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Neil Young debuts 50-year-old song at Chicago solo show

Sam Richards
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Neil Young debuts 50-year-old song at Chicago solo show
Neil Young is currently on a solo tour of the US, playing varied sets drawing from all periods of his career. At Chicago's Auditorium Theatre last night (July 1) he surprised fans by taking to the piano to play "One More Sign", a song dating from the Buffalo Springfield era that has only ever been r...

Neil Young is currently on a solo tour of the US, playing varied sets drawing from all periods of his career. At Chicago’s Auditorium Theatre last night (July 1) he surprised fans by taking to the piano to play “One More Sign”, a song dating from the Buffalo Springfield era that has only ever been released as a demo.

Other highlights of his two Chicago shows included “After The Gold Rush” on pump organ, “The Needle And The Damage Done” and “Ohio”.

“The crowd was the real hero,” wrote Young on Neil Young Archives. “I was happy to join them.”

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Watch some clips of Neil Young’s Chicago gigs below and peruse the set lists here.

Tomorrow night’s show (July 3) at the Fox Theatre in Detroit will be streaming live on Neil Young Archives.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

The Band announce Music From Big Pink anniversary reissue

Sam Richards
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The Band announce Music From Big Pink anniversary reissue
To mark the album's 50th anniversary, The Band will reissue Music From Big Pink in a variety of expanded editions on August 31, including CD, digital, standard 2xLP, limited edition pink vinyl 2xLP and Super Deluxe CD/Blu-ray/2xLP/7" box set with a hardbound book. All configurations feature a new s...

To mark the album’s 50th anniversary, The Band will reissue Music From Big Pink in a variety of expanded editions on August 31, including CD, digital, standard 2xLP, limited edition pink vinyl 2xLP and Super Deluxe CD/Blu-ray/2xLP/7″ box set with a hardbound book.

All configurations feature a new stereo mix for the album, produced by Bob Clearmountain from the original four-track analogue masters. CD, digital and box set configurations also include five outtakes and alternate recordings from the Big Pink sessions and a previously unreleased a cappella version of “I Shall Be Released.”

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Exclusively for the box set, Clearmountain has also produced a new 5.1 surround mix for the album and the bonus tracks, presented on Blu-ray with the new stereo mix in high resolution audio (96kHz/24bit). All the new audio mixes have been mastered by Bob Ludwig at Gateway Mastering. The box set also includes an exclusive reproduction of The Band’s 1968 7″ vinyl single for “The Weight” / “I Shall Be Released” in their new stereo mixes and a hardbound book with a new essay by David Fricke and classic photos by Elliott Landy.

Watch a trailer for the anniversary editions of Music From Big Pink below:

Check out the tracklisting for the CD (available separately or as part of the Super Deluxe edition) below:

Music from Big Pink (50th Anniversary Edition)
2018 stereo mix
1. Tears Of Rage
2. To Kingdom Come
3. In A Station
4. Caledonia Mission
5. The Weight
6. We Can Talk
7. Long Black Veil
8. Chest Fever
9. Lonesome Suzie
10. This Wheel’s On Fire
11. I Shall Be Released

Bonus Tracks:
12. Yazoo Street Scandal (Outtake)
13. Tears Of Rage (Alternate Take)
14. Long Distance Operator (Outtake)
15. Lonesome Suzie (Alternate Take)
16. Key To The Highway (Outtake)
17. I Shall Be Released (A Cappella)

Pre-order the album here.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

New Joe Strummer comp to include rare and unreleased tracks

Sam Richards
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New Joe Strummer comp to include rare and unreleased tracks
September 28 sees the release of Joe Strummer 001, a new career-spanning compilation focusing on Strummer's non-Clash output, from The 101ers to The Mescaleros, plus solo albums and soundtrack work. The album includes 12 previously unreleased songs; hear one of them, "London Is Burning", below. The...

September 28 sees the release of Joe Strummer 001, a new career-spanning compilation focusing on Strummer’s non-Clash output, from The 101ers to The Mescaleros, plus solo albums and soundtrack work.

The album includes 12 previously unreleased songs; hear one of them, “London Is Burning”, below. The song dates from 2002 and is an alternative/early version of “Burnin’ Street” from Joe Strummer & The Mescaleros final album Streetcore.

Joe Strummer 001 will be released in double CD, quadruple vinyl and digital formats, plus as a limited edition Deluxe Double CD (in 64-page hardback A4 notebook with writings, lyrics, photos and sketches taken from Joe’s extensive personal archive) and limited edition Deluxe Box Set (4xLP plus 7” vinyl single, cassette, 64-page hardback A4 notebook, enamel badge, art print, screen print, lyrics and sticker sheet).

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All formats include tracks that have never appeared anywhere before as well as new remasters. The unreleased material includes an early demo of “This Is England” entitled “Czechoslovak Song/Where Is England”, a solo demo of “Letsagetabitarockin” recorded in Elgin Avenue in 1975, outtakes from Sid & Nancy featuring Mick Jones and unreleased songs “Rose Of Erin”, “The Cool Impossible” and “London Is Burning”, one of the last songs Joe recorded.

The compiling of Joe Strummer 001 was overseen by Joe’s widow Lucinda Tait and Robert Gordon McHarg III, who curated the Black Market Clash exhibition. All tracks were restored and mastered by Peter J. Moore at the E. Room in Toronto, Canada.

The full tracklisting for the Deluxe Box Set is as follows:

JOE STRUMMER 001

SIDE 1
‘Letsagetabitarockin’
1975 101ers from ‘Elgin Avenue Breakdown’
‘Keys To Your Heart’
1976 101ers from ‘Elgin Avenue Breakdown'(Version 2)
‘Love Kills’
1986 Joe Strummer from ‘Sid And Nancy’ OST
‘Tennesse Rain’
1987 Joe Strummer from ‘Walker’ OST
‘Trash City’
1988 Joe Strummer & Latino Rockabilly War from ‘Permanent Record’ OST
‘15th Brigade’
1989 Joe Strummer B.side of ‘Island Hopping’

SIDE 2
‘Ride Your Donkey’
1989 Joe Strummer from ‘Earthquake Weather’
‘Burning Lights’
1990 Joe Strummer from ‘I Hired A Contract Killer’ OST
‘Afro-Cuban Be-Bop’
1990 The Astro-Physicans from ‘I Hired a Contract Killer’ OST
‘Sand Paper Blues’
1995 Radar from ‘Sandpaper Blues’ Exhibition
‘Generations’
1997 Electric Dog House from ‘Generations 1 (A Punk Look At Human Rights)’

SIDE 3
‘It’s A Rockin’World’
1998 Joe Strummer from ‘South Park’ OST
‘Yalla Yalla’
1999 Joe Strummer & The Mescaleros from ‘Rock Art & The X-Ray Style’
‘X-Ray Style’
1999 Joe Strummer & The Mescaleros from ‘Rock Art & The X-Ray Style’
‘Johnny Appleseed’
2001 Joe Strummer & The Mescaleros from ‘Global A Go-Go’

SIDE 4
‘Minstrel Boy’
2001 Joe Strummer & The Mescaleros from ‘Black Hawk Down’ OST
‘Redemption Song’
2002 Joe Strummer with Johnny Cash from ‘Johnny Cash: Unearthed’
‘Over The Border’
2002 Joe Strummer with Jimmy Cliff from ‘Fantastic Plastic People’
‘Coma Girl’
2003 Joe Strummer & The Mescaleros from ‘Street Core’
‘Silver & Gold’
2003 Joe Strummer & Mescaleros from ‘Street Core’

SIDE 5
‘Letsagetabitarockin’
1975 Previously Unreleased Cassette Tape Demo. Recorded at 101 Elgin Avenue.

‘Czechoslovak Song’ / ‘Where Is England’
1983 Previously Unreleased 1/2 Inch Tape Master Demo dated August.
Early version of ‘This Is England.’
Joe Strummer: Vocals & Guitar. Paul Simonon: Bass. Pete Howard: Drums.

‘Pouring Rain’
1984 Previously Unreleased 1 inch 8-track Demo Recorded July 1984.
Joe Strummer: Vocals & Guitar. Paul Simonon: Bass. Pete Howard: Drums.
Mixed by Peter J. Moore 2018

‘Blues On The River’
1984 July. Previously Unreleased. 1 Inch 8 Track Tape Demo.
Joe Strummer: Vocals & Guitar. Drum Machine.
Mixed by Peter J. Moore 2018

‘Crying on 23rd’
1986 with The Sooth Sayers. Previously Unreleased. 1/4 Inch Tape.
Produced by Joe Strummer. Outtake from the Alex Cox film ‘Sid & Nancy.
’Joe Strummer: Vocals, Rhythm Guitar, Bass. Mick Jones: Guitar. Chris Musto: Drums, Percussion.

‘2 Bullets’
1986 with Pearl Harbour. Previously Unreleased. 1/4 Inch Tape.
Produced by Joe Strummer. Outtake from ‘Sid & Nancy.’Pearl Harbour: Vocals. Joe Strummer: Rhythm Guitar, Bass. Mick Jones: Guitar. Chris Musto: Drums.
B.J. Cole: Pedal Steel Guitar.

SIDE 6
‘When Pigs Fly’
1993 from When Pigs Fly.
Joe Strummer: Vocals & Guitar. Danny Thompson: Bass. Tommy McManamon: Electric Rhythm, Licks Guitar, Spanish Guitar.Terry Williams: Drums. James MacNally: Flute, Piano, Bodhran. Lee Goodall: Saxophone. Steve Warbeck: Accordion. Stuart Gordon: Violin.

‘Pouring Rain’
1993 from When Pigs Fly
Joe Strummer: Vocals & Guitar. Danny Thompson: Bass. Terry Williams: Drums. Steve Warbeck: Accordion.

‘Rose Of Erin’
1993 from When Pigs Fly
Joe Strummer: Vocals & Guitar. Danny Thompson: Bass. Terry Williams: Drums. Steve
Warbeck: Accordion. Tommy McManamon: Fuzz Electric Guitar, Rhythm & Slide Guitars James MacNally: Whistle, Piano.
Previously Unreleased. From the Sara Driver film ‘When Pigs Fly’
Transferred from Cassette Tape. Produced by Joe Strummer
Recorded 1993 at Rockfield Studios.

‘The Cool Impossible’
1993 JS Demo
Previously Unreleased. Recorded 1993 at Rockfield Studios. 2 Inch Tape Multitrack.
Produced by Kosmo Vinyl. Mixed by Peter J. Moore 2018
Joe Strummer: Vocals & Guitar. Danny Thompson: Bass. Aaron Ahmun: Drums. Tommy McManamon: Guitars. James MacNally: Piano.

‘London Is Burning’
2002 Mescaleros
Previously Unreleased. Recorded 2002. The last song to be discovered for Joe Strummer 001. Reworked into ‘Burning Streets’ on ‘Streetcore’. Originally titled ‘Fire Fighting Street’ and written for Joe’s show at Acton Town Hall for the Fire Brigade Union on November 15th 2002. Produced by Joe Strummer, Martin Slattery & Scott Shields. Joe Strummer: Vocals & Guitar. Scott Shields: Drums, Bass, Acoustic Guitar, Slide Guitar, Synth, BVs. Martin Slattery: Electric Guitar, Chamberlain Strings, Tambourine, BVs.

SIDE 7 (12” SINGLE)
‘US North’
1986 JS/Jones from Candy Mountain
Previously Unreleased. Recorded 1986. 1/2 Inch Tape Master. Produced by Mick Jones.
Unused song from the Robert Frank and Rudy Wurlitzer film ‘Candy Mountain’.
Joe Strummer: Vocals, Guitar. Mick Jones: Vocals, Guitars, Bass. Greg Roberts: Drums. Dan Donovan: Keyboards. Felippe Gonzales: Bongos. Xavier Solano: Agogo. Strings played by The Radio Futura Philharmonic Orchestra, Madrid

7” SINGLE
‘This is England‘
1984 July Demo
Previously Unreleased.1 Inch 8 Track Tape Demo.
Joe Strummer: Vocals & Guitar, Paul Simonon: Bass, Pete Howard: Drums.
Mixed by Peter J. Moore 2018

‘Before We Go Forward’
1984 July Demo
Previously Unreleased. 1 Inch 8 Track Tape Demo.
Joe Strummer: Vocals & Guitar, Paul Simonon: Bass, Pete Howard: Drums.
Mixed by Peter J. Moore 2018

CASSETTE
‘U.S. North Basement Demo’
Unreleased. Recorded 1986. Discovered in Joe’s cast cupboard.
Joe Strummer & Mick Jones: Vocals, Guitar, Drum Machine

The album is available to pre-order now from here.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

The Doors’ Waiting For The Sun gets deluxe anniversary reissue

Sam Richards
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The Doors’ Waiting For The Sun gets deluxe anniversary reissue
To mark its 50th anniversary, The Doors' 1968 album Waiting For The Sun will be reissued in deluxe 2xCD + 1xLP format on September 14. The package contains a stereo version of the original album on both CD and 180g vinyl, newly remastered by Bruce Botnick. It also includes a second disc of 14 previ...

To mark its 50th anniversary, The Doors’ 1968 album Waiting For The Sun will be reissued in deluxe 2xCD + 1xLP format on September 14.

The package contains a stereo version of the original album on both CD and 180g vinyl, newly remastered by Bruce Botnick. It also includes a second disc of 14 previously unreleased tracks: nine recently discovered “rough mixes” from the album recording sessions and five live songs from a Doors show in Copenhagen on September 17, 1968. The audio will also be available on digital download and streaming services.

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Peruse the full tracklisting below:

WAITING FOR THE SUN: 50th ANNIVERSARY DELUXE EDITION

Disc One
“Hello, I Love You”
“Love Street”
“Not To Touch The Earth”
“Summer’s Almost Gone”
“Wintertime Love”
“The Unknown Soldier”
“Spanish Caravan”
“My Wild Love”
“We Could Be So Good Together”
“Yes, The River Knows”
“Five To One”

Disc Two (All Tracks Previously Unreleased)
Rough Mixes
“Hello, I Love You”
“Summer’s Almost Gone”
“Yes, The River Knows”
“Spanish Caravan”
“Love Street”
“Wintertime Love”
“Not To Touch The Earth”
“Five To One”
“My Wild Love”

Live In Copenhagen
“The WASP (Texas Radio And The Big Beat)”
“Hello, I Love You”
“Back Door Man”
“Five To One”
“The Unknown Soldier”

In addition, Rhino will re-release The Doors’ single “Hello, I Love You” b/w “Love Street” on 7″ vinyl, 50 years to the day it hit No.1 in the US on August 3, 1968. This anniversary release will use mono radio mixes of the songs that were given exclusively to radio stations for airplay in 1968. This version of “Hello, I Love You” was first available last year as part of The Singles CD collection and is making its vinyl debut here, while the “Love Street” mix is being released commercially for the first time.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Kinks reunion – the latest!

Sam Richards
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Kinks reunion – the latest!
Ray Davies has revealed that The Kinks are talking about getting back together for the first time in over two decades. In an interview on Monday (June 25) on Channel 4 news, the frontman was interrupted by a phone call from original Kinks drummer Mick Avory. "We're making a new Kinks album," smiled...

Ray Davies has revealed that The Kinks are talking about getting back together for the first time in over two decades.

In an interview on Monday (June 25) on Channel 4 news, the frontman was interrupted by a phone call from original Kinks drummer Mick Avory. “We’re making a new Kinks album,” smiled Davies mischievously.

Pressed on whether he was joking or not, Davies said: “We’re talking about it because I’ve got all these songs that I wrote for them when the band – not broke up – we parted company, and I think it’s kind of an appropriate time to do it… I’ve got some great Kinks tunes in my head.”

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“It won’t be well-organised like The Rolling Stones,” he continued. “I must praise The Rolling Stones for being great at publicity and a great band, great at organising their careers… It’s kind of inspiring to see them doing it. But The Kinks will probably play in the local bar.”

Talking about The Kinks’ famously fractious history, Davies said: “The trouble is, the two remaining members – my brother Dave and Mick – never got along very well. But I made that work in the studio and it fired me up to make them play harder, and with fire, so if I can recapture those moments… I haven’t brought them together in the same room yet but we’re working on it.”

Watch the whole interview below:

Yesterday (June 27), Dave Davies took to Twitter to confirm that a Kinks reunion was likely, though very much in its embryonic stages: “Me and Ray have spoken about the possibility of us working on a new album. Ray has a few songs he wants to finish. I have 3 or 4 songs I’ve written with Ray. We’ve been talking about it for some time now. We haven’t discussed shows or anything else at the moment.”

Dave Davies’ album Decade, a compilation of unreleased ’70s material, is due for release in September.

You can read a review of Ray Davies’ latest solo album Our Country: Americana Act II in the current issue of Uncut, on sale now.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Win tickets to see Paul Simon live in Hyde Park!

Sam Richards
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Win tickets to see Paul Simon live in Hyde Park!
Paul Simon will headline Barclaycard Presents British Summer Time Hyde Park, London, on July 15. Billed as 'Homeward Bound: The Farewell Tour', it may be the last chance you get to see the legendary singer-songwriter before he retires from live performance. Tickets for the event – which also feat...

Paul Simon will headline Barclaycard Presents British Summer Time Hyde Park, London, on July 15. Billed as ‘Homeward Bound: The Farewell Tour’, it may be the last chance you get to see the legendary singer-songwriter before he retires from live performance.

Tickets for the event – which also features James Taylor & His All-Star Band, Bonnie Raitt and Johnny Flynn & The Sussex Wit – are almost sold out. But we’re giving away ONE pair of tickets to one lucky Uncut reader.

Get Uncut delivered to your door – find out by clicking here!

To enter, please answer the following question correctly. One winner will be chosen at random from the Uncut office hat.

What is the first track on Paul Simon’s classic 1986 album Graceland?

a) You Can Call Me Al
b) The Boy In The Bubble
c) Graceland

Send your answers to UncutComp@timeinc.com by Friday June 30.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Ryuichi Sakamoto: Coda

Michael Bonner
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Ryuichi Sakamoto: Coda
Stephen Nomura Schible’s film opens in Miyagi, Northeastern Japan in 2012, the year after the region was devastated by an earthquake. Ruyichi Sakamoto has come to meet one of the survivors: a piano. “I wanted to hear its sound,” he explains, plucking around in the guts of the instrument. The n...

Stephen Nomura Schible’s film opens in Miyagi, Northeastern Japan in 2012, the year after the region was devastated by an earthquake. Ruyichi Sakamoto has come to meet one of the survivors: a piano. “I wanted to hear its sound,” he explains, plucking around in the guts of the instrument. The next we see of the composer, he has donned a white ABC suit to tour the ghostlike, abandoned “Restricted Containment Zone” near the Fukushima nuclear power plant. It transpires that death and disaster are recurring themes in Coda.

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In 2014, Sakamoto was diagnosed with throat cancer. As a consequence, he junked the music he was working on and started anew. The high stakes creation of what finlly became async – his restorative album from 2017 – provides the focus for Schible’s film. There are field trips – similar to Fukushima – where Sakamoto searches out sounds to incorporate into his music. Among them, a glacier and a forest. The patience and sensitivity Sakamoto brings to his work is mirrored in Schible’s direction.

In some respects, the film Coda resembles is The Kingdom Of Dreams And Madness – the documentary about Studio Ghibli about Hayao Miyazaki and Isao Takahata. Both films portray well-respected, resolutely anti war Japanese artists aghast at their country’s shift towards the right. Ironically, Takahata once fired Sakamoto claiming his music was “too serious” for Studio Ghibli films.

Schible’s strongest suit is Sakamoto himself. Slender, bespectacled, foppish grey hair, he is unflappable at work in the studio – though prone to almost boyish bursts of excitement when he hits a pleasing chord progression. His hair is even more foppish in flashback, glimpsed in Yellow Magic Orchestra footage or around the time he starred in and composed the music for Merry Christmas, Mr Lawrence. There are warm, funny anecdotes, too, about working with Oshima and Bertolucci. A superior film.

Follow me on Twitter @MichaelBonner

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

The Best Of 2018: Halftime Report

Michael Bonner
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The Best Of 2018: Halftime Report
First off, a gentle reminder that our excellent new issue of Uncut is in the shops now, featuring a look at Prince's greatest albums, the return of the Cowboy Junkies, Graham Nash, Rolling Blackouts Coastal Fever, John Coltrane, Hawkwind, Teenage Fanclub and Jennifer Warnes. Full details about the i...

First off, a gentle reminder that our excellent new issue of Uncut is in the shops now, featuring a look at Prince‘s greatest albums, the return of the Cowboy Junkies, Graham Nash, Rolling Blackouts Coastal Fever, John Coltrane, Hawkwind, Teenage Fanclub and Jennifer Warnes. Full details about the issue are here, in case you missed them.

Conscious that we’re about to hit the halfway mark through 2018, I tried to round up my favourite albums of the year so far; specifically releases from January until the end of June. They’re listed in alphabetical order, in case you’re interested. Reassuringly, there’s already a lot to look forward to in the second half of this year – including strong new album from Glenn Jones, Nathan Salsburg, One Eleven Heavy, Alexander Tucker and Thee Oh Sees among others.

Follow me on Twitter @MichaelBonner

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1 Arctic Monkeys – Tranquility Base Hotel & Casino (Domino)
2 Courtney Barnett – Tell Me How You Really Feel (Marathon Artists)
3 Beach House – 7 (Bella Union)
4 Belly – Dove (self-released)
5 Kadhja Bonet – Childqueen (Fat Possum)
6 Breeders – All Nerve (4AD)
7 David Byrne – American Utopia (Nonesuch)
8 Dylan Carson – Conquistador (Cargo)
9 Chris Carter – Chemistry Lessons Volume 1 (Mute)
10 Neko Case – Hell-On (Anti-)
11 Jennifer Castle – Angels Of Death (Paradise of Bachelors)
12 Cavern Of Anti-Matter – Hormone Lemonade (Duophonic)
13 Graham Coxon – The End Of The F***ing World OST (Warner Music Group)
14 Ry Cooder – The Prodigal Son (Fantasy Records)
15 Lucy Dacus – Historian (Matador)
16 Juliana Daugherty – Light (Western Vinyl)
17 Dead Meadow – The Nothing They Need (Xemu Records)
18 Father John Misty – God’s Favorite Customer (Bella Union)
19 Eleanor Friedberger – Rebound (French Kiss)
20 Shinya Fukumori Trio – For 2 Akis (Deutsche Grammophon)
21 Gang Gang Dance – Kazuashita (4AD)
22 Gnod – Chapel Perilous (Rocket Recordings)
23 Jonny Greenwood – Phantom Thread OST (Nonesuch)
23 Gwenno – Le Kov (Heavenly Recordings)
25 Jon Hassell – Listening To Pictures (Pentimento Volume One) (Ndeya)
26 Haley Heynderickx – I Need To Start A Garden (Mama Bird Recording Co.)
27 Jon Hopkins – Singularity (Domino)
28 Steve Jansen – Corridor (self-released)
29 Andy Jenkins – Sweet Bunch (Spacebomb)
30 Kaada – Closing Statements (Mirakel Recordings)
31 Khruangbin – Con Todo El Mundo (Dead Oceans)
32 Mary Lattimore – Hundreds Of Days (Ghostly International)
33 Mélissa Laveaux – Radyo Siwèl (No Format!)
34 Sarah Louise – Deeper Woods (Thrill Jockey)
35 Luluc – Sculptor (Sub Pop)
36 Francis MacDonald – Hamilton Mausoleum Suite (TR7/Shoeshine Records)
37 Stephen Malkmus & The Jicks – Sparkle Hard (Domino)
38 Johnny Marr – Call The Comet (Warner Bros.)
39 Melody’s Echo Chamber – Bon Voyage (Domino)
40 Mien – Mien (Rocket Recordings)
41 Mind Over Mirrors – Bellowing Sun (Paradise of Bachelors)
42 Modern Studies – Welcome Strangers (Fire Records)
43 Aidan Moffat & RM Hubbard – Here Lies The Body (Rock Action Records)
44 Mouse On Mars – Dimensional People (Thrill Jockey)
45 Ought – Room Inside The World (Merge)
46 Josh T. Pearson – The Straight Hits (Mute)
47 Natalie Prass – The Future And The Past (Fire Records)
48 Mark Pritchard – The Four Worlds (Warp)
49 Gwenifer Raymond – You Were Never Much Of A Dancer (Tompkins Square)
50 Red River Dialect – Broken Stay Open Sky (Paradise of Bachelors)
51 Rolling Blackouts Coastal Fever – Hope Downs (Sub Pop)
52 The Sea And Cake – Any Day (Thrill Jockey)
53 Ty Segall – Freedom’s Goblin (Drag City)
54 Snail Mail – Lush (Matador)
55 Sons Of Kemet – Your Queen Is A Reptile (Impulse! Records)
56 Stuart A. Staples – Arrhythmia (City Slang)
57 Unknown Mortal Orchestra – Sex & Food (Jagjaguwar)
58 U.S. Girls – In a Poem Unlimited (4AD)
59 Laura Veirs – The Lookout (Bella Union)
60 The Wave Pictures – Brushed With Happiness (Moshi Moshi)
61 Leon Vynehall – Nothing Is Still (Ninja Tune)
62 Ryley Walker – Deafman Glance (Dead Oceans)
63 Wand – Perfume (Drag City)
64 Kamasi Washington – Heaven And Earth (Young Turks)
65 Jess Williamson – Cosmic Wink (Mexican Summer)
66 Jonathan Wilson – Rare Birds (Bella Union)
67 Virginia Wing – Ecstatic Arrow (Fire Records)
68 Yo La Tengo – There’s A Riot Going On (Matador)

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Rolling Blackouts Coastal Fever – Hope Downs

Allan Jones
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Rolling Blackouts Coastal Fever – Hope Downs
Put Hope Downs in the CD player, press play and before the digital clock’s even ticking, “An Air-Conditioned Man” is coming at you like the wind you’d expect to accompany the envisioned Rapture, a scorching holy gale. One, two, three guitars, two voices, sometimes overlapping, combine into a...

Put Hope Downs in the CD player, press play and before the digital clock’s even ticking, “An Air-Conditioned Man” is coming at you like the wind you’d expect to accompany the envisioned Rapture, a scorching holy gale. One, two, three guitars, two voices, sometimes overlapping, combine into a single noise over a relentless rhythm, part Mo Tucker backbeat, the rest motorik pulse. It’s entirely addictive – one fix and you’re hooked.

Rolling Blackouts Coastal Fever were formed in Melbourne in 2013, by singer-guitarist Fran Keaney, guitarist Tom Russo, with Tom’s brother Joe on bass and, eventually, Fran’s cousin Joe White on third guitar and vocals, and drummer Marcel Tussie. Keaney, Tom Russo and White are the band’s principal songwriters and singers, the songs often dialogues between them. The sound they make, however, belongs to all of them, every instrument a key part of the miasmic sonic swirl.

They were part of the same local scene as Courtney Barrett, with whom they share certain askew lyrical perspectives, if little of Barrett’s closely observed narrative specificities, Rolling Blackout usually preferring allusion to illustration. They’ve released two mini-albums: “Talk Tight” (2016) attracted great reviews and brought them to the attention of Sub Pop, who released last year’s thrilling “The French Press”. Legitimate comparisons were made between these records and literate, pop-savvy ’80s groups like The Go-Betweens, Orange Juice and The Triffids, and New Zealand bands like The Chills, Bats and The Clean. You could also hear The Velvet Underground and Television 
in the mix, maybe a hint of the fractured, disintegrating psychedelic juxtapositions of “Laughing Stock” and “Your Mind And We Belong Together”, the weird last single by Love’s original lineup, released between Forever Changes and Four Sail.

The album Hope Downs most reminds me of, however, is REM’s Murmur, which on its release in 1984 changed the lives of a lot of people, mine included. The two records share the same spectacular impatience to be heard and impress, a kinetic restlessness, an almost fevered superabundance of ideas, melody and brightly ringing guitars, oblique lyrics that mystify and illuminate simultaneously. Exciting tracks here like “Talking Straight”, “Time In Common” and “Sister’s Jeans” wholly recall the rip-roaring assault of “Radio Free Europe” and “Moral Kiosk”, the whole yet underpinned by the kind of drifting melancholy elegantly articulated by Murmur cuts like “Perfect Circle” and “Talk About The Passion”, even when the music burns as bright as an oil-field fire.

Rolling Blackouts virtually weaponise brevity on Hope Downs. Only three of the tracks are longer than four minutes, and most clock in at three or less. They pack so much into each of them, however, that it’s akin to finding the full text of Infinite Jest engraved on the back of a fridge magnet. There’s a pent-up hysteria to some of them, barely contained, that finds release in rhapsodic guitars, an often ecstatic sound. Rolling Blackouts, though, rarely merely jam. These songs are meticulously arranged, well practised, a lot of hard work put into their precise perfections, even as they sound entirely intuitive, as if all these incredible ideas have been released to them on a whim. The songs themselves, for the most part, seem to be about discordant love, the terminal twitches of dying relationships, breakups, betrayal and heartbreak, the usual boy-girl shit. But on other levels, they speak of larger crises of separation, estrangement, the cruel nostalgia of things remembered you’d rather forget. They could be about lovers, refugees, her, me, you there with the glasses.

Let’s be clear. Hope Downs doesn’t invent anything “new”. 
It’s the kind of record I could have been listening to when I was 15 and still be playing now, timeless in its past and future reach.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Watch footage of Neil Young’s Arroyo Seco show

Sam Richards
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Watch footage of Neil Young’s Arroyo Seco show
This weekend (June 23) Neil Young headlined Pasadena's Arroyo Seco festival with his regular backing band, Promise Of The Real. Kicking off with a 20-minute version of "Like An Inca" from Trans, Young and his band appeared to be assembling their set-list on the fly. Get Uncut delivered to your doo...

This weekend (June 23) Neil Young headlined Pasadena’s Arroyo Seco festival with his regular backing band, Promise Of The Real.

Kicking off with a 20-minute version of “Like An Inca” from Trans, Young and his band appeared to be assembling their set-list on the fly.

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At one point they started playing “Lotta Love” only to abandon it after a few seconds in favour of Buffalo Springfield’s “I Am A Child”, returning to “Lotta Love” afterwards.

The encore comprised CSNY’s “Ohio”, a 15-minute version of “Down By The River” and “Roll Another Number”.

“Funny how an unplanned set breathes like real rock and roll,” wrote Young later on Neil Young Archives. “We just play what we feel like playing, for as long as we feel like playing it, and it works for us.”

Watch some fan-filmed footage of the performance and peruse the full setlist below:

01. Lika An Inca
02. F*!#in’ Up
03. Cortez The Killer
04. Forget About Georgia (Lukas Nelson)
05. Everything Is Bullshit (Micah Nelson)
06. I Am A Child
07. Lotta Love
08. Rockin’ In The Free World
09. Hey Hey, My My (Into The Black)
10. Angry World
11. Powderfinger
—
12. Ohio
13. Down By The River
14. Roll Another Number

https://www.youtube.com/watch?v=YYkS-2j6DIw

https://www.youtube.com/watch?v=sInPa1qfZrI

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Send us your questions for Gruff Rhys

Sam Richards
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Send us your questions for Gruff Rhys
As the leader of Super Furry Animals, one of our most treasured beat combos, Gruff Rhys surely needs no introduction. But here's a quick one anyway. Ever since gatecrashing the Britpop party with the longest-titled EP in history, the Super Furries - with Rhys' whimsical yet cutting lyrics to the fo...

As the leader of Super Furry Animals, one of our most treasured beat combos, Gruff Rhys surely needs no introduction. But here’s a quick one anyway.

Ever since gatecrashing the Britpop party with the longest-titled EP in history, the Super Furries – with Rhys’ whimsical yet cutting lyrics to the fore – have taken on us a fantabulous journey involving unicorns, pink tanks, yetis, Howard Marks, ice hockey hair, steel drums, golden retrievers and integrated metropolitan public transport systems.

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Rhys’s solo albums have been no less remarkable, with each envisioned as a kind of adventure or challenge, whether that’s building a mini hotel out of complimentary shampoo bottles or travelling across America with a puppet of an 18th century Welsh explorer. His latest, Babelsberg, finds him working with a full symphony orchestra for the first time. Uncut called it “warm and weird, but suddenly no stranger than the world around it.”

So what would you like to ask of the composer of such indelible anthems as “The Man Don’t Give A Fuck”, “God! Show Me Magic”, “I Told Her On Alderaan” and pro-Remain campaign song “I Love EU”?

Send your questions by Wednesday June 27 to uncutaudiencewith@ti-media.com – the best ones, along with Gruff’s answers of course, will be published in a future issue of Uncut.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Johnny Marr – Call The Comet

Stephen Troussé
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Johnny Marr – Call The Comet
In Set The Boy Free, his brisk, bullish autobiography published in 2016, there’s a great photo of Johnny Marr from 1981 or 1982, still working at X-Clothes in Manchester, but clearly already in the green room of pop history. He’s posed immaculately in the corner, dressed head to toe in Wild One ...

In Set The Boy Free, his brisk, bullish autobiography published in 2016, there’s a great photo of Johnny Marr from 1981 or 1982, still working at X-Clothes in Manchester, but clearly already in the green room of pop history. He’s posed immaculately in the corner, dressed head to toe in Wild One leather, eyeing the camera with teenage Brando defiance, as if demanding of the nascent ’80s pop scene, “Well, whaddya got?”

The teenage Marr was a musician of freakish facility: you can easily imagine alternative ’80s timelines where he led a Factory avant-funk act, fingerpicked his way through a Pentangular folk career 
or crafted immaculate scally sophistipop à la The Pale Fountains. But it’s the Johnny Marr in this photo that you can imagine has been biding his time to record Call The Comet, his third, most powerful and most cohesive solo record yet.

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In a funny way it’s an album of BIG MUSIC, a peer of the Bunnymen’s Heaven Up Here, Simple Mind’s Empires And Dance, the John McGeoch of the Banshees’ Juju and Magazine’s The Correct Use Of Soap. If The Messenger and Playland saw him dedicated to writing precisely concise and askew new-wave post-punk pop, and occasionally giving the impression he would very much have liked to compose the first Franz Ferdinand album, here he gives free rein to a more grandiose spirit, channelling some of the sublime scale of his soundtrack work with Hans Zimmer.

“Rise” sets the Olympian tone, sounding uncannily like the theme tune for Sky’s Super Sunday as it might be performed in the future dystopia of Diamond Dogs: “Now here they come, it’s the dawn of the dogs/They howl and they howl and they never let up.” Lead single “The Tracers” ups the tempo and intensity, evoking that mid-’80s moment when New Order (“Sunrise”), the Banshees (“Cities In Dust”) and even Killing Joke and Sisters of Mercy mapped out a magnificent cinemascope gothic pop. It may be possible to tease out the threads of some sci-fi album concept in the lyrics (“Tracers know we’ve lost our way/Take all the love we’ve lost and scattered”), but in truth the track, and the album, are most thrilling when Marr simply surfs the scintillating waves of guitar with wordless sighs and woo-hoos. Indeed at times it’s tempting to imagine an entirely wordless, shoegaze instrumental version of the album.

Even after three solo albums, it’s fair to say that Marr still doesn’t seem like a natural frontman. In football terms, fronting his own band requires him to be a kind of deep-lying false nine, or, like Roberto Firmino, one of those players who strive to be everywhere on the pitch at once. You sense he might be more comfortable as David Silva, masterfully conducting play from the middle of the park.

In conversation with Bernard Butler last year for a radio show on the reissue of The Queen Is Dead, Marr talked about how the relatively unheralded “Never Had No One Ever” was in fact the key to the whole record, distilled from a memory of playing along to “I Need Somebody” from Raw Power in his bedroom, illuminated by the moon and the streetlights. That lonely sodium streetlight sound – his equivalent of Dylan’s wild mercury – is all over Call The Comet, notably on the bloodcurdling solo of “Hey Angel” and the stark acoustic strum of “Day In Day Out”. But, though he’s now an assured singer, Johnny is no Iggy. There’s no shame in that – nobody else is either. But unlike Siouxsie or Ian McCulloch or even Bernard Sumner, he can’t coast through a song on vocal charisma alone.

It might be best to appreciate Call The Comet as a sublime soundtrack, possibly the most atmospheric, widescreen guitar album you’ll hear all year: from the haunted shimmer of “Hi Hello” to the cracked Bowie of “Actor-Attractor”, from the Simple Minds stadium futurism of “Spiral Cities” to the coruscating Banshee screech of “My Eternal” and the spectacular sunset of “A Different Gun”. It feels very consciously the third part of Marr’s modern Manchester trilogy: if The Messenger revisited his Wythenshawe street-urchin ambition and Playland critiqued the cosmetic glitter of the 21st-century metropolis, then despite everything, here he’s dreaming of a better world. With maybe only Paul Weller as a peer, he’s still refusing to look back, to reform, to trade on his awesome back pages. Almost 40 years on, he’s still unmistakeably the cocksure kid from that ’80s clothes shop making his own demands on the future.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Watch My Bloody Valentine play a new song at Meltdown

Sam Richards
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Watch My Bloody Valentine play a new song at Meltdown
My Bloody Valentine performed at London's Royal Festival Hall as part of Robert Smith's Meltdown Festival on Saturday night (June 23). During their set, they debuted an untitled new song. Watch a clip of it below: https://www.instagram.com/p/BkYhrCRABuf/ Get Uncut delivered to your door - find ou...

My Bloody Valentine performed at London’s Royal Festival Hall as part of Robert Smith’s Meltdown Festival on Saturday night (June 23).

During their set, they debuted an untitled new song. Watch a clip of it below:

https://www.instagram.com/p/BkYhrCRABuf/

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It’s not yet known whether the song will be included on My Bloody Valentine’s new EP, which Kevin Shields has teased in various interviews this year. The band play Roskilde festival in Denmark this weekend before embarking on a US tour in July.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Unknown Mortal Orchestra’s Ruban Nielson: “I’m obsessed with putting myself in difficult situations”

Tom Pinnock
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Unknown Mortal Orchestra’s Ruban Nielson: “I’m obsessed with putting myself in difficult situations”
Like us on Facebook to keep up to date with the latest news from Uncut From the Korean Demilitarized Zone to earthquake-hit Mexico City, Unknown Mortal Orchestra recorded their ambitious new album Sex & Food in some perilous locations – and lived to tell the tale. Tom Pinnock joins creative m...

There’s no shortage of food in Madrid, of course, but vegan dishes are harder to come by, so Nielson and Uncut head to La Colonial De Huertas, a Cuban-Spanish restaurant near the Prado, for pastel de verduras. Over glasses of Mahou – “My new session beer,” says Ruban – talk turns to the current state of America, echoed in Sex & Food’s more dystopian moods. Nielson explains that as a response to the shock of Trump’s election win, and tipped off by a reference in Adam Curtis’s Hypernormalisation, he began reading the Strugatsky brothers’ Soviet sci-fi novels, notably Roadside Picnic.

“Being in America, it just feels nuts there,” he says. “It feels impossible to tell exactly what’s going on, and it’s getting worse. So I think trying to escape that every now and then is really important. It can be creatively inspiring, but you have to read the Strugatsky brothers and think about it as some science-fiction nightmare.”

“Sick of fake democracies,” the singer murmurs, resigned, on “Ministry Of Alienation”. “Can’t escape the 20th century/Handing in my resignation/The ministry of alienation…” But Ruban has a lot to keep him occupied before 2020: in particular, the gigs UMO have planned for this year, uniting the core studio trio for their first full tour.

“I had a meltdown last New Year’s Eve,” Ruban explains. “I got really drunk and wandered around the streets by myself, thinking, ‘I’m gonna stop doing this band, there’s no reason to do it – just because I’ve had some success doesn’t mean I should keep doing it.’ But I woke up the next morning and thought, ‘I should get Kody back in the live band…’ And I started building the band around the idea of having Kody back in.”

“We’re older now,” says Kody, “and I guess I’ve grown up a lot since we were last touring together. It’s not as nuts as it was before.”

After a shot of Arecha Punch Au Rhum, Nielson is on his way to the airport, heading to Brussels. He’s leaving his favourite painting once again, but no doubt they’ll be reunited soon. In the meantime, the guitarist is positive about his next moves.

“Kody and I have these demons in our family,” he explains, “and I thought if we could work through stuff by having a successful year of touring together, then it might give me a reason to go out and play. He’s always been my favourite drummer, since we were kids.

“With the fact that there’s some tension between us, we’re always gonna make better music together than we can apart. If we have a success this year, I want to be able to look at Kody and say, ‘We did it.’”

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Graham Nash on CSNY: “It would get pretty tense”

Sam Richards
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Graham Nash on CSNY: “It would get pretty tense”
Talking exclusively in the latest issue of Uncut - on sale now - Graham Nash confirms that another CSNY reunion is unlikely for the time being. "I'm talking to Stephen [Stills], I'm talking to Neil [Young] and no-one's talking to [David] Crosby. So what can you do?" says Nash. "Crosby's on his path...

Talking exclusively in the latest issue of Uncut – on sale now – Graham Nash confirms that another CSNY reunion is unlikely for the time being.

“I’m talking to Stephen [Stills], I’m talking to Neil [Young] and no-one’s talking to [David] Crosby. So what can you do?” says Nash. “Crosby’s on his path and we’re on ours. So be it.”

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Nash also reveals that tensions between Crosby and producer Rick Rubin scuppered the supergroup’s aborted 2012 album. “We wanted to do ‘Blackbird’ and ‘Norwegian Wood’… But Rick said no, that there would only be one Beatles song on the record. So Crosby told him, ‘There’ll only be one Beatles song on the record if we say there’s only one fucking Beatles song on the record. Do not tell us what the fuck to do and what to sing!’ It was over from that moment… Once you stir Crosby up, forget it. It’s not worth it.”

Mulling over the suggestion that CSNY perhaps needed friction to prosper, Nash says: “I don’t think we needed friction, it was just there. It would get pretty tense, occasionally. But the music is the most important thing about us. And the truth is that if we never make another note of music together again, at least look what we achieved.”

When asked what it would take to get CSNY back together, Nash says: “It’s really simple. We have to like each other.”

Read much from Graham Nash on CSNY, Joni Mitchell and his new retrospective compilation Over The Years… in the August 2018 issue of Uncut, on sale now.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Watch Max Richter’s new video, starring Elisabeth Moss

Sam Richards
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Watch Max Richter’s new video, starring Elisabeth Moss
Max Richter's influential 2004 album The Blue Notebooks is getting the deluxe reissue treatment on June 29. To mark the re-release, director George Belfield has made a short film to accompany one of its tracks. "On The Nature Of Daylight" stars Mad Men's Elisabeth Moss, who describes herself as Ric...

Max Richter’s influential 2004 album The Blue Notebooks is getting the deluxe reissue treatment on June 29.

To mark the re-release, director George Belfield has made a short film to accompany one of its tracks. “On The Nature Of Daylight” stars Mad Men’s Elisabeth Moss, who describes herself as Richter’s “biggest fan”. Watch it below:

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“When I was asked to do this project it was a dream come true,” says Moss. “My work has been inspired by his music for so many years and not a day goes by on set where I don’t have Max’s music playing in my ears before a take. His music and my acting have gone hand in hand for a long time. So for me the opportunity to act to one of his most prolific pieces was such an incredible honour. Working with George and this entire team was so artistically fulfilling and an experience I will never forget.”

The Blue Notebooks is re-released in 2xCD / 2xLP and ‘Super Deluxe’ editions on June 29. Check the tracklistings below and pre-order it here:

2xCD / 2xLP edition
Disc 1
1. ‘The Blue Notebooks’
2. ‘On The Nature Of Daylight’
3. ‘Horizon Variations’
4. ‘Shadow Journal’
5. ‘Iconography’
6. ‘Vladimir’s Blues’
7. ‘Arboretum’
8. ‘Old Song’
9. ‘Organum’
10. ‘The Trees’
11. ‘Written On The Sky’

Disc 2
1. ‘A Catalogue Of Afternoons’ (previously unreleased recording)
2. ‘On The Nature Of Daylight’ (Orchestral Version)
3. ‘Vladimir’s Blues 2018’ (new arrangement, recorded at Air Studios, 2018)
4. ‘On The Nature Of Daylight (Entropy)’ (new arrangement, recorded at Air Studios, 2018)
5. ‘Vladimir’s Blues’ (Jlin Remix)
6. ‘Iconography’ (Konx-Om-Pax Remix)
7. ‘This Bitter Earth’ / ‘On The Nature Of Daylight’

Super Deluxe Edition
CD 1
1. ‘The Blue Notebooks’
2. ‘On The Nature Of Daylight’
3. ‘Horizon Variations’
4. ‘Shadow Journal’
5. ‘Iconography’
6. ‘Vladimir’s Blues’
7. ‘Arboretum’
8. ‘Old Song’
9. ‘Organum’
10. ‘The Trees’
11. ‘Written On The Sky’

CD 2
1. ‘A Catalogue Of Afternoons’ (previously unreleased recording)
2. ‘On The Nature Of Daylight’ (Orchestral Version)
3. ‘Vladimir’s Blues 2018’ (new arrangement, recorded at Air Studios, 2018)
4. ‘On The Nature Of Daylight (Entropy)’ (new arrangement, recorded at Air Studios, 2018)
5. ‘Vladimir’s Blues’ (Jlin Remix)
6. ‘Iconography’ (Konx-Om-Pax Remix)
7. ‘This Bitter Earth’ / ‘On The Nature Of Daylight’
8. ‘Cypher’ (brand new track, recorded at Air Studios, 2018)

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Led Zeppelin announce deluxe reissue of The Song Remains The Same

Sam Richards
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Led Zeppelin announce deluxe reissue of The Song Remains The Same
Led Zeppelin have announced a comprehensive, multi-format reissue of the soundtrack to their 1976 concert film The Song Remains The Same. It will be released on September 7, 50 years to the day that the four members of Led Zeppelin first performed together under the name The New Yardbirds. Get Unc...

Led Zeppelin have announced a comprehensive, multi-format reissue of the soundtrack to their 1976 concert film The Song Remains The Same.

It will be released on September 7, 50 years to the day that the four members of Led Zeppelin first performed together under the name The New Yardbirds.

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The fully remastered album will be released on CD, digital, 4xLP and Blu-Ray formats, as well as a ‘super deluxe box set’ edition which includes vinyl, CD and DVD versions plus a photobook, concert programme replica and art print.

The Blu-Ray and DVD versions of the album include bonus video out-takes of four songs not in the original film: “Celebration Day,” “Over The Hills And Far Away,” “Misty Mountain Hop” and “The Ocean”. The tracklisting for the LP versions has been reconfigured, allowing the epic, 29-minute version of “Dazed And Confused” to be featured in its entirety on one side of vinyl for the first time.

Peruse the contents of all the new versions of The Song Remains The Same below:

CD
Remastered audio on two CDs, plus 24-page booklet.

Vinyl
Remastered audio on four 180-gram vinyl LPs, plus 28-page booklet

Blu-Ray
96kHz/24 bit 5.1 (DTS-HD Master Audio Surround) and stereo mixes (PCM Stereo and DTS-HD Master Audio Stereo). Video performances of four songs not in the original film: “Celebration Day,” “Over The Hills And Far Away,” “Misty Mountain Hop,” and “The Ocean.” (All with 5.1 audio)

Streaming & Digital Download
Remastered audio.

Super Deluxe Box Set
Remastered audio on two CDs and four 180-gram vinyl LPs.

Two DVD set of the The Song Remains The Same featuring the full theatrical version of the film plus bonus content including four performance outtakes that were not part of the original film: “Celebration Day,” “Over The Hills And Far Away,” “Misty Mountain Hop,” and “The Ocean.”

DVD of the entire album in Dolby Digital 5.1 Surround and PCM Stereo, plus photo gallery.

High-def download card of all stereo audio content at 96kHz/24 bit.

A 28-page book featuring band photos and stills from the film and an essay by Cameron Crowe.

A replica of the Japanese programme from 1977, previously available only when the film first toured cinemas in that country.

High-quality print of the original album cover, the first 30,000 of which will be individually numbered.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Underworld and Iggy Pop unveil joint EP

Sam Richards
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Underworld and Iggy Pop unveil joint EP
Following the surprise release of the uproarious "Bells & Circles" last month, Underworld and Iggy Pop have revealed they've made a full four-track EP together. Teatime Dub Encounters will be released by Caroline International on July 27. Hear another track from it, the more contemplative "I'l...

Following the surprise release of the uproarious “Bells & Circles” last month, Underworld and Iggy Pop have revealed they’ve made a full four-track EP together.

Teatime Dub Encounters will be released by Caroline International on July 27. Hear another track from it, the more contemplative “I’ll See Big”, below:

The EP arose from a meeting between the two parties to discuss a collaboration for the soundtrack of Danny Boyle’s T2 Trainspotting.

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Iggy Pop describes how he arrived at London’s Savoy hotel to discover that Underworld’s Rick Smith had set up an entire temporary studio: “When you are confronted with somebody who has a whole bloody studio there in the hotel room, a Skyped director who has won the Oscar recently and a fucking microphone in front of you and 30 finished pieces of very polished music, you don’t want to be the wimp that goes ‘uh uhhh’, so my mind was racing.”

The lyrics for “I’ll See Big” were inspired by a conversation Iggy had with Danny Boyle about the subtext of T2 Trainspotting.

You can pre-order the limited edition clear vinyl 12″ edition of Teatime Dub Encounters here.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Paul McCartney announces new album, Egypt Station

Sam Richards
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Paul McCartney announces new album, Egypt Station
Paul McCartney has announced that his new album, Egypt Station, will be released on September 7 via Capitol. The follow-up to 2013's New was recorded between Los Angeles, London and Sussex, and produced by Greg Kurstin (except for one track that was produced by Ryan Tedder). Get Uncut delivered to...

Paul McCartney has announced that his new album, Egypt Station, will be released on September 7 via Capitol.

The follow-up to 2013’s New was recorded between Los Angeles, London and Sussex, and produced by Greg Kurstin (except for one track that was produced by Ryan Tedder).

Get Uncut delivered to your door – find out by clicking here!

Two tracks from the album were released today as a double A-side single. Hear “I Don’t Know” and “Come On To Me” below:

“I liked the words ‘Egypt Station’,” says McCartney in a press release. “It reminded me of the ‘album’ albums we used to make… Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”

Check out the cover art below:

As part of The Beatles, McCartney features heavily in the latest special magazine from the Uncut stable. NME Gold: The Best Of NME 1965 – 1969 is a trip through rock’s golden age, in the company of The Stones, The Who, Hendrix, Clapton and many more. It’s in shops tomorrow (June 21) but you can also buy a copy online here.

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Hear Yo La Tengo cover Neil Young’s “Time Fades Away”

Sam Richards
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Hear Yo La Tengo cover Neil Young’s “Time Fades Away”
Yo La Tengo are the latest band to record a session for Spotify Singles at the streaming service's New York HQ. The trio laid down a new version of "Shades Of Blue" from terrific recent album There's A Riot Going On, alongside a gleefully noisy cover of Neil Young's "Time Fades Away". Hear both be...

Yo La Tengo are the latest band to record a session for Spotify Singles at the streaming service’s New York HQ.

The trio laid down a new version of “Shades Of Blue” from terrific recent album There’s A Riot Going On, alongside a gleefully noisy cover of Neil Young’s “Time Fades Away”. Hear both below:

Get Uncut delivered to your door – find out by clicking here!

Yo La Tengo return to the UK in August to play End Of The Road festival, preceded by a warm-up date in Brighton. Peruse their itinerary for the rest of 2018 below:

12/7 – Madrid, Spain – Mad Cool Festival
13/7 – Oeiras, Portugal – Nos Alive Festival
25/8 – Copenhagen, Denmark – Badesøen Festival
26/8 – Hamburg, Germany – Sommer in Altona
27/8 – Nijmegen, Netherlands – Doornrosje
29/8 – Brighton, UK – Komedia
30/8-2/9 – Wiltshire, UK – End Of The Road Festival
30/8-2/9 – Vlieland, Netherlands – Into The Great Wide Open Festival
9/9 – New York, NY – OctFest
11/9 – Providence, RI – Columbus Theatre
12/9 – Kingston, NY – BSP
13/9 – Buffalo, NY – Asbury Hall
14/9 – Detroit, MI – The Majestic
15/9 – Cleveland, OH – Beachland Ballroom
17/9 – St Louis, MO – Delmar Hall
18/9 – Oxford, MS – The Lyric Oxford
20/9 – Dallas, TX – Granada Theater
21/9 – San Antonio, TX – Paper Tiger
22/9 – Houston, TX – White Oak Music Hall
23/9 – Austin, TX – Mohawk
8/10 – Osaka, Japan – Umeda Club Quattro
9/10 – Nagoya, Japan – Club Quattro
10/10 – Tokyo, Japan – Tsutaya O-East

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

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