end of the road

Moonshine mayhem...Mitchum's gutter classic sets the template for road-to-nowhere film-making

Star-studded double dose of live and studio work from country's original outlaw

This Brazilian documentary is based on live TV broadcasts from 12 June 2000, when a one gunman hijacked a commuter bus, enacting his own version of Dog Day Afternoon. Around this tense stand-off, director JoséPadhila interviews victims, eye-witnesses, media and police, probing the hijacker's motives, police vendettas against Brazil's homeless population, and a terminally unjust society.

The lover's discourse of disco, expanded, remastered and repackaged for the 21st century

All thirty tracks from Uncut Take 92. Tracks that inspired and tracks inspired by Bob Dylan.

Patti Smith takes time out to chat to Uncut about her recent recordings, being American in this post-911 era, Todd Rundgren and more...

John Peel, the legendary BBC broadcaster, died at the age of 65 while holidaying in Peru with his wife, Sheila.

Ten albums recorded over a decade from the understandably erratic soul legend's solo years

Mel Brooks'gloriously tasteless 1965 comedy, with Zero Mostel's shabby producer and Gene Wilder's timid accountant hatching a plan to make a fortune from a sure-fire Broadway flop, Springtime For Hitler. Brooks' play-within-a-film structure is fiendishly clever, while Kenneth Mars' bug-eyed, paranoid Nazi playwright and Dick Shawn's way-out hippie Hitler steal the show. Superb.

Fifth solo outing for fiftysomething Nashville maestro MILLER'S MORE ILLUSTRIOUS work as guitarist/musical director with Emmylou Harris and Steve Earle has sometimes put his solo output in the shade. A pity, because there's much to discover in the Ohio native's back pages. Earle swears he's "the best country singer working today", while Robbie Fulks calls him country's only living auteur.