Trans am

Seattle songsmith’s deadly seventh album and self-styled “tribute to jealousy”

Brian Wilson And The Story Of Smile. David Leaf's documentary on the legend.

Uncut talks to Director/Producer Sam Raimi on his classic japanese horror remake, The Grudge.

The lover's discourse of disco, expanded, remastered and repackaged for the 21st century

Roundup of Kentucky country boy's 1986-2003 years

US travelling folkie's second album and inaugural UK release

Metal-fixated collaboration between The Fucking Champs and Trans Am

Although panned on its 1967 release, Roman Polanski's third English-language movie, a horror comedy, is a delightful oddity. There's a dream-like, gothic quality to it as Prof Abronsius (Jack MacGowran) and assistant Alfred (Polanski) root out a nest of the undead in wintry Transylvania. The climactic Vampire's Ball is strikingly mounted, and it's easy to see how Polanski fell for leading lady Sharon Tate.

The title translates as "I remember" in dialect, but Fellini's visionary 1973 work (an Oscar winner) wasn't the rosy nostalgia about childhood he'd originally planned. His unique, untethered imagination bleeds into every frame of these '30s-set seaside snapshots, with—of course—sex and religion figuring prominently. Warring parents, twisted priests, Fascists, fantasy, farce and melancholy. As they say, very Fellini.

Archive anthology of blues greats recorded on historic European visits