Reissues of Ian Dury’s Lord Upminster and 4,000 Weeks Holiday albums are reviewed in the latest Uncut (dated July 2013, and out now) – and a new exhibition, Ian Dury – More Than Fair: Paintings, Drawings and Artworks 1961-1972, takes place at the Royal College Of Art, Kensington, from July 23-September 1, 2013.
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
AC/DC have backed plans which call for a monument to be erected in honour of former singer Bon Scott in his hometown.
The campaign to pay tribute to Scott, who died aged 33 in 1980, by building a statue in Kirriemuir, Scotland started last year when DD8 Music, who are also behind the annual Bon Scott music festival in the town, approached sculptor John McKenna to design a tribute.
John Dwyer has the sort of discography so deep and complicated that one suspects even he must have trouble keeping up with himself. As a consequence, it might be a mistake to try and divine paths and trends in career which his encompassed Coachwhips, Pink and Brown, Landed, Yikes, Burmese, The Hospitals, Zeigenbock Kopf and Sword + Sandals (according to Wikipedia, anyway, if I can emphasise my spotty knowledge any more) as well as Thee Oh Sees.
“To make true political music,” the great American critic Greil Marcus wrote nearly 25 years ago, “you have to say what decent people don’t want to hear; that’s something that people fit for satellite benefit concerts will never understand, and that Elvis Costello understood before anyone heard his name.”
In his memoir, Prince Among Stones: That Business With The Rolling Stones And Other Adventures, which I’ve just reviewed for the next Uncut, Prince Rupert Loewenstein, who was the band’s financial adviser for nearly 40 years, reflects at one point about how time as he gets older has started, as they say, to fly. Thinking about this, he is reminded of a famous quote by the grand old thespian, John Gielgud, who wryly remarked that in his old age time had started to speed by at such a pace that it seemed like breakfast was being served every 10 minutes.
Brighton's Great Escape have announced its first wave of acts for this year's festival, among them the Allah-ahs and Phosphorescent, who will be appearing on Uncut’s stage.
Other acts announced include Unknown Mortal Orchestra, King Krule, Eddi Front and Tom Odell. A full list of this round of acts is bellow, but more will follow. We will announce more acts appearing on our stage in the April issue.