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Wonder stuff

Gillian Welch and David Rawlings: “Until a song is right, we basically exist in a state of misery”

In the second week of May, Gillian Welch and David Rawlings drove from Los Angeles to Nashvillle. The journey took 31 hours, and Welch filmed a small portion of it on her iPhone. The clip is framed by an open car window, and outside you can see the flooded Mississippi stretching away from the edge of the road to the horizon: a new inland sea for the beleaguered American South.

Gillian Welch/David Rawlings interview: Nashville, May 2011. Part Two

This is the second part of a lengthy piece I wrote for Uncut earlier this summer. The first part is here.

First Look – X Men: First Class

X MEN: FIRST CLASS HHH DIRECTED BY Matthew Vaughn STARRING James McAvoy, Michael Fassbinder OPENS JUNE 1 // CERT 12A // 131 MINS As evangelists, millenarians and scholars have learned to their disappointment, predicting the apocalypse has never been an entirely accurate business.

Fleet Foxes: Nashville Ryman Auditorium, May 13, 2011

When I have to talk to interns about live reviewing, I often advise against reviewing crowds, unless something really unusual happens. It’s hardly unusual for a crowd to be excited and passionate – they’ve just paid ten, 20, 30 pounds to see one of their favourite artists, it’s what they expect to do.

Raphael Saadiq: “Stone Rollin'”

Apologies for not posting much new stuff over the past few days; we’ve been wrapping up the next issue of Uncut. One thing I have written, though, is this piece about, sort of, Raphael Saadiq, which was destined to be my Wild Mercury Sound column in the mag until various advertising movements rendered it, perhaps fortunately, surplus to requirements. A pretty convoluted path to “Stone Rollin’”, but just about worth posting, I think…

Arbouretum: Club Uncut, March 24, 2011

I’ve never played guitar, so may not be the best person to judge, and I’m generally averse to wild comparatives and superlatives in music reviews. Watching Arbouretum last night, though – it was somewhere in the last quarter of “Song Of The Nile”, to be specific – I started to think that, just maybe, Dave Heumann might be one of the best guitarists I’ve seen play in years.
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