One of the things I wrote about in the new issue of Uncut is a review of the latest vinyl reissues from what was the BBC Radiophonic Workshop. For a panel to accompany the review, I had the good fortune to speak to composer Paddy Kingsland, one of the legendary studio boffins currently touring in the live iteration of the Workshop.
The Flaming Lips play London's Brixton Academy on May 28, ahead of their full cover of The Beatles' Sgt Pepper's Lonely Hearts Club Band on October 28 – but back in September 2010's Uncut (Take 160), frontman Wayne Coyne revealed the strange listening experiences that have shaped his life… Neil on acid! The Beatles through one speaker! And Amy MacDonald… Interview: John Lewis______________________The first record I ever bought
Jimi Hendrix – Crash Landing (1975)
As Damon Albarn prepares to release his debut solo album, Everyday Robots, on Monday, and 20 years since the release of Parklife is celebrated, we delve back into the Uncut archive (July 2009, Take 146) and go behind the scenes of the sessions that produced Blur’s classic albums and reveal the conflicts that nearly destroyed the band… Interviews: Nick Hasted
The live album of LCD Soundsystem's final gig at Madison Square Garden is finally being released tomorrow (April 19) for this year's Record Store Day, in full, as a 5LP set. Back in Uncut's November 2012 issue (Take 186), we met LCD's James Murphy to hear his thoughts on their farewell concert, his reasons for breaking up the band, and the plans he has for a post-LCD career: “I don’t,” he says. “And it’s terrifying!” Words: Stephen Troussé_____________________________
Enter The Slasher House, the debut album from Avey Tare’s Slasher Flicks, consisting of Dave Portner (aka Avey Tare), Angel Deradoorian and Jeremy Hyman, is released on April 7. Avey Tare’s psychedelic journey with Animal Collective, though, is also worth checking out – in this archive feature from Uncut’s September 2012 (Take 184) issue, Stephen Troussé chats to the band about their wide-ranging career so far. “We got terrible reviews…” Interview: Stephen Troussé
