A certain ratio

The arrival of a new Wes Anderson film is pretty much always a cause for celebration in the UNCUT office. He's a master of dry, melancholic comedies and a meticulous visual stylist, with a fine ear for music and who's surrounded himself with a peerless roster of actors -- Bill Murray, Anjelica Huston, Owen Wilson, Jason Schwartzman and Gene Hackman among them -- who faultlessly bring his peculiar, poignant stories to life. It's perhaps emblematic of Anderson's universe that, in the production notes handed out at last night's press screening for The Darjeeling Limited, Anjelica Huston describes her character in the film as "something of an action hero nun." I am also warned, half-seriously, by the film's press officer to prepare for the continuous use of Peter Sarstedt's ballad "Where Did You Go To (My Lovely)" over the soundtrack. Oh, and Bill Murray crops up for the opening five minutes in a mute cameo.

Occasionally, in a quiet moment, I might find myself reflecting on the demise of the Western. At a recent preview screening for 3.10 To Yuma – starring marquee names Russell Crowe and Christian Bale, no less – the attendance was barely into double figures. I wonder, then, how the brilliant The Assassination Of Jesse James By The Coward Robert Ford will fare?

Our correspondent at the Venice Film Festival saw Todd Haynes' Dylan film I'm Not There this morning. Here's our exclusive report.

I'm watching Dinosaur Jnr. for the first time since their dysfunctional, tuneless, late '90s swansong at London's Astoria. The Red Hot Chili Peppers are about to close today's festival and the Pumpkins due tomorrow. It's set me thinking about what's happened to US alternative rock since its '91/'92 annus mirabilis.

Californian indie four-piece embrace the pop mainstream

The legendary music mogul, who signed Joy Division and Happy Mondays, dies

Mick Jagger's 'best of' includes three rarities

They call this time the gloaming -- night coming down, all colours leached from the sky. It seems a remarkably appropriate moment for the Arcade Fire to take the stage and close Latitude Year two with an enormous bang. And some fireworks.

It's good to see the UNCUT Arena pretty much rammed by the time Cherry Ghost come on, just after 3pm, a lot of interest being show to this Lancashire five-piece.

The directorial debut of photographer Anton Corbijn, who moved to the UK from Holland to shoot Joy Division in 1979, is a moving tribute to Ian Curtis, but suffers from Corbijn’s proximity to the material.