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Affected

Bob Geldof: ‘If I hadn’t done ‘Live Aid’, I’d have been like Paul Weller or Sting’

Bob Geldof has said that he is convinced he could have enjoyed a solo career on the scale of Sting and Paul Weller if his commitment to fundraising hadn't got in the way. The Boomtown Rats man, who set up Band Aid and the accompanying concert Live Aid back in the 1980s, told the Evening Standard that it would have been "criminally irresponsible" of him not to hold the events, but he does believe it "damaged his music career".

The Stone Roses’ ‘Spike Island’ film writer: ‘The timing of the reunion couldn’t be better’

The writer of the new film which is set during The Stone Roses' 1990 Spike Island show has spoken about how the reunion of the Manchester legends has affected the film's production.

Dr John – Locked Down

Among the residents of Treme, David Simon’s HBO drama series about the inhabitants of New Orleans in the wake of Hurricane Katrina, you’ll find a character called Delmond. Delmond, a talented jazz trumpeter, is a deeply conflicted individual. In the person of his father, he is tied to the ruined city, its historic music and its obscure ritual cultures. And yet, he is drawn to the East coast, where the ensemble in which he plays is in considerable demand.

The Gaslight Anthem: Baby He Was Born To Run

As this month’s new Uncut (May 2012, Take 180) features Brian Fallon talking about The Gaslight Anthem’s upcoming new album, Handwritten, we thought it would be fitting to dig out this Uncut feature from January 2010 – in which Fallon tells Jaan Uhelszki how he became a rumbustious, show-stealing international phenomenon, beloved even by The Boss himself. Not bad for a tattooed punk kid whose “mother fed me Born To Run with my Cheerios”…

The Rise And Fall Of Glam

The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.

April 2012

David Bowie, as we are often reminded, is among many other things a master of reinvention. It seems more than a little appropriate then that he's on the cover of this month's issue.
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