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Wooden Wand: “Death Seat” + “Wither Thou Goest, Cretin”

The arrival this week of a second new Wooden Wand album prompted me into finally getting round to “Death Seat”, James Jackson Toth’s terrific return after what, for him, seems to have been a relatively quiet stretch.

Robert Plant & The Band Of Joy, One Mayfair, London, September 1, 2010

“This,” says Robert Plant, gesturing round the former church that he’s chosen as the venue for tonight’s gig, “used be a house of the holy, now it’s obsolete. But it’s available for wedding receptions…” It’s funny the way Plant puts a slight tremble in his voice when he says “house of the holy”, the only reference he makes all night to his other band. Zepwatchers might also chose to read plenty into Plant’s use of “obsolete”, especially after his comment in The Independent last week – “I feel so far away from heavy rock” – further reiterated his position that more Zeppelin activity is about as likely as a Beatles reunion.

The Gaslight Anthem: O2 Academy, Brixton, June 26 2010

The week’s gone by at such a clip, we’re nearly at the end of it and I still haven’t, I’ve just realised, written about this show, which was frankly too good to let pass without comment, however belated.

Sun Kil Moon: “Admiral Fell Promises”

I was looking through an old Red House Painters file a while back, and came across a review of their debut album in which Allan compared Mark Kozelek’s songwriting to that of Dino Valente.

Pearl Jam, The Gaslight Anthem: Hard Rock Calling, London Hyde Park, June 25, 2010

The first thing you would have noticed arriving in Hyde Park last Frday to see Pearl Jam is how many more people there appear to be than were here for last year’s Hard Rock Calling weekend, the size of the crowd, a hint of mob surliness and the press of people at the front of the stage something of a concern later for a visibly worried Eddie Vedder. It’s almost 10 years to the day, after all, since nine Pearl Jam fans were crushed to death during the band’s performance on June 30, 2000, at the Rosskilde festival, over there in Denmark. No wonder at one point he looks so rattled.

Uncut’s Great Lost Albums: Part Two

Previously: 50-35
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