To some, the Captain's 1982 No 1 romp through Rodgers and Hammerstein's "Happy Talk" was the ultimate punk sell-out. Silly beggars! It was, of course, a hilarious act of screwball subversion.
Either way, its Goonish novelty was unrepresentative of the two albums that followed. As the best bits collated here show, solo Sensible traded in the same satirical Englishness as The Kinks and Madness ("Croydon", "A Nice Cup Of Tea").
In most cultures, seven is a magic number. Not in rock'n'roll, where to sustain any degree of originality beyond album three or four is about as rare as a sober Shane MacGowan.