Not to stereotype us in any way, but marvellous though Club Uncut is, not much dancing has traditionally gone on there. As a one-stop shop for American songwriters of a certain stripe, we’ve done pretty well. But last night’s show by Fool’s Gold is something else entirely.
This week’s new issue of Uncut features another 50 Great Lost Albums – those that are unavailable new or as legal downloads right now – chosen by the mag’s readers. Consequently, I thought it’d be useful to put our original Top 50 online, as they appeared in issue 156 of Uncut (Neil Young was on the cover, narrowing it down a little).
Many years back -- the last century, in fact -- when we were putting UNCUT together, Allan and I drew up a list of canonical film makers whose work would become central to the magazine’s editorial remit. Our A list included Scorsese, Tarantino, Peckinpah, Coppola, Stone, Hill, Hawks, Ford, Eastwood, and so on.
In the intervening years, the list has pretty much stayed the same. With, arguably, one exception: Francis Ford Coppola.
A café in North London, late 2000. For the first time in an age, Neu!’s three completed albums are to be reissued, and Michael Rother and Klaus Dinger have made a precarious truce to promote them.
