You might assume that Encounters At The End Of The World could be an agreeably apposite subtitle for many of Werner Herzog’s best known films. You could think, for instance, of Brian Sweeney Fitzgerald taking Verdi’s music to the Peruvian jungles in Fitzcarraldo; the Conquistadors lost in the Andes in Aguirre: The Wrath Of God; Grizzly Man’s activist Timothy Treadwell and his bears in the wilds of Alaska.
