Freak scene

Generation-defining comp of the grand-children of college rock.

Spooked, sprawling synth-pop from intrepid New Yorkers

According to Daniel Rossen, sat onstage in front of a notably packed Club Uncut, this is only the second ever ‘proper’ gig by Department Of Eagles. The first, it transpires, saw the band expanded to a five-piece, augmented by a couple of the Dirty Projectors and another of Rossen’s bandmates in Grizzly Bear.

I know I wrote something a bit snide about the whole “Tips For 2009” business the other day. But then, when dutifully and only slightly hypocritically compiling my submission to the BBC poll, I found myself – hugely hypocritically, I suppose – tipping one of the doubtless most-tipped tips of 2009, Florence And The Machine.

Find out what happened to Paul Weller's inspiration Jesse Hector

Stoner comedy from Superbad writers - with bloody brawls and shootouts!

Judging by the activity on the blog about “Golden Age”, there’s a fair amount of excitement about TV On The Radio’s “Dear Science”. And, now that I’ve heard the album properly a few times, I reckon it’s pretty justified: this is the best record the band have made by a mile.

I got a great email the other week from Jon Dale, Uncut’s man in Australia and one of our most diligent hunters of the esoteric. Our subsequent correspondence turned into a bit of a squabble about cassette tapes, of all things: Jon is a fan, as you can see from his excellent blog; I think there’s something rather elitist about disseminating new music on a virtually obsolete format. But I have to let that one go.

An interesting post on the Endless Boogie blog over the weekend. “[Endless Boogie] Sounds like a more psyched up Stackwaddy or Edgar Broughton Band Wasa Wasa (which is a good thing),” writes Dave C, “but IMHO if you want real brain crushing psych rock you NEED to get ‘Dead In The Water’ by The Heads, easily the best thing I’ve heard all year.”

A remote cabin in Wisconsin. Two dead deer for food. A guitar. The result? A classic debut album