In among short stories from Annie Proulx, Ed Park and Dashiell Hammett in The New Yorker’s recent “Crimes & Misdemeanours” fiction special was, unexpectedly, new material by Cormac McCarthy.
Over a week on, I suppose we’re still dealing with a kind of Neil Young & Crazy Horse feedback. This week’s major live distraction in the office, though, has been a stream/download of Wilco’s covers set from their festival last Friday night. The whole thing is hugely recommended but, if you’re pressed for time, please have a listen to the uncanny version of “Marquee Moon” I’ve embedded below.
Last week started on an absolute high when Neil Young & Crazy Horse’s Alchemy tour rocked up to London’s 02 Arena, turbulence in its wake, some of the crowds they had recently played to evidently unhappy with aspects of the band’s current set, notably the long jams around the songs they are playing from last year’s Psychedelic Pill, especially “Walk Like A Giant” and the extended feedback cacophony of its final 10 minutes, which was spectacularly brutal. Audiences in Birmingham and Newcastle had been from all accounts clearly agitated.
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
Nile Rodgers reveals the huge influence The Beatles had on him in the new issue of Uncut (dated July 2013 and out now).
The Chic guitarist and songwriter, who recently teamed up with Daft Punk on their new Random Access Memories album, was particularly struck by the closing track of Sgt Pepper’s Lonely Hearts Club Band, "A Day In The Life".
"This was the first song I learned to play on guitar," explains Rodgers. "My transformation happened years earlier when I first heard 'The End' by The Doors, but it wasn't as important as actually learning 'A Day In The Life'."
If I’d had the time/guts to put my favourites of 2013 list into some order, I suspect Steve Gunn’s “Time Off” would’ve come out pretty near the top, so it’s a great pleasure to host these new videos today of Gunn and his band in session.
