This primal blast of sexual energy – penned by Chip Taylor and later hijacked by Jimi Hendrix – would prove an immediate ’66 hit for Reg Presley and his ‘proto-punk’ beat boys... Reg, manager Larry Page, writer Chip Taylor and more explain how the iconic song was made. From Uncut’s April 2009 issue (Take 143)…___________________
This month’s Uncut (dated February 2013) features the story behind Gram Parsons’ landmark solo albums, GP and Grievous Angel. His closest collaborator during this period, Emmylou Harris, has her own amazing tales to tell, so it seemed time to bring out this archive feature, originally in Uncut’s August 2007 issue, where Harris takes us through the making of her greatest records. Interview: Bud Scoppa__________________
Bono has said that the next U2 album will only be released when it's completely ready.
The singer revealed that U2 are working on their 13th album, believed to be titled 10 Reasons To Exist. Discussing the band's 13th album. Speaking to The Sun, Bono said: "U2 have been back and they're really in fine fettle."
U2's The Edge has announced that his Music Rising charity has launched a Hurricane Sandy relief fund.
The guitarist founded the group, alongside Gibson Guitar CEO Henry Juszkiewicz and producer Bob Ezri, to provide musical equipment and financial support to musicians, schools and community organisations affected by Hurricane Katrina in 2005.
The group has now shifted its attention to those who have been worst affected by Hurricane Sandy, which destroyed lives across the tri-state area of the United States of America in October 2012.
“The one thing that saved Mick at this point was Dylan,” Mick Ronson’s wife, Suzi, recalls in a terrific feature on her late husband by Garry Mulholland in the new issue of Uncut. She was talking about the shambles Mick’s career had become after he was dumped by David Bowie and his first two solo albums, Slaughter On 10th Avenue and Play Don’t Worry, had both flopped. Things hadn’t really worked out with the Hunter-Ronson Band, either, and you wondered where Mick might go from here when he unexpectedly hove into view as a member of Dylan’s Rolling Thunder Revue.
Following on from my blog about Quentin Tarantino's favourite records, I thought I'd post another QT-related titbit, from 1994. In a previous life, as film editor at Melody Maker, I commissioned Jarvis Cocker to review Pulp Fiction for us. Here, then, is Jarvis on Tarantino's early masterpiece...
