Bruce Springsteen has revealed more details about his forthcoming Instant Bootleg Series.
Earlier this week, Springsteen formalised plans to offer instant downloads of live recordings from his shows.
I interviewed T Bone Burnett as part of a piece on Inside Llewyn Davis, the new Coen Brothers film, which ran in the issue of Uncut on sale in December. What was originally meant to be a brisk 10 minute chat about working with the Coens and the film's soundtrack evolved into a much longer conversation, the bulk of which, inevitably, I couldn't work into the feature. So I thought I'd post it here for anyone interested in reading T Bone's thoughts on the evolution of folk music, the music he was listening to when he was growing up, and of course his experiences working with the Coens. Other topics under discussion included the American Civil War, George Clooney and Bob Dylan...
The Led Zeppelin legend has just returned with a new group, Minibus Pimps, in collaboration with Deathprod, aka Norwegian Helge Sten. Here, from Uncut’s April 2010 issue (Take 155), is a look back at the bassist and multi-instrumentalist’s other jobs… Fans and famous admirers ask Jones about his favourite instruments, bluegrass, working with REM, the Butthole Surfers and Josh Homme, and being “a bloody good choirmaster”. Interview: John Lewis___________________
U2, Arcade Fire and Karen O are among the nominees at this year's Oscars.
U2's "Ordinary Love" (from Mandela: The Long Walk To Freedom) is nominated in the Best Original Song category, alongside Karen O and Spike Jonze for "The Moon Song" from Her and Pharrell Williams' "Happy", from Despicable Me 2.
Meanwhile, Arcade Fire and Owen Pallett have been nominated in the Original Score category for the soundtrack to Spike Jonze's Her.
Twelve years after he was pulling pints in a pub in London Bridge, Brian Burton is perhaps busier than ever – he has a new Broken Bells album out on Monday (January 13), he’s been working with U2 and is rumoured to be producing the next Black Keys record. It’s been a whirlwind decade for the writer and producer better known as Danger Mouse: after making his name by daring to cross-breed The Beatles with Jay-Z, he’s gone on to work with everyone from Damon Albarn to David Lynch.
When you’re in the business of writing about/codifying/making up a musical scene, it always helps if you can locate its nexus. Reading the small print on record sleeves, a good few of the American musicians negotiating the space between roots music and avant-garde jamming these past few years - part of what used to be called free folk, for a while - all turn out to have recorded at Black Dirt Studios in upstate New York.
