I was looking through an old Red House Painters file a while back, and came across a review of their debut album in which Allan compared Mark Kozelek’s songwriting to that of Dino Valente.
The sticker on the front of my promo of Superpitcher’s second album describes Aksel Schaufler as “Cologne’s melancholy techno-pop maestro”. It has been about six years since the first Superpitcher album, but Schaufler’s worldview doesn’t appear to have improved much. If Hot Chip’s Alexis Taylor sometimes comes across as an indie boy lost on the dancefloor, Schaufler’s persona is akin to a sociopath on the verge of a panic attack.
First up, thanks for the fantastic response to the Best Of 2010: Halftime Report. Please keep your own charts coming, and I’ll try and collate them into some kind of masterlist in the next few days.
