For the past week or so, my inbox and mailbag have been assailed by labels and PR companies hyping their Tips For 2011, in readiness no doubt for the Brit Newcomer award and the BBC New Artists Poll. Annual frenzies, really, in which a lot of journalists diligently try and help out the music industry by anointing Clare Maguire or whoever as the next Ellie Goulding, and the odd sullen arrested adolescent like me effectively spoils their ballot paper by voting for the likes of Sun Araw.
This week has mostly been about Steve Coogan. The Trip – his BBC series with Rob Brydon – has prompted much discussion here in the Uncut office. As has the return of Coogan’s most famous creation, Alan Partridge – who as I’m sure you know by now is back in a series of short episodes released online.
The way Joanna Newsom tells it, Ryan Francesconi had a critical role to play in “Have One On Me”: not just as chief arranger and player of the Bulgarian tambura, kaval, mandolin, banjo, recorder and so on, but also (along with drummer Neal Morgan) in steering her towards making “Have One On Me” a triple CD set.
A fairly inhospitable place to be on a Sunday night: just on the edge of the City, near Old Street roundabout, in the cellar of what used to be an almost permanently empty Chinese restaurant. This is the venue for, I think, only the second London show by Emeralds, a night subtitled “A Brave New World In Sound”.
