Band

Remastered and elaborately repackaged reissues of nearly everything Sylvian and Co did in the '80s

Playing patience under African skies

It's been a long crawl back to credibility for prog titans Yes, but things seem to be shifting in their favour of late. There's a new wave of young bands emerging, unafraid to wear their prog influences on their sleeves (The Mars Volta, Cave In, Beecher) and the old sods themselves are attracting 'celebrity' plaudits (The Flaming Lips, PiL's Keith Levene, Vincent Gallo). This is as it should be—contrary to post-punk dogma, Yes were never a joyless listen.

Slow, slow journey into heart of darkness

Playful Northern fops take a great leap forward from 2002's A Word In Your Ear

Metal vocalist's impressive horror debut

Re-release of albums by legendary '80s Factory band featuring 808 State's Graham Massey

OPENS OCTOBER 24, CERT U, 67 MINS Scooby Doo, you've gone all blue. And trippy, Daft Punk, the French techno-pop duo who've consistently worked with cutting-edge directors (Spike Jonze, Michel Gondry, Roman Coppola), have collaborated with their lifelong Manga animation heroes Leiji Matsumoto and Kazuhisa Takenouchi to produce this 'musical', loosely accompanying their 2001 album Discovery. It's fun, and sweet rather than radical. If you're a Manga buff you'll enjoy the quaint sci-fi plotline and imagery, and stare at the female bassist's lovingly-drawn arse.

More no-fi than lo-fi, this rough, bootleg-quality document released on singer Paul Haig's own label acts as a companion to 2000's excellent Crazy To Exist (Live). You need to be a fan to sift through the murk in search of what made the band—who barely managed to release an album during their mayfly career—special, but once your ears adjust to the gloom, the caustic glory of Haig and Malcolm Ross' twin guitar rattle is well worth the effort. Magical, if muddy.

Second wave hip hop pioneers, unfairly best known for donating a little bit of that hip to Aerosmith