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Fall

Wonderland

The strangely familiar downfall of John Holmes

Secret Window

Johnny Depp in decent Stephen King pic

The Unbelievable Truth

The full-length 1989 debut from Hal Hartley (his early shorts justly made his name as an indie legend) is a smartly funny, angularly touching example of his pop-Godard technique. Rebellious teen Adrienne Shelly and enigmatic ex-con (and possible murderer) Robert Burke dare to fall in love as rumours abound in the Long Island setting. Edie Falco supports in this literate, limber love story.

Death In Venice

Nobody wants a painfully slow death: do you want to watch one, even if it's set against the crumbling beauty of Venice? Visconti's '71 adaptation of Thomas Mann's novel is a classic no one dares question, but its study of ageing composer Dirk Bogarde falling in unrequited love with a golden, fey young boy is stately and overwrought, and so enamoured of itself it forgets the audience. Perilously sluggish.

Greasy Riders

Tasty offbeat debut from bedroom-dwelling electro-funk fanatics

Spirited Away

Haunting back-porch quirkiness from former Be Good Tanya

Lonesome Travails

Exquisitely bittersweet, pain-blasted country-rock from America's West Coast

Where The Sidewalk Ends

Reuniting Dana Andrews and Gene Tierney from his glossily perverse Laura, and adding uncharacteristic grit to compositional elegance, the great Otto Preminger delivered this noir about a violently ambiguous cop two decades before Dirty Harry appeared. Andrews is the splintering anti-hero, a brutal Manhattan detective coming apart while trying to cover up his killing of a suspect. Two more of Preminger's most neglected crime movies—superbly seedy small-town murder Fallen Angel and psychodrama Whirlpool—are also making (overdue) DVD debuts.

Cypher

Futuristic tale of corporate industrial espionage from Cube director Vincenzo Natali, with Jeremy Northam convincing as a nerdy salesman drawn into a world of brainwashing and betrayal who ends up questioning his own identity while falling for mysterious temptress Lucy Liu. It's Phil Dick meets Alias, but enjoyably undemanding.

Johnny Cash – The Living End

This belated sequel to 2002's triple-album retrospective Love God Murder features 18 songs that might easily have fitted under one or another of that set's individual headings. Not, perhaps, "Murder"—the only death here is that of the Native American hero of Peter LaFarge's "Ballad Of Ira Hayes", a war hero allowed to fall into alcoholism and ignominy after he'd helped raise that iconic flag at Iwo Jima—but certainly "Love" and "God".
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