OPENS NOVEMBER 14, CERT 15, 102 MINS
Ann (Sarah Polley) is 23 and works as a night cleaner. She lives in a trailer home in her mother's backyard, along with two young daughters and an unemployed husband. She also, it turns out, has inoperable cancer, and a matter of months to live. And while on paper that might sound like Terms Of Endearment on a budget, this beautifully judged Canadian picture (produced by Pedro and Agustin Almodóvar) couldn't be further from the mawkishness of a Hollywood weepy.
What lifts the film is the powerful, dignified performance from Polley.
The gothic country of Frazer's '90s band Tarnation shared much with 16 Horsepower and The Handsome Family—a Georgia-raised pastor's daughter, the South inspired Frazer's poetry. While we await the follow-up to 2001's Indoor Universe, these four-track rarities provide ample nourishment. Some of these songs appeared on Gentle Creatures ('95) and Mirador ('97), but not this nakedly beautiful. Frazer's voice has a metallic-folk edge which, allied to mariachi guitar, floods "An Awful Shade Of Blue" and "The Hand" with harsh desert light.
Cleary's career has included drumming in psych-poppers The Essex Green, stints in The Pants and Famous Potatoes, mandolinist in contra-dance string bands and a 1997 release under the moniker Stupid Club (Made To Feel). Once resident of Austin, he now calls New York home, but sounds Tennessee in spirit. Confused? You should be, but Numbers Add Up sounds like the happy nesting of a restless muse. Tapping into a literate strain of country-folk, his mellow delivery is as easy to swallow as James Taylor's, but glows with lasting warmth.
