Band

Many tentacled, notably uninhibited disco punks

Classic 'revisionist' western from '71, Peter Fonda's directorial debut is bookended by two acts of fumbling, clumsy yet brutally violent gunplay, but is otherwise concerned with the delicately evolving relationships between two wandering cowboys (Fonda and Warren Oates) and Fonda's once abandoned wife (Verna Bloom). The photography from Vilmos Zsigmond (McCabe & Mrs Miller) is worth the price of the DVD in itself.

Succinct and soothing second album by Parisian quartet

Possibly the best John Grisham-based flick since The Firm: OK, the rest were lousy, but Gary Fleder rattles this courtroom thriller along with pace and panache, and a stellar cast. Lawyers Dustin Hoffman (anti-guns) and Gene Hackman (pro-his own fat pay cheque) face off as a widow claims damages for her husband's shooting. But jury rigger John Cusack and his moll RachelWeisz are the wild cards. Classy potboiler.

Second release from Californian dreamers

The Vietnam war had been over for three years by the time Hal Ashby made Coming Home in 1978. Those who'd survived the combat zones of South-East Asia had returned to find themselves shunned and quarantined, like lepers in their home towns; a living, breathing reminder of a shameful war many back home would rather forget had ever happened. Some of those who came back perhaps wished they'd died out there in the jungles—the paraplegics, the traumatised, forever dreading the nameless, shapeless things that whispered to them in the night.

Unhinged glam/punk/electro-rock hybrid

Dreamy debut from tender contenders

This 1976 adaptation of Jack Higgins' best-selling WWII novel was a fitting late-'70s swan song for John Sturges. Michael Caine leads a band of principled, Nazi-hating German commandos off to invade Blighty on the sly. Robert Duvall, Donald Sutherland, Jenny Agutter and Donald Pleasance join the action.

Garage-punk supergroup do garage-punk supergroup. Go figure