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Church

Fleet Foxes: Nashville Ryman Auditorium, May 13, 2011

When I have to talk to interns about live reviewing, I often advise against reviewing crowds, unless something really unusual happens. It’s hardly unusual for a crowd to be excited and passionate – they’ve just paid ten, 20, 30 pounds to see one of their favourite artists, it’s what they expect to do.

Terry Riley, Tim Hecker, Autechre

A certain grouchy state of mind this morning almost compelled me to break my own if-you-can’t-say-anything-nice-don’t-say-anything-at-all rule for the blog and post a list of disappointing albums of 2011. Instead, though, I figured it’d be much more constructive to round up a few things worth investing in.

Low, by Nels Cline

Last month, I travelled over to Duluth, Minnesota to interview Low for the issue of Uncut that comes out later this week. While I was there, I emailed a couple of questions about the band to Nels Cline (via Wilco’s publicist), who guests on the wonderful new Low album, “C’Mon”.

The Eighth Uncut Playlist Of 2011

Thanks to everyone who contributed to last week’s very interesting playlist thread. If you haven’t had a look, there’s some good talk about the Radiohead and REM albums; dubious thanks to John E, who successfully encouraged/goaded me into unpacking a good month or two’s worth of irritation with regard to “Collapse Into Now”. Better now.

Low: “C’Mon”

Since I saw them play a series of shows at the Union Chapel in Highbury a good decade ago, I’ve always felt that Low’s music suited churches. Not because of the religious connotations as such, more because they were so suited to the space, stillness and reverberations inherent in those kind of buildings.
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