Last year, Warp Records embarked on a campaign for Boards Of Canada's "Tomorrow's Harvest" comeback that was notable for its obtuseness. Unmarked 12-inches were hidden in record stores, strings of numbers and inexplicable broadcasts were strewn enigmatically across the internet. At one point, I recall some talk of red moons and feverish online triangulations pointing to a bookshop near Edinburgh as the centre of the universe. It was all fun, and the album at the end of it all was great, but perhaps it wandered a little off course as it went on.
As The Kinks prepare to release a deluxe edition of Lola Versus Powerman And The Moneygoround Part One, packaged with soundtrack Percy, we take a trip back to Uncut’s November 2007 issue (Take 126), where Ray Davies talks Uncut through some of the best albums he’s made in his long career. “My songwriting has been my ally through life,” Davies muses, “because I ain’t got much else.” Words: Nick Hasted
This is the full text of my interview with Hurray For The Riff Raff in New Orleans, that appeared in the print edition of Uncut a couple of months ago. I've added a lot of music to listen to as you read; not just by Alynda and the Riff Raff, but by some of the other New Orleans musicians who are critical to the story.
With a new Nick Cave documentary, 20,000 Days On Earth, due to open in the UK next month, I thought it a good time to dust down a piece I wrote on Cave's film career for our 2013 Ultimate Music Guide dedicated to Cave.
How does the most innovative guitarist of his generation spend his spare time? By writing masterful film scores and trying to reinvent how music sounds, it seems. Jonny Greenwood’s There Will Be Blood soundtrack is performed at London’s Roundhouse on August 6 and 7, and here, in this piece from Uncut’s April 2011 issue (Take 167), Rob Young penetrates Greenwood’s studio lair and discovers, among other things, what Radiohead have been up to of late...
