered, with Luxโs menacing scowl and athletic moves borrowed wholesale from his teenage idol Iggy pop commanding the stage, while Ivy, attired as a monster movie burlesque dancer, crunched out guitar riffs at his side. They were pioneers of psychobilly (a label Lux always held in disdain) whose stripped-down less-is-more approach harked back to their early heroes Jerry Lee Lewis and Gene Vincent, but equally informed the spirit of many who followed in their wake. Itโs impossible to listen to early White Stripes albums without recalling the good-natured frights and maniacal howls Lux so deliciously delivered.
TERRY STAUNTON
Log in to leave your messages and thoughts belowโฆ