One of the things I wrote about in the new issue of Uncut is a review of the latest vinyl reissues from what was the BBC Radiophonic Workshop. For a panel to accompany the review, I had the good fortune to speak to composer Paddy Kingsland, one of the legendary studio boffins currently touring in the live iteration of the Workshop.
New documentary Pulp (A Film About Life, Death & Supermarkets) hits UK cinemas on June 7 – in anticipation, we delve back to August 2010’s Uncut (Take 159) to discover the origins of Jarvis Cocker and co’s greatest hit. From three chords on a cheap Casio keyboard, via a headline slot at Glastonbury, to the huge summer anthem of 1995… Interview: Nick Hasted
A new office this week, although a good few crates remain. These, though, are the tunes that’ve sensitively assisted our transition. Special props to Bob Carpenter’s rediscovered album from ’74, very much kin to “No Other”; to the Mauritanian desert rock of Noura Mint Seymali; to the reissue of an old Imaginary Softwoods ambient set from John Elliott, ex of Emeralds; and to the enduring usefulness of Pye Corner Audio and Girma Yifrashewa.
There’s plenty to shout about in the new UNCUT, which goes on sale this Friday, May 23. First of all, we have an exclusive new interview with PAUL WELLER, as he prepares for the release of MORE MODERN CLASSICS, a compilation drawing on tracks from the last 15 years of his illustrious career, a period during which his music has become increasingly more adventurous and unpredictable.
Upside Down Mountain, Conor Oberst’s new, Jonathan Wilson-produced solo album is set for release on Monday (May 19), so it seemed time to dig out this look through the Bright Eyes singer-songwriter’s record collection from Uncut’s June 2007 issue (Take 121). Featuring sex, drugs, Pavement and Nas… Interview: Jaan Uhelszki
Scene of some devastation this morning, as we’re surrounded by crates, packing for a move to new offices on the floor below. In haste, then: this has been the soundtrack for throwing out a load of old shit these past few days. Special attention, please, to the tremendous new Pye Corner Audio business…
As Dan Auerbach and Patrick Carney prepare to release their new album, Turn Blue, on Monday, we delve back into the Uncut archive and take a look at this album by album from the Ohio duo (originally printed in January 2013, Take 188). “We’ve always left things relatively unadorned,” Auerbach tells Uncut, “so this is warts’n’all music. We’re pretty blessed that things have worked out the way they have. Ever since we’ve started it’s never stopped building.” Interview: Rob Hughes______________________The Big Come Up
