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The Blasters – 4-11-44

Roots-rockers keep on keepin' on

Shirley Collins – No Roses

Definitive 1971 gathering of British folk-rock elite in their absolute prime

The Mekons

Reissue of 1985 classic, plus a new two-disc overview

Texas – I Don’t Want A Lover: The Collection

Limp set from the polite person's Pretenders

Rock Goddess

Teenage kicks from heavy metal's female phalanx

Wheels On Fire

Confederate quintet follow last year's Decoration Day with strapping sixth LP

Blondie

LIVE BY REQUEST

Wire

Footage of the stern old art-rockers in their pomp is hideously rare. Wire On The Box counteracts this, a full-length show recorded for German TV before a few dozen polite hippies. The tension is delicious, the music (mainly from 154) fantastic. Best of all, there's the mystique-smashing vision of the young band: gawky, self-conscious, striving cutely for the froideur that only age would bring them.

The Sadies – Favourite Colours

With both 2002's Stories Often Told and the previous year's Tremendous Efforts, Toronto's Sadies established themselves as feverish pluralists, twisting honky tonk, psychedelia, surf and punk into new forms. More meditative, this fifth LP hones the Southern harmonies and guitar-pickin' crosstalk of the brothers Good (Dallas and Travis) while augmenting the band with the likes of Robyn Hitchcock. "As Much As Such" and "A Good Flying Day" sound like reluctant outtakes from The Byrds' Younger Than Yesterday.

Blazing Apostles

The best of Bill Nelson's undervalued art rockers, coinciding with reissues of five original Be-Bop albums
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