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World of twist

Tyrannosaurus Rex / T.Rex – A Beard Of Stars / T.Rex / Tanx / Alloy And The Riders Of Tomorrow – Deluxe Editions

The rise and fall of Marc Bolan and his glam phenomenon...

Michael Bloomfield – From His Head To His Heart To His Hands: An Audio/Visual Scrapbook

Bloomfield is God? Long-overdue, career-spanning look at rock's foremost guitar trailblazer...

Beck – Morning Phase

The LA maverick invokes Anglophile folk on first new album in six years...

Glyn Johns – Album By Album

The Heartbreakers’ Benmont Tench is about to release a solo album, You Should Be So Lucky, produced by the legendary Glyn Johns. In this star-studded archive piece from Uncut’s December 2011 issue (Take 175), Johns takes us through producing and engineering The Beatles, the Stones, The Who, Bob Dylan, Led Zeppelin and more – not a bad CV, you could say… Interview: Graeme Thomson

Bruce Springsteen – High Hopes

Good-time title, sombre message on The Boss' 18th studio album proper...

David Bowie’s The Next Day – Uncut’s epic, definitive review

Religious dissidents and juvenile delinquents, Greenwich Village and Potsdamer Platz, doomed soldiers and vacuous celebrities... David Cavanagh files the epic, definitive review of The Next Day. From Uncut's April 2013 (Take 191) issue. _______________

Bob Dylan – Complete Album Collection Vol. One

Every album, and a little bit more. Something is happening…

The Making Of… Status Quo’s Down Down

The Quo are currently on a UK tour, hitting London’s O2 on December 15 – and here’s one song that they are sure to be playing. In this piece from the Uncut archives (Take 190, March 2013), Nick Hasted hears all about the denim-clad, ‘boogie-shuffle’ giants’ 1974 hit. “We were the most uncool band in the world, yet the coolest DJ in the world was saying nice things about us…” _________________

Midlake – Antiphon

The band move on with a subtle change of emphasis following Tim Smith's departure...

Bob Dylan – Glasgow, Clyde Auditorium, November 18, 19 & 20, 2013

To get to the Clyde Auditorium - the 3,000-seat venue crouched on the riverbank beside the SECC, which Glaswegians only ever refer to as The Armadillo - you have to traverse a long, wormy, weather-beaten covered walkway that bridges a motorway.
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