29 Great moments from the 10th Coachella Valley Music & Arts Festival, Empire Polo Club, Indio, California, April 17-19, 2009.
1. Fleet Foxes drawing a huge, mellow crowd, sweltering under woolly beanies on the Outdoor Stage, Saturday, playing ‘White Winter Hymnal’. Temperature: 98 degrees.
2. Karen O, Yeah Yeah Yeahs, Coachella Stage Sunday, dressed as a disco ball, doing The Cramps’ ‘Human Fly’.
I first went to the Cannes Film Festival seven years ago; coincidentally, I’d just finished reading JG Ballard’s novel, Super-Cannes, about murder in an ultra-modern business park tucked away in the hills above town. On a morning unencumbered by meetings, film screenings or a hangover, I took a cab from my hotel in Grasse up to Sophia-Antipolis, one of Ballard’s models for the novel’s Eden-Olympia technopole.
I suppose this is a bit rich coming from someone who gets most of their music for free, but a gentle reminder that tomorrow seems to be Record Store Day across Britain and the US, at the very least.
When I was writing about the Lindstrom & Prins Thomas album a while back, I mentioned there was more Scandinavian electronic goodness forthcoming from The Field. “Yesterday And Today” is Axel Willner’s second album in this guise and, risking one of those winsome climatic references, it works great walking to work on a bright spring morning like this one.
Perhaps as a response to the American psych-folk scene, over the past few years there’ve been a handful of British bands who’ve sought to channel the late-‘60s/early-‘70s folk-rock scene. Most of them, unfortunately, have been more or less worthy but misfiring. Trembling Bells, though, are a big exception.
