From Uncut, March 2009.
'Thirty years on from the beginning of Margaret Thatcher's reign of terror, Uncut revisits a tempestuous and invigorating period in British pop history. PAUL WELLER, THE SPECIALS, THE BEAT, UB40, SOUL II SOUL and THE FARM recall a time when mass unemployment energised a whole generation to learn one chord, learn another, form a band - and then make an insurrectionist statement on Cheggers Plays Pop...'
Graham Nash discusses the unique exhibition of his photography in the new issue of Uncut, dated May 2013, and out now – in this archive feature from Uncut’s April 2009 issue (Take 143), the silver-throated former Holly tackles some prickly subjects – dissing Dylan, breaking up with Joni and playing peacekeeper in CSNY… Interview: John Lewis______________________
Eric Burdon’s new album, ’Til Your River Runs Dry, is reviewed in the new issue of Uncut, dated May 2013 and out now – so for this week’s archive feature we thought we’d revisit this piece from Uncut’s May 2009 issue (Take 144), which examines how Burdon and his Geordie bluesmen somehow turned a lengthy folk staple about a brothel into a massive international hit… but don’t mention the royalties… Words: Nick Hasted
In this archive feature from Uncut's May 2003 issue (Take 72), rock's greatest living soap opera tell the story of how they went to hell and back to bring the world some of the most popular, and most perfect, hard-centred easy listening music of all time. However, it nearly cost them their sanity. And their lives… Words: Nigel Williamson_________________
Bob Geldof has reformed his band The Boomtown Rats, and announced a performance at this year's Isle Of Wight festival.
The Boomtown Rats split in 1986 after releasing six albums including 1979's The Fine Art Of Surfacing, which included the 1979 UK Number One hit "I Don't Like Mondays". They also topped the UK singles chart with 'Rat Trap' a year earlier.
The deluxe reissue of The Jam’s final album, The Gift, is reviewed in the new issue of Uncut (December 2012, Take 187) – so for this week’s archive feature, we’ve stepped back to Uncut’s December 2008 (Take 139) issue, to spend a year by Paul Weller’s side, as he celebrates his 50th birthday. We are invited into the Guv’nor’s inner sanctum, to his star-studded birthday party, and into dressing rooms across Britain and America. And we learn that, like any good mod, Weller remains “more interested in the future than the past”. Words: Paul Moody
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The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller
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Estranged Black Sabbath drummer Bill Ward has spoken out after parting ways with the heavy metal titans over the summer.
Speaking to Eagles Of Death Metal frontman Jesse Hughes in On The Road - Black Sabbath and the Birth of Heavy Metal - which you can view at
Vice.com - Ward said that he hopes to make amends with the band, who recently played a number of comeback shows without him.
