Roy Harper has recently returned with a raved-about new album, Man & Myth, and a UK tour, including a date at London’s prestigious Royal Festival Hall on October 22 – he’s arguably bigger than he has been since the mid-‘70s. Celebrating Harper’s 70th birthday back in July 2011 (Take 170), Uncut speaks to Roy about tales of escapes from psychiatric hospitals, tempestuous dealings with the music business, and the sinister connection between Tony Blair and Cliff… Words: Allan Jones
Everyone knows the mythical image of The Man In Black. But the truth about Johnny Cash was a whole lot more complicated. A “folk hero for the world”, and a humble man who struggled with addiction for his entire life. In this archive feature from Uncut’s February 2009 issue (Take 141), we present a revelatory new portrait of Cash’s life. We talk to many of the people who knew him best – the children, the bandmates, the managers, the peers – and discover the unexpurgated truth about this titan of American music. “He survived,” says his one-time son-in-law, “what Elvis didn’t…” Words: Alastair McKay
Jaan Uhelszki, as you may have seen in the current issue of Uncut, recently spent some time with Bill Callahan at his home in Austin. One of Jaan’s great skills is her ability to conduct a forensic sweep of any environment she finds herself in, and on Callahan’s bookshelves, she notes, are “Bass Playing For Dummies… a King Tubby DVD… Learning Spanish by Michael Thomas, ‘The Language Teacher To The Stars’… a Stephen Crane reader.”
In this week’s archive feature, from our August 2012 issue (Take 183), Uncut is granted a rare audience with the remarkable Young, busier than ever. To be discussed: the return of Crazy Horse, Americana and what would become Psychedelic Pill; his autobiography; his new movie; Archives; his family. What motivates an inexhaustible genius? “I spend money as soon as I get it…” Story: Jaan Uhelszki
At 7pm on the first night of Atoms For Peace’s London residency, the Amok Drawing Room has already sold out of commemorative mugs. The Enterprise pub across the road from the Roundhouse has been rebranded in expressionist monochrome, and an upstairs room has been upholstered in Stanley Donwood wallpaper, the better to sell exquisite £500 prints, t-shirts screenprinted while-you-wait, and a pointedly apocalyptic jigsaw puzzle.
