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Snaking All Over

Ageless rock'n'roll motherlode reconvenes Stooges, toys with Green Day and hooks up with art-rapper Peaches

Ulzana’s Raid

Directed by the hugely uncompromising Robert Aldrich, this ferocious post-Wild Bunch western stars Burt Lancaster as a world-weary army scout at odds with callow cavalry officer Bruce Davison on a mission to hunt down the errant Apache chief Ulzana, who with a small band of warriors has broken out of the reservation and are now looting, killing and raping their way across the bleak southwestern territories. Much tampered with by the studio on its original 1972 release and the subject of heated debate about its depiction of the Apaches, the film is in fact both complex and intelligent in its

Anthem For Doomed Youth

Steve McQueen on mesmerising form in Don Siegel's bleak anti-war classic

Frank Black And The Catholics – Show Me Your Tears

"Thirteen big, salty tears," blurbs Black. "Like 13 little black dogs just born... ready to howl at the world"

Face The Music

Bowie's 26th studio album is heavy in many ways

The Outsider

Fifth album from prolific, acerbic British singer-songwriter

Gene Pitney – Blue Angel: The Bronze Sessions

So-so stuff chiefly for Pitney fanatics

Love Unlimited

Eighty-three examples of Stephin Merritt's pop art from 99/2000

Matmos – The Civil War

Imagine Stephen Foster—or at least Van Dyke Parks—armed with a laptop and you're close to understanding the extraordinary charm of Californian duo Matmos' fifth album. Like 1999's The West, The Civil War negotiates a fragile entente between Americana and electronica, but does so on a bigger, constantly astonishing scale. Fireworks explode, battlefield drummers march across John Fahey's porch, Dr John is reconstructed out of glitches, an entire track is made from samples of a rabbit pelt, and "The Stars And Stripes Forever" is reduced to a postmodern shambles.

High Fidelity

"Oh, I just don't know where to begin," Elvis Costello swooned in the opening line to his lusciously hummable 1979 hit "Accidents Will Happen". Not strictly true. Elvis Costello has always known precisely where to begin. Knowing when to stop, that's been another kettle of worms. His latest batch of reissues being a case in point. Each has been fattened up for market with a mind-bending welter of bonus tracks, so that Get Happy!!, a 20-track tour de force in the first place, now weighs in at 50 tracks (with Trust at 31 and Punch The Clock at 39, see right).
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