Herself

Uncut heads west to encounter Polly Jean Harvey on her Dorset home turf

Musicians who performed on and produced Kate Bush’s debut single, “Wuthering Heights”, recall the sessions in the new issue of Uncut, dated January 2015 and out now.

Frontman says Christmas Day is "not quite the time to be trading slaps"...

The band tell the strange tale of their biggest hit

Fleetwood Mac star heads to Nashville chasing the songs that nearly got away...

Recuperating from serious injury, the veteran chanteuse puts her back into one of her most personal records...

As is the brutal way with deadlines on monthly magazines, yesterday afternoon I had to send out a request to all of Uncut's writers for their albums of the year lists, so that we can start the long and meticulous process of compiling a Best Of 2014 chart.

When Sinéad O’Connor tore up a picture of Pope John Paul II on Saturday Night Live in 1992, she brought into focus her gifts for music, controversy and self-publicity in one fairly explosive package.

There is a song on "Aerial", Kate Bush's eighth and possibly best album, called "Bertie". "Here comes the sunshine," it begins, "Here comes that son of mine/Here comes the everything/Here's a song and a song for him." Nine years later, here, perhaps is a show for him: an unexpected comeback; a ravishing absurdity; a launchpad for his theatrical aspirations. Our pleasure may, to some degree, be collateral.

Kate Bush last night (August 26) made her return to stage after a 35 year absence in a show that begun as a typical concert but evolved into a theatrical spectacular. This report contains spoilers. The three-hour show saw Bush recreate the second side of her classic 1985 album Hounds Of Love as a fully realised stage production, with theatrical sets, costumes, effects and lighting. The same treatment was then given to the second side of her 2005 album Aerial.