David

Dark, worldly-wise solo return from Van der Graaf Generator man

Troublesome teens? Round them up at random, dump them on a deserted island, armed to the teeth, and force them to fight each other to death. It works brilliantly in Kinji Fukasaku's relentlessly violent and cheerfully tasteless satire, and is surely a public order initiative David Blunkett would approve of. DVD EXTRAS: Loads, including additional footage and alternative ending, Takeshi Kitano interview, filmographies and director interview. (AJ)

Another day, another Bond movie. Forgive me if I can't get worked up about the McConcept, although David Arnold is, by any standards, a slick operator who does as much as anyone could to keep the formula fresh. Paul Oakenfold has a stab at remixing the James Bond theme, and, of course, Madonna and Mirwais concoct that title song. Here Madge contrives to sound like a tracheotomy victim rattling through an outtake from the Music album. "Sigmund Freud," she croaks. We wonder why. Then we realise she's simply trying to tell us she read a book once.

Pioneering polemicist reinvented as sci-fi Moby

David Lynch's TV series, which first aired in the UK in the early '90s, broke the mould on so many levels, arguably paving the way for everything from Northern Exposure and Wild Palms to The Sopranos and Six Feet Under. Ostensibly a whodunnit, this deeply unconventional show explores secrets and strangeness in a rural community. And boy, do we get strangeness, from Kyle MacLachlan's relentlessly chipper FBI agent to the Log Lady and the One-Armed Man. Genius