The last time I saw Simone Felice anywhere near a London stage, he was hanging above it, wild-eyed and shirtless, from a monitor in the ceiling of the 100 Club, from which precarious position he was leading a boisterous crowd through a rowdy version of a song called “Ruby Mae” from the recently-released new album by The Felice Brothers, who were at the time roaring towards the climax of a typically rambunctious show.
This month's Club Uncut openers, Sparrow And The Workshop, are an interesting beast - a Scottish folk trio on mainly acoustic instruments, there's a real violent attack to their sound.
