I interviewed T Bone Burnett as part of a piece on Inside Llewyn Davis, the new Coen Brothers film, which ran in the issue of Uncut on sale in December. What was originally meant to be a brisk 10 minute chat about working with the Coens and the film's soundtrack evolved into a much longer conversation, the bulk of which, inevitably, I couldn't work into the feature. So I thought I'd post it here for anyone interested in reading T Bone's thoughts on the evolution of folk music, the music he was listening to when he was growing up, and of course his experiences working with the Coens. Other topics under discussion included the American Civil War, George Clooney and Bob Dylan...
Last week, Kim Shattuck expressed "shock" at being fired from Pixies. Shattuck's replacement is Paz Lenchatin, who has previously played with Zwan and A Perfect Circle.
Speaking to Yahoo, Black Francis has spoken about the hirings and firings.
The Quo are currently on a UK tour, hitting London’s O2 on December 15 – and here’s one song that they are sure to be playing. In this piece from the Uncut archives (Take 190, March 2013), Nick Hasted hears all about the denim-clad, ‘boogie-shuffle’ giants’ 1974 hit. “We were the most uncool band in the world, yet the coolest DJ in the world was saying nice things about us…”_________________
Pixies have confirmed that bassist Paz Lenchatin, will replace Kim Shattuck for a series of live dates in America and Europe next year.
Last week Shattuck revealed that her time playing with the band had come to an end. She, herself, was a replacement for original Pixies bassist Kim Deal who departed the band prior to the release of the group's 'EP1' earlier this year. Lenchatin has previously played with Billy Corgan's Zwan as well as A Perfect Circle and The Entrance Band.
As Mark Lanegan prepares to release a career-spanning compilation, Has God Seen My Shadow? An Anthology 1989-2011, early in 2014, we look back at March 2012’s Uncut (Take 178), where the Screaming Trees frontman and solo artist discusses the highs and lows of his catalogue, from collaborating with Kurt Cobain, attempting to thrown session tapes into a river and embracing the synthesizer. Interview: Alastair McKay
If you were a fan, you probably watched with horror, incredulity and fretful concern at the things Lou Reed put himself through in the '70s, especially after the critical and commercial rejection of Berlin hardened an already cynical disposition into an unsparing bitterness and what seemed like a headlong pursuit of self-obliteration. Even more than Keith Richards at the time, Lou seemed the rock star most likely to become a casualty of his addictions.
The Small Faces have confirmed details for their Here Comes The Nice The Immediate Years Boxset 1967-1969 deluxe collector's box set.
The set contains 75 songs spread over 4 CDs remastered from original analogue master tapes and studio multitracks.
Rare and previously unreleased material, unheard recording sessions from Olympic, IBC & Trident Studios, outtakes, early mixes, alternate versions and live material across 3CDs.
In an archive piece taken from Uncut’s January 2005 issue (Take 92), we look back at Dylan in 1975, when he turned the crisis of a deteriorating relationship into one of rock’s most compelling dramas. This is the story of Blood On The Tracks, the album that marked the demise of Dylan’s marriage – and his artistic rebirth. Words: Nick Hasted
