What strange music Jack White makes these days. At the end of this hot, compelling, tempestuous show, he stands triumphantly on a monitor, guitar held high above head like the hammer of Thor, every inch the conquering stadium rocker.
The Manics release their 12th album, Futurology, on Monday (July 7) – here, we head back to the November 2011 issue of Uncut (Take 174) to hear James Dean Bradfield, Nicky Wire and Sean Moore talk us through their history, and introduce us to their next stage, “the third and final great leap forward…” Words: David Quantick
In this month's Uncut, I reviewed the deluxe edition of The The's Soul Mining, which has been reissued as a box set with additional material. I was fortunate enough to speak to Matt Johnson for a Q&A to run with the review. In the end, we ended up talking for about an hour, so I thought I'd post the full transcript of my interview here. I hope you enjoy it. I'll endeavour to post the review itself in the next week or so; better still, you can find it in the issue on sale now... (apologies for the shameless plug...)
Jerry Lee Lewis has confirmed details of his new album, Rock & Roll Time on October 28 on Vanguard Records.
The album features a star–studded line up of guests including Keith Richards, Robbie Robertson, Ron Wood, Neil Young, Shelby Lynne, Nils Lofgren, Daniel Lanois and more.
Lewis says of the album, "This is a rock & roll record. That's just the way it came out." Rock & Roll Time is Lewis' third studio album in the past decade, following 2006's Last Man Standing and 2010's Mean Old Man.
Metallica headline Glastonbury this weekend, and “Enter Sandman” will most likely be a highlight of their set. So we delved into the archive, back to Uncut’s March 2007 issue (Take 118), to discover how the group created The Black Album’s anti-lullaby. Lars Ulrich, James Hetfield and producer Bob Rock spill the beans to Stephen Dalton…
For anyone with even a passing familiarity with the work of Belle and Sebastian songwriter Stuart Murdoch, God Help The Girl – his debut as a writer and director – will hold few real surprises.
Edwyn Collins has just performed at Queen Elizabeth Hall in London as part of this year’s Meltdown festival – here, in a fascinating feature from Uncut’s April 2010 issue (Take 155), the tale of Collins’ Orange Juice is told by the man himself alongside the group’s other members. Get ready for a tale of wilful perversity, vicious in-fighting, pant-wetting on TV and how Edwyn Collins “traded in all our equity for a funny bassline”… Words: Alastair McKay___________________
