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Beatles parody band The Rutles announce 2018 tour

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Veteran Beatles parodists The Rutles have announced a rare UK tour for May and June. Original members Neil Innes (AKA Ron Nasty) and John Halsey (AKA Barrington Womble) will be joined by 'Rutling' Ken Thornton, Phil Jackson and Jay Goodrich. According to the press release, "They will be bringing t...

Veteran Beatles parodists The Rutles have announced a rare UK tour for May and June.

Original members Neil Innes (AKA Ron Nasty) and John Halsey (AKA Barrington Womble) will be joined by ‘Rutling’ Ken Thornton, Phil Jackson and Jay Goodrich.

According to the press release, “They will be bringing their own unique brand of musical ‘Pork Pies’ to the beleaguered and bewildered British Isles. No other ‘Tribute’ band distributes joy or writes their own songs or tops the charts of ‘Make Believe’ quite like these jolly foot-tapping Economists of Truth. By ‘Popular Demand’, these Grandees of Delusion will be Taking Back Control of Bare-Faced Fibbing, saluting the Sovereignty of Silliness and ceremoniously reinstating the Obvious.”

Full tour dates are as follows:

May 2018
Tue 08- Royal Tunbridge Wells, Assembly Hall
Wed 09- London, The Garage
Thur 10- Brighton, Komedia
Sat 12- Margate Rock & Blues 2018 at Margate Winter Gardens
Sun 13- Bristol, Fleece
Mon 14- Abergavenny, Borough Theatre
Thur 17- Evesham, The Iron Road
Fri 18- Leeds, Brudenell Social Club
Sat 19- Godalming, Wilfrid Noyce Centre
Mon 21- Bilston (Wolverhampton), Robin 2
Tue 22- Cambridge, Junction
Wed 23- Hull, Fruit
Fri 25- Newcastle, Cluny
Sat 26- Glasgow, Oran Mor
Sun 27- Aberdeen, Lemon Tree
Wed 30- Morecambe, Platform
Thu 31- Carlisle, Old Fire Station
June 2018
Fri 01- Liverpool, Music Room at Philharmonic
Sat 02- Hertford Corn Exchange
Sat 16- Caernarfon, Galeri Caernarfon
Sun 17- Foxton Locks Festival

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The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

The Who to release Live At The Fillmore East 1968 for 50th anniversary

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The Who will finally release an official album of their much bootlegged 1968 Fillmore East shows for their 50th anniversary in April. Originally planned as the follow-up to The Who Sell Out, the release of Live At The Fillmore East was scrapped when it was discovered that only part of the first nig...

The Who will finally release an official album of their much bootlegged 1968 Fillmore East shows for their 50th anniversary in April.

Originally planned as the follow-up to The Who Sell Out, the release of Live At The Fillmore East was scrapped when it was discovered that only part of the first night’s concert had been recorded. Luckily the second night was also captured and this has now been fully restored and mixed by Who sound engineer Bob Pridden from the original four-track tapes.

Live At The Fillmore East 1968 will be released in 3xLP and 2xCD editions on April 20. The tracklistings are as follows:

2xCD VERSION
Disc One

Summertime Blues 4.14
Fortune Teller 2.38
Tattoo 2.58
Little Billy 3.38
I Can’t Explain 2.28
Happy Jack 2.18
Relax 11.57
I’m A Boy 3.23
A Quick One 11.15
My Way 3.16
C’mon Everybody 1.55
Shakin’ All Over 6.55
Boris The Spider 2.32

Disc Two
My Generation 33.02

3xLP VERSION
Side One

Summertime Blues 4.14
Fortune Teller 2.38
Tattoo 2.58
Little Billy 3.38
Side Two
I Can’t Explain 2.28
Happy Jack 2.18
Relax 11.57

Side Three
I’m A Boy 3.23
A Quick One 11.15
Side Four
My Way 3.16
C’mon Everybody 1.55
Shakin’ All Over 6.55
Boris The Spider 2.32

Side Five
My Generation (pt 1) 17.14
Side Six
My Generation (pt 2) 16.08

Pre-order the album here.

On the same day, UMC will also reissue Pete Townshend‘s 1972 solo album Who Came First in deluxe, remastered form.

The 2xCD release features eight previously unreleased tracks, new edits, alternative versions and live performances. The full tracklisting is as follows:

CD1
1. Pure and Easy
2. Evolution
3. Forever’s No Time At All
4. Let’s See Action
5. Time Is Passing
6. There’s a Heartache Following Me
7. Sheraton Gibson
8. Content
9. Parvardigar

CD2
1. His Hands
2. The Seeker (2017 edit)
3. Day Of Silence
4. Sleeping Dog
5. Mary Jane (Stage A Version)
6. I Always Say (2017 Edit)
7. Begin The Beguine (2017 edit)
8. Baba O’Reilly (Instrumental)
9. The Love Man (Stage C)*
10. Content (Stage A)*
11. Day Of Silence (Alternate Version)*
12. Parvardigar (Alternate take)*
13. Nothing Is Everything*
14. There’s A Fortune In Those Hills*
15. Meher Baba In Italy*
16. Drowned (live in India)*
17. Evolution (live at Ronnie Lane Memorial)

*previously unreleased

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The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Introducing NME Gold Paul Weller

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A new week, a new magazine. This time, please allow me to cue up the latest issue of NME Gold - a new joint project from Uncut and our sister title, NME. As you can probably tell by now, this new edition has been curated by Paul Weller. NME Gold is in shops from Thursday, but you can also buy a co...

A new week, a new magazine. This time, please allow me to cue up the latest issue of NME Gold – a new joint project from Uncut and our sister title, NME.

As you can probably tell by now, this new edition has been curated by Paul Weller.

NME Gold is in shops from Thursday, but you can also buy a copy from our online store. Here’s John Robinson, who’s overseen NME Gold, to explain what it’s all about.

“From the extensive archives of NME (and its sister title, Melody Maker), Paul has painstakingly put together a selection of legendary features about his heroes, his esteemed contemporaries, and the artists who have influenced him to become the icon that he is today. Never mind a day in the life – it’s a life in music, in 100 pages.

“It is, if you like, a printed mixtape. In it you’ll find Paul’s choices from historic pieces about longtime heroes like The Beatles, Curtis Mayfield and the Small Faces, but also bands whose influence on him has maybe been a little less frequently broadcast. Paul now also shares his thinking on the likes of the Nick Drake, Noel Gallagher, The Lovin’ Spoonful, Bob Marley and Dr Feelgood and many more, as he introduces his selections from the archive.

“Weller is also up for talking about his own place in the firmament, revealing his feelings about his journey in a wide-ranging – and characteristically frank – interview. From The Jam to the Style Council and the many magnificent reinventions of his solo career, this is Paul Weller’s life in music.

“’It was noticeable, seeing people around you, thinking this is really special, and that I’m really special,’ he tells Hamish MacBain. ‘And I just thought, ‘I’m just doing what I’ve always fucking done, don’t get excited.’”

I should also remind you that the current issue of Uncut is currently in shops. Joni Mitchell is our cover star and inside you’ll find an extensive tribute to Mark E Smith plus exclusive interviews with the Breeders, Josh T Pearson and many more.

Follow me on Twitter @MichaelBonner

Like us on Facebook to keep up to date with news from Uncut

The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists and Chris Robinson and many more and we also look at the legacy of Rick Hall’s FAME Studioes. Our free 15 track-CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Lady Bird

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As an actor, Greta Gerwig successfully brings together a number of endearing qualities to her roles. For directors such as Noah Baumbach and Whit Stillman, she has been a welcome and balanced presence – whimsical and clever, spirited and earnest. Fortunately, she brings those same qualities – pl...

As an actor, Greta Gerwig successfully brings together a number of endearing qualities to her roles. For directors such as Noah Baumbach and Whit Stillman, she has been a welcome and balanced presence – whimsical and clever, spirited and earnest. Fortunately, she brings those same qualities – plus a few more – to her latest project, Lady Bird, a loosely autobiographical story of a confused teenage girl growing up during the early Noughties.

Gerwig, like the film’s protagonist Christine McPherson – aka Lady Bird – grew up in Sacramento (“the Midwest of California”), attended Catholic high school where she entertains lofty aspirations – “I want to live!” she declares – of going to Paris or perhaps one of the storied east coast liberal arts schools. She lives at home with her parents – a frank, hardworking mother (Roseanne’s Laurie Metcalf) and her easygoing, indulgent father (Tracy Letts). It is a knotty familial bond – Christine’s nickname itself is an act of defiance against her parents: “It was given by myself to myself.”

As played by Saoirse Ronan, Lady Bird is a mixed bag of emotions – hurtling between delight, sorrow, fear and anger, full of abrupt, capricious energy. The film revolves around her relationships, with her parents, her best friend Julie (Beanie Feldstein), two boyfrields and the school queen bee who Lady Bird seeks to befriend. Lady Bird and her family live on “the wrong side of the tracks”, and one aspect of Gerwig’s story follows the path of money and the delicate social distinctions between those who have it and those who don’t.

Along the way, there are several elegant and witty diversions – including an amateur production of a Sondheim’s Merrily We Roll Along – as well as the use of Dave Matthews Band’s “Crash Into Me” during two pivotal scenes. As this film develops, it becomes apparent that Lady Bird’s dream to go to a fancy college “where writers live in the woods” is part of a warm, generous character study of a young woman in the process of working out who she is, what she wants and all the hazards that follow.

Follow me on Twitter @MichaelBonner

Like us on Facebook to keep up to date with news from Uncut

The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists and Chris Robinson and many more and we also look at the legacy of Rick Hall’s FAME Studioes. Our free 15 track-CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Van Morrison and The Waterboys sign up for big outdoor show

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Van Morrison has been unveiled as the Friday night headliner for Wrest Park's Heritage Live Concert Series this summer. He'll be supported by The Waterboys and Hothouse Flowers when he plays the Bedfordshire manor on August 31. Tickets go on sale on Friday (February 23), available here. Morrison ...

Van Morrison has been unveiled as the Friday night headliner for Wrest Park’s Heritage Live Concert Series this summer.

He’ll be supported by The Waterboys and Hothouse Flowers when he plays the Bedfordshire manor on August 31.

Tickets go on sale on Friday (February 23), available here.

Morrison was also recently announced as the headliner of The Liverpool Feis, a new Irish music festival taking place on the city’s waterfront on July 7.

Like us on Facebook to keep up to date with news from Uncut

The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Hear Willie Nelson’s new song “Last Man Standing”

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Willie Nelson will release an album of all-new compositions on April 27, two days before his 85th birthday. Produced and co-written by Buddy Cannon, the album is called Last Man Standing. You can watch a video for the title track below. https://www.youtube.com/watch?time_continue=45&v=Fk55FA6_...

Mark E Smith: “He was a one-off”

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When Mark E Smith of The Fall died last month, it brought to an end one of the most singular, uncompromising, baffling yet exhilarating bodies of work in all of music. As part of an extensive tribute in the latest issue of Uncut, on sale now, his bandmates and contemporaries attempt to put their fin...

When Mark E Smith of The Fall died last month, it brought to an end one of the most singular, uncompromising, baffling yet exhilarating bodies of work in all of music. As part of an extensive tribute in the latest issue of Uncut, on sale now, his bandmates and contemporaries attempt to put their finger on what made Smith such a brilliant and magnetic figure.

Julian Cope recalls Smith as a “compadre in Krautrock” during his formative years on the post-punk scene. “Mac [Ian McCulloch] and I were in awe of Mark.”

“He was a one-off,” says Pete Greenway, the most recent of The Fall’s many, many guitarists. “Whatever subject you talked to Mark about, he would always come at it from a completely different angle to you. An angle you’d never thought of and would never expect. And that would be all the time. He was like that in his life and he was like that in his songwriting.”

Meanwhile, David Cavanagh – Uncut contributor and author of Good Night and Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Life – delivers the definitive tribute to Smith.

You can read much more about Mark E Smith, from his unparalleled syntax to his memorably bizarre TV appearances, in the current issue of Uncut, out now.

Elsewhere in the issue, we investigate the early career of Joni Mitchell and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

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Send us your questions for James Taylor

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Think of the archetypal singer-songwriter and you instantly picture James Taylor. In the 50 years since he successfully auditioned for Paul McCartney and George Harrison – becoming the first American signing to Apple – Taylor has written countless classic songs now thought of as standards. He's...

Think of the archetypal singer-songwriter and you instantly picture James Taylor. In the 50 years since he successfully auditioned for Paul McCartney and George Harrison – becoming the first American signing to Apple – Taylor has written countless classic songs now thought of as standards.

He’s worked with everyone from Joni Mitchell to George Jones to Oscar The Grouch. And his Simpsons guest appearance was one of the finest celebrity cameos in the show’s history.

Ahead of his appearance with Paul Simon at British Summer Time in Hyde Park in June – plus July dates in Manchester, Glasgow and Leeds – Taylor will be answering your questions for Uncut‘s regular An Audience With… feature. So what do you want to ask a genuine folk-rock superstar?

Send your questions by Thursday February 22 to uncutaudiencewith@timeinc.com

The best ones, along with James’s answers of course, will be published in a future edition of Uncut magazine.

Like us on Facebook to keep up to date with news from Uncut

The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

The Damned: “We were horrible English hooligans”

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In 1976, The Damned released the first punk single, “New Rose”. 40 years later, the band’s original lineup – Dave Vanian, Captain Sensible, Brian James and Rat Scabies – tell Peter Watts their lurid tales, from the toilets of Croydon to the stage of the Royal Albert Hall…. “Most of the...

The success of Phantasmagoria – and the non-album single, “Eloise” – was not without its downside. After two years’ solid touring, The Damned were exhausted. Their next LP, Anything, was underbaked. Dropped by MCA, Scabies mooted a reformation of the original lineup in June, 1988. Scabies even hoped an album might come from it – could The Damned pull off another dazzling rebirth, along the lines of Machine Gun Etiquette? “We had one reunion and that’s where we should have left it,” says Brian James. “Then we tried again and it wasn’t fun. I split, I got pissed off with people.” This was 1991; the original four have never played together since. But The Damned have since released three further albums – one with Vanian and Scabies, two more with Vanian and Sensible – although for a period their energy was increasingly diverted into a series of feuds, principally between Sensible and Scabies. “There were rows over royalties, but it’s so bloody long ago,” says Sensible. “It’s nice that we’ve stopped slagging each other off.”

Could the four get together once again? While Sensible and Scabies keep their counsel, Vanian and James are more vocal in their support for a reunion. “Dave would do it, I know Rat would, I would, as long as everybody kept their promises,” James says. “But I worry that it’ll take somebody dying before the other three say we should have done it.” That’s echoed by Vanian. “I’d love to play with the old lineup,” he insists. “It’s something the audience would love and the band, while they can do it, should do it at least once. It would be nice for closure. Is it impossible? Not while we’re still alive.”

It’s been a long journey since Vanian’s deadpan opening line, “Is she really going out with him?”, and Scabies rat-a-tat drum introduced “New Rose” – and punk – to a record-buying public. Much of their story can be seen in Wes Orshoski’s fine 2015 doc, The Damned: Don’t You Wish That We Were Dead. In May this year, The Damned’s present five-piece lineup, led by Vanian and Sensible, celebrated the group’s 40th anniversary with a show at the Albert Hall, a venue from which they were banned in 1977. Much has changed during the intervening years – not least, lineups, musical direction and inter-band violence – yet Rat Scabies, for one, believes there is still unfinished business. “Even today, I believe we could make a brilliant record,” he says. “I had that faith then and I have it now, faith in the people and attitude, the way they did things. They were all talented, there were no wasters. I’ve always thought we could pull it off.”

 

The 7th Uncut new music playlist of 2018

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Some goodies for you this week, via the Uncut office stereo. What can I tell you about these folks? Some strong new work from favourites like Eleanor Friedberger, Courtney Barnett and Beach House, plus a couple of Valentines-inspired one-offs from Frank Ocean and Ryan Adams. Among the new discoverie...

Some goodies for you this week, via the Uncut office stereo. What can I tell you about these folks? Some strong new work from favourites like Eleanor Friedberger, Courtney Barnett and Beach House, plus a couple of Valentines-inspired one-offs from Frank Ocean and Ryan Adams. Among the new discoveries, I’ve enjoyed Wim Dehaen’s Pierre Boulez tribute and also Sons Of Kemet’s progressive jazz.

Before I go, I should dutifully remind you of our new issue, on sale now. Many riches, including Joni Mitchell, Mark E Smith, the Breeders, Josh T Pearson and lots, lots more. Read all about it by clicking here.

Follow me on Twitter @MichaelBonner

1.
MEG BAIRD & CHARLIE SAUFLEY
“Protection Hex”
(Drag City)

Hexadic III by Six Organs of Admittance

2.
ELEANOR FRIEDBERGER
“In Between Stars”
(Frenchkiss)

3.
THUNDERCAT, OG RON C & THE CHOPSTARS
“Drink Dat (feat Wiz Khalifa)”
(Chopnotslop Remix)
(Brainfeeder)

4.
BEN FROST
“All That You Love Will Be Eviscerated”
(Mute)

5.
BEACH HOUSE
“Lemon Glow”
(Sub Pop)

6.
COURTNEY BARNETT
“Nameless, Faceless”
(Marathon Artists/Milk! Records)

7.
U.S. GIRLS
“Rosebud”
(4AD)

8.
SIMONE FELICE
“The Projector”
(New York Pro)

9.
SONS OF KEMET
“My Queen Is Harriet Tubman”
(Universal)

My Queen Is Harriet Tubman by Sons Of Kemet on VEVO.

10.
BEN SALISBURY & GEOFF BARROW
“The Alien”
(Invada Records)

11.
DAVID BYRNE
“This Is That”
(Nonesuch)

12.
FRANK OCEAN
“Moon River”
(Blonded)

13.
I’M WITH HER
“Game To Lose”
(Rounder)

14.
WIM DEHAEN
“PB03”
(ACR)

12 Elegies For Pierre Boulez / Ústí OST by Wim Dehaen

15.
ICEAGE
“Catch It”
(Matador)

16.
RYAN ADAMS
“Baby I Love You”
(Pax Am)

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The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists and Chris Robinson and many more and we also look at the legacy of Rick Hall’s FAME Studioes. Our free 15 track-CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Watch a video for the new Manic Street Preachers song, “Distant Colours”

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Manic Street Preachers have released a new single. "Distant Colours" is taken from their upcoming 13th album Resistance Is Futile, due out on April 13. Watch the video, directed by regular Manics collaborator Kieran Evans, below: https://www.youtube.com/watch?v=7RZzxbZ6WWY You can pre-order Resis...

Two new David Bowie reissues coming in April

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David Bowie's long deleted singles compilation Changestwobowie – the lesser-known sequel to Changesonebowie – will be reissued by Parlophone on April 13 on CD, vinyl and digital formats. Some of the initial run of 180g vinyl editions will come on blue vinyl (distributed randomly) before reverti...

David Bowie‘s long deleted singles compilation Changestwobowie – the lesser-known sequel to Changesonebowie – will be reissued by Parlophone on April 13 on CD, vinyl and digital formats.

Some of the initial run of 180g vinyl editions will come on blue vinyl (distributed randomly) before reverting to the standard black vinyl.

The tracklisting for Changestwobowie is as follows:

Aladdin Sane (1913-1938-197?)
Oh! You Pretty Things
Starman
1984
Ashes To Ashes*
Sound And Vision
Fashion*
Wild Is The Wind
John, I’m Only Dancing (Again) 1975
D.J.*

*single versions

Following a week later on April 20, Aladdin Sane will be reissued on silver vinyl to mark its 45th birthday.

Containing Ken Scott’s approved 2013 remaster, this version will only be available in physical stores and not online.

Like us on Facebook to keep up to date with news from Uncut

The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Watch the video for Courtney Barnett’s new single, “Nameless, Faceless”

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Courtney Barnett has released the first single from her upcoming second solo album, Tell Me How You Really Feel. Watch the video for "Nameless, Faceless" – a pithy skewering of anonymous internet trolls – here: https://www.youtube.com/watch?v=HZZSYDhx0FI&index=1&list=PLuoF6akxiyWLl5cda...

Courtney Barnett has released the first single from her upcoming second solo album, Tell Me How You Really Feel.

Watch the video for “Nameless, Faceless” – a pithy skewering of anonymous internet trolls – here:

Tell Me How You Really Feel will be released by Marathon Artists/Milk! on May 18. Pre-order it here and peruse the artwork and tracklisting below:

Hopefulessness
City Looks Pretty
Charity
Need a Little Time
Nameless, Faceless
I’m Not Your Mother, I’m Not Your Bitch
Crippling Self Doubt and a General Lack of Self-Confidence
Help Your Self
Walkin’ on Eggshells
Sunday Roast

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The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

David Crosby on Joni Mitchell: “She was stunningly good, right off the bat”

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When David Crosby walked into the Gaslight Café in Miami’s Coconut Grove in the autumn of 1967, he encountered for the first time the willowy Canadian he still regards as “the best living singer-songwriter we have”. On the cusp of 24, Joni Mitchell had already composed songs like “Michael F...

When David Crosby walked into the Gaslight Café in Miami’s Coconut Grove in the autumn of 1967, he encountered for the first time the willowy Canadian he still regards as “the best living singer-songwriter we have”. On the cusp of 24, Joni Mitchell had already composed songs like “Michael From Mountains” and “Both Sides Now”, flawless miniatures crafted from complex guitar figures, personalised poetry and intricate, unusual melodic twists. “She was stunningly good, right off the bat,” Crosby recalls in the new issue of Uncut – out today (February 15). “I was amazed. Amazed by her, of course, but also that there wasn’t a gigantic crowd of people saying, ‘Holy shit, did you hear that!’”

With help from Crosby – along with Judy Collins, Tom Rush, Buffy Sainte-Marie, Fairport Convention, The Incredible String Band and many more friends, confidants and collaborators – we map the arc of Joni’s rise from the Newport Folk Festival, via the clubs and theatres of London and New York to the hillside cottages of Laurel Canyon.

We hear revelations and stories behind Joni’s early years leading up to the release of her landmark 1968 debut album Song To A Seagull.

Tom Rush attests to have been “knocked off [his] feet” by Mitchell at an impromptu recital in Detroit. “I remember thinking at the time, she really had a fire in her belly. She wanted to be a big deal.”

Judy Collins was similarly “blown away” when Mitchell first played her “Both Sides Now” down the phone from Al Kooper’s apartment in May 1967. “It was an instant wow,” says Collins, who turned the song into a Top 10 hit, helping to establish Mitchell as the most important singer-songwriter of her generation.

You can read more in the new issue of Uncut, on sale now.

Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux.

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The Shape Of Water

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Since his 1993 debut, Cronos, the filmmaker Guillermo Del Toro has specialized in fantastical creations. A mysterious device capable of dispensing eternal life; a lonely ghost boy; a mysterious faun creature; alien sea monsters from another dimension… For The Shape Of Water, Del Toro gives us yet ...

Since his 1993 debut, Cronos, the filmmaker Guillermo Del Toro has specialized in fantastical creations. A mysterious device capable of dispensing eternal life; a lonely ghost boy; a mysterious faun creature; alien sea monsters from another dimension… For The Shape Of Water, Del Toro gives us yet another aquatic marvel – this one more benign than the Kaiju who wreaked global havoc in 2013’s Pacific Rim. The Shape Of Water introduces us to an amphibian-humanoid creature (Doug Jones), hailing from the Amazon, who is captured and brought to a secret facility near Baltimore during the height of the Cold War. There, a cabal of American military and scientific minds believe he will prove an invaluable asset against the Russians. What no one counts on is that the creature will fall in love with one of the cleaning ladies at the facility; Eliza (Sally Hawkins).

Aside from its obvious antecedents in 1950s sci-fi monster movies, Del Toro’s film plays as an open love-letter to cinema’s wider range. Eliza and her neighbour, Giles (Richard Jenkins), live above a cinema that plays films to empty houses. A black and white fantasy song and dance sequence wouldn’t look out of place in one of the MGM musicals Giles devours. Eliza herself has a namesake in Pygmalion/My Fair Lady’s Eliza Doolittle. Events in the shadowy Baltimore facility, meanwhile, are redolent of Cold War-era noirs – complete with Russian spies and buzz-cut five star generals. But while Del Toro’s flight of fancy is fully formed, it is abutted by the real world – racism and homophobia are evidence of a particularly closed mindset. As with many of Del Toro’s characters, Eliza seeks escape – which her new, fabulous beau offers. What could be Amelie-style tweeness is invested with warmth, beauty and a surprisingly deep emotional richness.

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The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists and Chris Robinson and many more and we also look at the legacy of Rick Hall’s FAME Studioes. Our free 15 track-CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Nick Cave concert film gets cinema release

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A new Nick Cave & The Bad Seeds concert film will be screened in 500 cinemas around the world for one night only on April 12. Distant Sky - Live In Copenhagen was captured in October at Denmark’s Royal Arena during the band's emotional 2017 world tour. It's directed by David Barnard, whose cr...

A new Nick Cave & The Bad Seeds concert film will be screened in 500 cinemas around the world for one night only on April 12.

Distant Sky – Live In Copenhagen was captured in October at Denmark’s Royal Arena during the band’s emotional 2017 world tour. It’s directed by David Barnard, whose credits include concert films for the likes of Björk, Gorillaz and Radiohead, and who previously filmed Nick Cave & The Bad Seeds on their Abattoir Blues tour.

For the full list of cinemas showing the film along with ticket information, go here.

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The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists, Chris Robinson and many more. We also look at the legacy of Rick Hall’s FAME Studios. Our free 15-track CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux

Ryan Adams releases new single for Valentine’s Day

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Ryan Adams has released a brand new standalone single for Valentine's Day. Hear "Baby I Love You" below: https://open.spotify.com/album/0jeQl3GruPQyRKe0h4wU8a “Baby I Love You” is described in the accompanying press material as: "A song to one's baby, whom they love – a unique twist on Ryan ...

Ryan Adams has released a brand new standalone single for Valentine’s Day. Hear “Baby I Love You” below:

“Baby I Love You” is described in the accompanying press material as: “A song to one’s baby, whom they love – a unique twist on Ryan Adams’ classic recipe, with key ingredient ‘sad’ replaced by ‘happy’.”

There is no mention of any further upcoming releases or tour dates.

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The March 2018 issue of Uncut is now on sale in the UK – with My Bloody Valentine and Rock’s 50 Most Extreme Albums on the cover. Elsewhere in the issue, there are new interviews with Joan Baez, Stick In The Wheel, Gary Numan, Jethro Tull and many more and we also look back on the rise of progressive country in 70s’ Austin, Texas. Our free 15 track-CD features 15 classic tracks from the edge of sound, including My Bloody Valentine, Cabaret Voltaire, Yoko Ono Plastic Ono Band, Flying Saucer Attack and Mogwai.

Hear Eleanor Friedberger’s new song, “In Between Stars”

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Sometime Fiery Furnaces frontwoman Eleanor Friedberger will release her new solo album, Rebound, on May 4. The synth-heavy record is inspired by Stereolab, Suicide and a visit to an Athens goth disco. Hear the song "In Between Stars" below: https://soundcloud.com/frenchkiss_records/04-in-betweeen...

Sometime Fiery Furnaces frontwoman Eleanor Friedberger will release her new solo album, Rebound, on May 4.

The synth-heavy record is inspired by Stereolab, Suicide and a visit to an Athens goth disco. Hear the song “In Between Stars” below:

Friedberger plays the following shows this spring, including a date at London’s Moth Club on April 4.

2/15/18 New York, NY @ City Vineyard at Pier 26
2/16/18 Boston, MA @ City Winery
2/17/18 Northampton, MA @ Iron Horse Music Hall
4/4/18 London, UK @ Moth Club
4/28/18 Kingston, NY @ BSP
5/1/18 New York, NY @ Bowery Ballroom
5/3/18 Toronto, ON @ The Drake
5/5/18 Chicago, IL @ Lincoln Hall
5/9/18 Los Angeles, CA @ Moroccan Lounge

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The March 2018 issue of Uncut is now on sale in the UK – with My Bloody Valentine and Rock’s 50 Most Extreme Albums on the cover. Elsewhere in the issue, there are new interviews with Joan Baez, Stick In The Wheel, Gary Numan, Jethro Tull and many more and we also look back on the rise of progressive country in 70s’ Austin, Texas. Our free 15 track-CD features 15 classic tracks from the edge of sound, including My Bloody Valentine, Cabaret Voltaire, Yoko Ono Plastic Ono Band, Flying Saucer Attack and Mogwai.

Festival No 6 unveils full line-up

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Festival No 6 has announced its full line-up, with Franz Ferdinand and Friendly Fires joining The The as headliners of the Welsh event. Taking place in and around the historic village of Portmeirion from September 6-9, Festival No 6 will also feature appearances from Ride, The Charlatans, The Horro...

Festival No 6 has announced its full line-up, with Franz Ferdinand and Friendly Fires joining The The as headliners of the Welsh event.

Taking place in and around the historic village of Portmeirion from September 6-9, Festival No 6 will also feature appearances from Ride, The Charlatans, The Horrors, A Certain Ratio, Gaz Coombes, Gwenno and Anna Calvi.

The festival is renowned for its arts and literary offerings, which this year include Will Self, Jeremy Deller, Viv Albertine and a Mark E Smith tribute.

Full line-up and ticket information is available at the Festival No 6 site.

Like us on Facebook to keep up to date with the latest news from Uncut

The March 2018 issue of Uncut is now on sale in the UK – with My Bloody Valentine and Rock’s 50 Most Extreme Albums on the cover. Elsewhere in the issue, there are new interviews with Joan Baez, Stick In The Wheel, Gary Numan, Jethro Tull and many more and we also look back on the rise of progressive country in 70s’ Austin, Texas. Our free 15 track-CD features 15 classic tracks from the edge of sound, including My Bloody Valentine, Cabaret Voltaire, Yoko Ono Plastic Ono Band, Flying Saucer Attack and Mogwai.

Introducing the new Uncut

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When Uncut interviewed Mark E Smith, in Manchester’s Crown & Kettle pub last summer, he was typically forthcoming on a range of subjects: the Vorticists, the BBC, Jane Austen. It was, of course, a typical Smith chat: often scurrilous and profane, but nevertheless driven by Smith's wide-ranging int...

When Uncut interviewed Mark E Smith, in Manchester’s Crown & Kettle pub last summer, he was typically forthcoming on a range of subjects: the Vorticists, the BBC, Jane Austen. It was, of course, a typical Smith chat: often scurrilous and profane, but nevertheless driven by Smith’s wide-ranging interests in literature, politics, sport and other more esoteric subjects that all, somehow, collided in the extraordinary music he made with his band.

“He was a one-off,” Fall guitarist Pete Greenway tells David Cavanagh in our extensive tribute to Smith, which appears in the new issue of Uncut, on sale in the UK this Thursday. “Whatever subject you talked to Mark about, he’d always come at it from a completely different angle to you. An angle you’d never thought of and would never expect. And that would be all the time. He was like that in his life and he was like that in his songwriting.”

“He always wanted everything to be right,” his friend and producer Grant Showbiz tells David. “Forget all the stuff you’ve heard. Nobody loved The Fall more than Mark did.”

I hope it’s not too much of a leap, but I’d like to think that a common thread linking the musicians in this month’s issue is a visionary, questing spirit. It’s there, surely, in Joni Mitchell – whose debut album, Song To A Seagull was released 50 years ago on March 1. Graeme Thomson speaks to many of those involved in Joni’s early years – including David Crosby, Judy Collins, Tom Rush, assorted members of Fairport Convention and the Incredible String Band – to discover a songwriter stretching out at the very beginning of her extraordinary career. Elsewhere in the issue, Tom Pinnock meets The Breeders, Jaan Uhelski travels to Austin, Texas to catch up with Josh T Pearson plus we speak to The Decemberists, Chris Robinson and Tracey Thorn – all of whom are pursuing their own, indefatigable sonic quests. Nick Cave salutes Shane MacGowan, Brett Anderson discusses his memoir, Roger McGuinn remembers The Beatles’ beloved confidant Derek Taylor and we bring you reviews of new records from Yo La Tengo, Jonathan Wilson, Joan Baez, David Byrne, Creep Show and more alongside archival treats from Jimi Hendrix, Phil Everly and Miles Davis & John Coltrane.

You’ll also find a piece by Stephen Deusner, who travelled to Muscle Shoals, Alabama following the death of FAME Studios founder, Rick Hall. There, Stephen spoke to a number of people who worked with Hall over the years– including, in an Uncut first, Donnie Osmond. The esteemed Swamper David Hood remembers his former boss as a driven, focused leader. “He made you tough. He made you good.” These are attributes, you imagine, that could also be applied to Mark E Smith himself.

The new issue of Uncut is on sale from Thursday, February 15

Follow me on Twitter @MichaelBonner

Like us on Facebook to keep up to date with news from Uncut

The April 2018 issue of Uncut is now on sale in the UK – with Joni Mitchell on the cover. Elsewhere in the issue, we pay tribute to Mark E Smith and there are new interviews with The Breeders, Josh T Pearson, Brett Anderson, The Decemberists and Chris Robinson and many more and we also look at the legacy of Rick Hall’s FAME Studioes. Our free 15 track-CD features 15 tracks of this month’s best new music, featuring Graham Coxon, Gwenno, Guided By Voices, Jonathan Wilson, David Byrne, Tracey Thorn, The Low Anthem and Mélissa Laveaux