From this year's Sundance Film Festival in snowy Utah, here's our verdict on The Doors documentary, When You're Strange, from Living In Oblivion director Tom DiCillo.
I posted this yesterday, but our blogs are misbehaving at the moment and it's seemed to have disappeared. So again: Bruce Springsteen, "Working On A Dream". Apologies for the day-old Obama stuff.
I happened to be at Chalk Farm tube yesterday, waiting for a train. As a bus user, I’m always curious to see what kind of ad campaigns studios are running on the underground for their current releases. At the moment, as a right-thinking film fan, you might be in a state of near-priapic delight at the wealth of prestige movies in cinemas. There’s posters up for The Wrestler, Slumdog Millionaire, The Reader, Milk and Frost/Nixon, breathlessly described with attention-grabbing quotes like “the feel-good film of the decade”, or “a contender for Best Picture”. It is, of course, January, and rather shamelessly the studios are chucking out their high-calibre movies as we pile headlong into Awards season.
The Neil Young/”Fork In The Road” business I wrote about yesterday seems to be moving on apace, as things suddenly seem to do in Young’s world. Thrasher’s Wheat now have a video and lyrics of the song.
Yesterday’s playlist provoked a bunch of requests from a few of you, requesting more info about the new things from Bon Iver, Six Organs Of Admittance, Arbouretum and Alela Diane (the Neil Young presence is caused by an Uncut staffer buying a bunch of CDs on the cheap, incidentally, rather than any new reissue campaign. Looks like “Toast” has slipped off the schedules again, by the way, while we’re on the subject of Neil’s capricious archives management).
