Trans am

Shades of a masterpiece? Hunter’s on a roll heading into the Mott The Hoople reunion

The band will webcast a live gig to showcase new songs

The ’shop re-opens; business not quite as usual

I’d been telling anyone who’d listen over the last few weeks and more in the build-up to Latitude that New Jersey’s The Gaslight Anthem in the right circumstances might be the surprise hit of the festival, especially after headline-grabbing sets at Glastonbury and Hyde Park, where they were joined onstage by Bruce Springsteen, who in turn had Anthem frontman Brian Fallon share the spotlight with him and the E Street Band on “No Surrender”.

Just back from the Uncut Stage, which has hosted some pretty remarkable performances so far today.

Predictably, perhaps, the afternoon’s biggest draw – so far, at least – is for Simon Armitage. At 2pm, the Poetry Tent is rammed, with the crowd extending about 20 people deep around the perimeter. One curious passer-by asks my neighbour who’s on. “Simon Armitage,” says the guy standing next to me. “Sorry,” says the passer-by, “I don’t know who he is.” “He’s only the most important poet since Andrew Motion.” “You’ve lost me. Who’s Andrew Motion?” “Obviously,” comes the withering reply, “you never studied GSCE English at the start of the Noughties…”

Friday’s highlights, then.

A self-bootleg? With a “visual narrative” by David Lynch

Apologies, but not much time to file a proper blog today, as deadlines for the mag loom. One of today’s jobs is to write a review of the forthcoming DVD release of “Flight Of The Conchords”: Series Two, so here’s my favourite song from those ten episodes, “Carol Brown”, with a video by guest director, Michel Gondry. Like the best Conchords songs, this one transcends mere comedy, or neat pastiche, and sails straight into the rare territory of fundamentally excellent music. Enjoy…

I interviewed Michael Mann for the current issue of UNCUT, ahead of the release of Public Enemies. Call it reader service, but I thought those of you who're interested in such things might like a chance to read the full transcript (it's about 3,200 words, of which we only ran 1,000 in the issue). Anyway, here it is. Hope you enjoy.