Always nice to discover your personal enthusiasms are shared by people you respect. The new Trembling Bells album promo comes with a longish encomium from Joe Boyd. Among many wise things, he notes that they, “Incorporate in their music the essence of ‘folk’ without the form that can annoy many listeners. That means that their melodies and lyrics have a sense of history and Britishness that most contemporary bands lack, but without any of the ‘heritage’ atmosphere that clings to even the best revivalists in the folk world.”
Just remembered today that I should post this: my column from the last issue of the mag, devoted to Wooden Shjips and Ripley's awesome spin-off, Moon Duo. The new issue of Uncut is out this week, though my column on Sir Richard Bishop was necessarily spiked to make room for the Alex Chilton tribute; I'll run that here in the next day or two.
Not so much a preview, this one, since I believe “The Glorious Gongs Of Hainuwele” may have come out the best part of a year ago. Forgive the tardiness, anyhow: this pretty amazing album has only just showed up on my radar, shamefully.
Happy New Year everyone, and apologies for not having posted anything earlier in the week (though I was sorely tempted to write something gloating about Jermaine Beckford and so on, off topic). Snow notwithstanding, it’s approaching business as usual here now, hence the longish playlist I’ve managed to assemble over the past couple of days.
Jack White’s Third Man cottage industry has produced a bit of a mixed bag of releases in 2009, with the highlight thus far (of those I’ve heard, anyhow) being his own solo seven-inch, “Fly Farm Blues”. The whole disdain he seems to have for standard record company practise, the sense that decisions are made on a creative whim, is really admirable. But it can’t hide the fact that singles by, say, a local gospel group, Transit, haven’t been hugely compelling.
