Fall

UNCUT GLASTONBURY FESTIVAL AWARDS 2009 THE WORST BEST KEPT SECRET The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all. SONG OF THE SUMMER Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday). BEST GLASTO DEBUT ‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam).

THE WORST BEST KEPT SECRET The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all. SONG OF THE SUMMER Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday). BEST GLASTO DEBUT ‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam).

Eavis says curfew-breaking show was 'absolutely spectacular'

Billy Paul and Philadelphia sound documentary

Beatle says memories will be 'happy ones' despite fall out

Thanks for all your responses to the Favourites Of 2009 flam I posted last Friday; I’ve posted some further thoughts there, which’ll doubtless inflame the Decemberists and Felice Brothers fans (more or less on my own here in my apathy to the latter, incidentally; check this for Allan’s eloquent alternate take).

The tragic life of pioneer Joe Meek: part comedy, part nightmare

Surreal indie rom-com showcases rising stars Paul Dano and Zooey Deschanel

I’ve always thought that the British music press’ reputation for ‘building them up and knocking them down’ is a bit erroneous, though it’s undoubtedly true that there’s a possibly obsessive fetishisation of the new that can sometimes bias against longer-serving bands. Maybe ‘build them up, get distracted by something else, then more or less forget they exist’ might be a truer reflection of what happens.

A fine mix of hymnal purity and barn-storming rock