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The Best Albums Of 2014: Halftime Report Part Three

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Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time… Previously: The Best Albums Of 2014: Halftime Report Part One Previously: The Best Albums Of 2014: Halftime Report Part Two 41. Dylan Shearer – Garagearray (Castleface/Empty Cellar) 42. Jesse Sparhawk & Eric Carbonara – Tributes & Diatribes (VHF) 43. D Charles Speer & The Helix – Doubled Exposure (Thrill Jockey) 44. Håkon Stene - Lush Laments for Lazy Mammal (Hubro) 45. Suarasama – Timeline (Space) 46. Sun Kil Moon – Benji (Caldo Verde) http://www.youtube.com/watch?v=UgaquGird4w Read my review here 47. Todd Terje – It’s Album Time (Olsen) 48. Tinariwen – Emmaar (PIAS) http://www.youtube.com/watch?v=PduOJidnB_M 49. Alexander Turnquist – Wildflower (Western Vinyl) 50. Sharon Van Etten – Are We There (Jagjaguwar) 51. Wolfgang Voigt – Rückverzauberung 9/Musik für Kulturinstitutionen (Kompkakt) 52. Terry Waldo – The Soul Of Ragtime (Tompkins Square) 53. Ryley Walker – All Kinds Of You (Tompkins Square) 54. The War On Drugs – Lost In The Dream (Secretly Canadian) http://www.youtube.com/watch?v=TZ9IXScip68 55. Watter – This World (Temporary Residence) 56. Jack White – Lazaretto (Third Man/XL) http://www.youtube.com/watch?v=cYF0LtfUvJs 57. Woo – When The Past Arrives (Drag City) http://www.youtube.com/watch?v=JvBTyNKm5-Q 58. Wooden Wand – Farmer's Corner (Fire) 59. Woods – With Light And With Love (Woodsist) 60. Girma Yifrashewa – Love And Peace (Unseen Worlds) 61. You Are Wolf – Hawk To The Hunting Gone (Stone Tape) 62. Neil Young – A Letter Home (Third Man/Reprise) http://www.youtube.com/watch?v=6H47jI6xanA Read my review here Follow me on Twitter: www.twitter.com/JohnRMulvey

Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time…

Previously: The Best Albums Of 2014: Halftime Report Part One

Previously: The Best Albums Of 2014: Halftime Report Part Two

41. Dylan Shearer – Garagearray (Castleface/Empty Cellar)

42. Jesse Sparhawk & Eric Carbonara – Tributes & Diatribes (VHF)

43. D Charles Speer & The Helix – Doubled Exposure (Thrill Jockey)

44. Håkon Stene – Lush Laments for Lazy Mammal (Hubro)

45. Suarasama – Timeline (Space)

46. Sun Kil Moon – Benji (Caldo Verde)

http://www.youtube.com/watch?v=UgaquGird4w

Read my review here

47. Todd Terje – It’s Album Time (Olsen)

48. Tinariwen – Emmaar (PIAS)

49. Alexander Turnquist – Wildflower (Western Vinyl)

50. Sharon Van Etten – Are We There (Jagjaguwar)

51. Wolfgang Voigt – Rückverzauberung 9/Musik für Kulturinstitutionen (Kompkakt)

52. Terry Waldo – The Soul Of Ragtime (Tompkins Square)

53. Ryley Walker – All Kinds Of You (Tompkins Square)

54. The War On Drugs – Lost In The Dream (Secretly Canadian)

55. Watter – This World (Temporary Residence)

56. Jack White – Lazaretto (Third Man/XL)

http://www.youtube.com/watch?v=cYF0LtfUvJs

57. Woo – When The Past Arrives (Drag City)

58. Wooden Wand – Farmer’s Corner (Fire)

59. Woods – With Light And With Love (Woodsist)

60. Girma Yifrashewa – Love And Peace (Unseen Worlds)

61. You Are Wolf – Hawk To The Hunting Gone (Stone Tape)

62. Neil Young – A Letter Home (Third Man/Reprise)

Read my review here

Follow me on Twitter: www.twitter.com/JohnRMulvey

The Best Albums Of 2014: Halftime Report Part Two

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Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time… Previously: The Best Albums Of 2014: Halftime Report Part One 21. Hurray For The Riff-Raff – Small Town Heroes (ATO) Read my review here 22. Kasai All Stars – Beware The Fetish (Crammed Discs) http://www.youtube.com/watch?v=Rod0kSInlgo 23. Kelis – Food (Ninjatune) 24. Stephen Malkmus & The Jicks – Wig Out At Jagbags (Domino) http://www.youtube.com/watch?v=zYC5JASqWnI 25. Mark McGuire – Along The Way (Dead Oceans) http://www.youtube.com/watch?v=KGxosUuBg0A 26. The Men – Tomorrow’s Hits (Sacred Bones) 27. Metronomy – Love Letters (Because) 28. Mogwai – Rave Tapes (Rock Action) 29. New Bums – Voices In A Rented Room (Drag City) 30. Thee Oh Sees – Drop (Castleface) 31. Angel Olsen – Burn Your Fire For No Witness (Jagjaguwar) 32. Doug Paisley – Strong Feelings (No Quarter) 33. Linda Perhacs – The Soul Of All Natural Things (Asthmatic Kitty) http://www.youtube.com/watch?v=3n-nWy6fB00 34. Plaid – Reachy Prints (Warp) http://www.youtube.com/watch?v=AJ6I6J0yrHQ 35. Pye Corner Audio – Black Mill Tapes 3&4 (Type) Read my review here 36. Pye Corner Audio/Not Waving - Intercepts (Ecstatic) 37. Real Estate – Atlas (Domino) http://www.youtube.com/watch?v=pNvj_VLkEBg Read my review here 38. Gruff Rhys – American Interior (Turnstile) 39. Chris Robinson Brotherhood – Phosphorescent Harvest (Silver Arrow) 40. Noura Mint Seymali – Tzenni (Glitterbeat) Continue to the Best Albums Of 2014: Halftime Report Part Three Follow me on Twitter: www.twitter.com/JohnRMulvey

Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time…

Previously: The Best Albums Of 2014: Halftime Report Part One

21. Hurray For The Riff-Raff – Small Town Heroes (ATO)

Read my review here

22. Kasai All Stars – Beware The Fetish (Crammed Discs)

23. Kelis – Food (Ninjatune)

24. Stephen Malkmus & The Jicks – Wig Out At Jagbags (Domino)

25. Mark McGuire – Along The Way (Dead Oceans)

26. The Men – Tomorrow’s Hits (Sacred Bones)

27. Metronomy – Love Letters (Because)

28. Mogwai – Rave Tapes (Rock Action)

29. New Bums – Voices In A Rented Room (Drag City)

30. Thee Oh Sees – Drop (Castleface)

31. Angel Olsen – Burn Your Fire For No Witness (Jagjaguwar)

32. Doug Paisley – Strong Feelings (No Quarter)

33. Linda Perhacs – The Soul Of All Natural Things (Asthmatic Kitty)

34. Plaid – Reachy Prints (Warp)

35. Pye Corner Audio – Black Mill Tapes 3&4 (Type)

Read my review here

36. Pye Corner Audio/Not Waving – Intercepts (Ecstatic)

37. Real Estate – Atlas (Domino)

Read my review here

38. Gruff Rhys – American Interior (Turnstile)

39. Chris Robinson Brotherhood – Phosphorescent Harvest (Silver Arrow)

40. Noura Mint Seymali – Tzenni (Glitterbeat)

Continue to the Best Albums Of 2014: Halftime Report Part Three

Follow me on Twitter: www.twitter.com/JohnRMulvey

The Best Albums Of 2014: Halftime Report Part One

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Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time… Always a bit of a gamble doing this, to be honest but, since it’s June, I’ve tried to put together a list of my favourite albums of 2014 thus far. Many caveats forthcoming, not least that my slightly ad hoc way of trying to remember what I’ve liked means I’ve almost certainly missed a few things. In theory, these are all records released between January and June of this year. I should also point out that this is a very personal selection, and in no way representative of what my 40-odd colleagues at Uncut might choose if we were running this as a proper poll. It’s also not exactly a Top 62, as I’ve organised them in alphabetical order rather than attempting any ranking at this early stage (ie don’t get too overexcited, Luke Abbott fans…). Still, now that I’ve all my excuses out of the way, I hope you’ll find plenty to dig into here. I’ve included links to music and extended reviews about many of these albums, so please let me know what you think. Your own charts and thoughts are as welcome as ever: besides the comments boxes at the bottom, letters to the magazine can be sent to me at uncut_feedback@ipcmedia.com. Follow me on Twitter: www.twitter.com/JohnRMulvey 1. Luke Abbott – Wysing Forest (Border Community) 2. Afghan Whigs – Do To The Beast (Sub Pop) http://www.youtube.com/watch?v=ovhzeqIaggY 3. Damon Albarn – Everyday Robots (Parlophone) http://www.youtube.com/watch?v=rjbiUj-FD-o 4. Lee Bains III & The Glory Fires - Dereconstructed (Sub Pop) http://www.youtube.com/watch?v=YucWOXSCa4U ) Read my review here 5. Olga Bell – Krai (One Little Indian) 6. Black Bananas – Electric Brick Wall (Drag City) 7. Black Dirt Oak – Wawayanda Patient (MIE Music) Read my review here 8. Bohren & Der Club Of Gore – Piano Nights (PIAS) Read my review here 9. Bill Callahan – Have Fun With God (Drag City) Read my review here 10. Hans Chew – Life And Love (At The Helm) http://www.youtube.com/watch?v=QoelJhhIKcM 11. Morgan Delt – Morgan Delt (Trouble In Mind) 12. Toumani Diabaté & Sidiki Diabaté - Toumani & Sidiki (World Circuit) http://www.youtube.com/watch?v=oCEeaERMfNo 13. Drive-By Truckers – English Oceans (ATO) 14. East India Youth – Total Strife Forever (Stolen) 15. Fennesz – Bécs (Editions Mego) 16. Grandma Sparrow - Grandma Sparrow & his Piddletractor Orchestra (Spacebomb) 17. Steve Gunn & Mike Cooper – FRKWYS VOL 11: Cantos De Lisboa (RVNG INTL) 18. The Hold Steady – Teeth Dreams (Washington Square) 19. Dylan Howe – Subterranean: New Designs On Bowie's Berlin (Motorik) 20. Howlin Rain – Live Rain (Agitated) Continue to the Best Albums Of 2014: Halftime Report Part Two Continue to the Best Albums Of 2014: Halftime Report Part Three

Yesterday, after I posted this list of my favourite albums of 2014, I received a few messages complaining that there were too many Youtube and Soundcloud clips embedded here, preventing the page from loading properly. Forgive the repetition, then, but I thought it worth reposting the list as three separate blogs; hopefully it’ll work better this time…

Always a bit of a gamble doing this, to be honest but, since it’s June, I’ve tried to put together a list of my favourite albums of 2014 thus far. Many caveats forthcoming, not least that my slightly ad hoc way of trying to remember what I’ve liked means I’ve almost certainly missed a few things.

In theory, these are all records released between January and June of this year. I should also point out that this is a very personal selection, and in no way representative of what my 40-odd colleagues at Uncut might choose if we were running this as a proper poll. It’s also not exactly a Top 62, as I’ve organised them in alphabetical order rather than attempting any ranking at this early stage (ie don’t get too overexcited, Luke Abbott fans…).

Still, now that I’ve all my excuses out of the way, I hope you’ll find plenty to dig into here. I’ve included links to music and extended reviews about many of these albums, so please let me know what you think. Your own charts and thoughts are as welcome as ever: besides the comments boxes at the bottom, letters to the magazine can be sent to me at uncut_feedback@ipcmedia.com.

Follow me on Twitter: www.twitter.com/JohnRMulvey

1. Luke Abbott – Wysing Forest (Border Community)

2. Afghan Whigs – Do To The Beast (Sub Pop)

3. Damon Albarn – Everyday Robots (Parlophone)

4. Lee Bains III & The Glory Fires – Dereconstructed (Sub Pop)

)

Read my review here

5. Olga Bell – Krai (One Little Indian)

6. Black Bananas – Electric Brick Wall (Drag City)

7. Black Dirt Oak – Wawayanda Patient (MIE Music)

Read my review here

8. Bohren & Der Club Of Gore – Piano Nights (PIAS)

Read my review here

9. Bill Callahan – Have Fun With God (Drag City)

Read my review here

10. Hans Chew – Life And Love (At The Helm)

11. Morgan Delt – Morgan Delt (Trouble In Mind)

12. Toumani Diabaté & Sidiki Diabaté – Toumani & Sidiki (World Circuit)

13. Drive-By Truckers – English Oceans (ATO)

14. East India Youth – Total Strife Forever (Stolen)

15. Fennesz – Bécs (Editions Mego)

16. Grandma Sparrow – Grandma Sparrow & his Piddletractor Orchestra (Spacebomb)

17. Steve Gunn & Mike Cooper – FRKWYS VOL 11: Cantos De Lisboa (RVNG INTL)

18. The Hold Steady – Teeth Dreams (Washington Square)

19. Dylan Howe – Subterranean: New Designs On Bowie’s Berlin (Motorik)

20. Howlin Rain – Live Rain (Agitated)

Continue to the Best Albums Of 2014: Halftime Report Part Two

Continue to the Best Albums Of 2014: Halftime Report Part Three

Send us your questions for J Mascis!

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As he prepares to release his new solo album Tied To A Star, J Mascis is set to answer your questions in Uncut as part of our regular Audience With… feature. So is there anything you’ve always wanted to ask the legendary frontman? Who are his guitar heroes? Why did he turn down Kurt Cobain's invitation to join Nirvana? What's his favourite Dinosaur Jr album? Send up your questions by noon, Monday, June 16 to uncutaudiencewith@ipcmedia.com. The best questions, and J's answers, will be published in a future edition of Uncut magazine. Please include your name and location with your question.

As he prepares to release his new solo album Tied To A Star, J Mascis is set to answer your questions in Uncut as part of our regular Audience With… feature.

So is there anything you’ve always wanted to ask the legendary frontman?

Who are his guitar heroes?

Why did he turn down Kurt Cobain’s invitation to join Nirvana?

What’s his favourite Dinosaur Jr album?

Send up your questions by noon, Monday, June 16 to uncutaudiencewith@ipcmedia.com. The best questions, and J’s answers, will be published in a future edition of Uncut magazine. Please include your name and location with your question.

Roddy Frame – Seven Dials

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The Aztec Camera-man relives his early-'80s glories - slap bass and all... It’s been eight years since Roddy Frame’s last album, Western Skies, and over 30 since his arrival as a precocious prodigy from East Kilbride, the boy wonder whose remarkably worldly songs put Aztec Camera at the vanguard of the Sound of Young Scotland alongside Postcard labelmates Orange Juice and Josef K. Though their 1983 debut, High Land, Hard Rain, remains arguably the crowning achievement of that vibrant cultural moment, Frame swiftly ditched the arch aesthetic and Cali-donian jangle to indulge what seemed at times a wilful contrarian streak. He outraged indier-than-thou sensibilities by working with Mark Knopfler on Aztec Camera’s second album Knife, while Love – with its pop hit “Somewhere In My Heart” – was a slick pop-soul confection employing veteran US sessioneers Steve Gadd and Steve Jordan. Later releases bounced from Mick Jones to Ryuichi Sakamoto, before Frame ditched the band brand and went solo with 1998’s North Star. It’s been slow work since. Seven Dials is Frame’s fourth solo album in 16 years, evidence not just of a perfectionist streak, but also of someone who has occasionally seemed burdened by the expectations wrought by his exceptional early promise. On “English Garden”, a ballad of heartbreaking fragility and one of several stand-outs here, he contemplates swans on the Thames while paraphrasing L.P. Hartley: “The past is like another place, it’s a foreign land”. Yet at 50 Frame seems more at ease with returning there. He marked High Land, Hard Rain’s thirtieth birthday last year with a handful of gloriously nostalgic shows, and there are moments on Seven Dials which directly confront former glories. “Once, like the kid I reigned / King of all I surveyed,” he reflects on “The Other Side”, while “Postcard” – a knowing title – features a twanging one-note acoustic guitar solo which plants its tongue firmly in the cheek of “Oblivious”. Seven Dials seamlessly weaves many of the best elements of Frame’s past into a work of consummate craftsmanship which also references the likes of Steely Dan, The Cure, The Beatles, Bowie, Fleetwood Mac, Van Morrison and Bob Dylan. Within an orthodox pop/rock axis it exhibits admirably egalitarian and sometimes eccentric tastes. In “On The Waves”, the syncopated 80s rhythm track features slap-bass. At the end of ”The Other Side”, a soulful, slow-rolling showstopper with rippling piano arpeggios a la Hunky Dory, Frame’s unabashed guitar solo pays explicit homage to Brian May. “Rear View Mirror”, a seductively swaying bossa nova with a tough lyrical edge, finds him channelling his inner João Gilberto, while the sparkling west coast radio pop of “Postcard”, with its glistening guitar line and sun-ripened backing vocals, makes a neat meta-textual nod to the source of its inspiration as it travels “from San Francisco to Sausalito, where they started Rumours”. Elsewhere, the words hint at confession while remaining essentially impressionistic studies of time, place, memory and love. “From A Train”, the latest in a line of nimble finger-picking songs running from “Down The Dip” to 2002’s magnificent voice-and-acoustic album Surf, concludes, “Here’s the view: love is pain, rushing through.” There’s also much spiritual contemplation on the record, with its talk of Jesus’ children, the washing of hands, faith tested and often found wanting. “Forty Days Of Rain” pits the album’s most jaunty musical setting – a Dylanesque folk-rock rush of harmonica, organ and accordion – against its most explicitly racked lyric. Drenched in the quasi-biblical imagery of floods, ancient kings and swords, it depicts Frame as a “wretch”, broken by a period of extreme crisis, stumbling into salvation: “I fall and I pray, I was lost but I’m found.” A triumph of economy at ten songs and 38 minutes, Seven Dials succeeds in being both instantly accessible yet full of detail and depth. The apparently nourishing life/work balance Frame outlines in its hook-laden opener, “White Pony” – “Sometimes you’ve got to stop and look around” – may lead to increasingly lengthy pauses between releases, but smelling the flowers along the way has clearly done him the power of good. Graeme Thomson Q&A RODDY FRAME Eight years. Explain yourself. I’ve always been like that! I remember being a kid at school and the teacher saying, “When you start work you’re not going to be able to look out the window all day.” I was 12, and I said to her, “I’m not going to be working, I’m going to be a pop star.” Now people are asking why I’ve got gaps in my CV, but I didn’t think making music was ever about working to a schedule. Frankly, with some of the people I love, I wish they’d take more time and not make so many records. You’ve signed to Edwyn Collins’s label, AED. Yeah, Analogue Enhanced Digital – his little in-joke. I was wary at first. We’ve known each other since we were teenagers and we’re so close, but this is his turf. I was wondering if it would work, but [Edwyn’s wife] Grace said, “Look, I’ll never ask you to do anything you don’t want to do. You say no and that’s it.” I thought that sounded amazing, and I said, “Well, I promise I’ll never ring up and ask you why the record isn’t on the radio.” It’s a sensible arrangement. We’re old enough to know that the most important thing is that we stay friends. INTERVIEW: GRAEME THOMSON

The Aztec Camera-man relives his early-’80s glories – slap bass and all…

It’s been eight years since Roddy Frame’s last album, Western Skies, and over 30 since his arrival as a precocious prodigy from East Kilbride, the boy wonder whose remarkably worldly songs put Aztec Camera at the vanguard of the Sound of Young Scotland alongside Postcard labelmates Orange Juice and Josef K.

Though their 1983 debut, High Land, Hard Rain, remains arguably the crowning achievement of that vibrant cultural moment, Frame swiftly ditched the arch aesthetic and Cali-donian jangle to indulge what seemed at times a wilful contrarian streak. He outraged indier-than-thou sensibilities by working with Mark Knopfler on Aztec Camera’s second album Knife, while Love – with its pop hit “Somewhere In My Heart” – was a slick pop-soul confection employing veteran US sessioneers Steve Gadd and Steve Jordan. Later releases bounced from Mick Jones to Ryuichi Sakamoto, before Frame ditched the band brand and went solo with 1998’s North Star.

It’s been slow work since. Seven Dials is Frame’s fourth solo album in 16 years, evidence not just of a perfectionist streak, but also of someone who has occasionally seemed burdened by the expectations wrought by his exceptional early promise. On “English Garden”, a ballad of heartbreaking fragility and one of several stand-outs here, he contemplates swans on the Thames while paraphrasing L.P. Hartley: “The past is like another place, it’s a foreign land”. Yet at 50 Frame seems more at ease with returning there. He marked High Land, Hard Rain’s thirtieth birthday last year with a handful of gloriously nostalgic shows, and there are moments on Seven Dials which directly confront former glories. “Once, like the kid I reigned / King of all I surveyed,” he reflects on “The Other Side”, while “Postcard” – a knowing title – features a twanging one-note acoustic guitar solo which plants its tongue firmly in the cheek of “Oblivious”.

Seven Dials seamlessly weaves many of the best elements of Frame’s past into a work of consummate craftsmanship which also references the likes of Steely Dan, The Cure, The Beatles, Bowie, Fleetwood Mac, Van Morrison and Bob Dylan. Within an orthodox pop/rock axis it exhibits admirably egalitarian and sometimes eccentric tastes. In “On The Waves”, the syncopated 80s rhythm track features slap-bass. At the end of ”The Other Side”, a soulful, slow-rolling showstopper with rippling piano arpeggios a la Hunky Dory, Frame’s unabashed guitar solo pays explicit homage to Brian May. “Rear View Mirror”, a seductively swaying bossa nova with a tough lyrical edge, finds him channelling his inner João Gilberto, while the sparkling west coast radio pop of “Postcard”, with its glistening guitar line and sun-ripened backing vocals, makes a neat meta-textual nod to the source of its inspiration as it travels “from San Francisco to Sausalito, where they started Rumours”.

Elsewhere, the words hint at confession while remaining essentially impressionistic studies of time, place, memory and love. “From A Train”, the latest in a line of nimble finger-picking songs running from “Down The Dip” to 2002’s magnificent voice-and-acoustic album Surf, concludes, “Here’s the view: love is pain, rushing through.” There’s also much spiritual contemplation on the record, with its talk of Jesus’ children, the washing of hands, faith tested and often found wanting. “Forty Days Of Rain” pits the album’s most jaunty musical setting – a Dylanesque folk-rock rush of harmonica, organ and accordion – against its most explicitly racked lyric. Drenched in the quasi-biblical imagery of floods, ancient kings and swords, it depicts Frame as a “wretch”, broken by a period of extreme crisis, stumbling into salvation: “I fall and I pray, I was lost but I’m found.”

A triumph of economy at ten songs and 38 minutes, Seven Dials succeeds in being both instantly accessible yet full of detail and depth. The apparently nourishing life/work balance Frame outlines in its hook-laden opener, “White Pony” – “Sometimes you’ve got to stop and look around” – may lead to increasingly lengthy pauses between releases, but smelling the flowers along the way has clearly done him the power of good.

Graeme Thomson

Q&A

RODDY FRAME

Eight years. Explain yourself.

I’ve always been like that! I remember being a kid at school and the teacher saying, “When you start work you’re not going to be able to look out the window all day.” I was 12, and I said to her, “I’m not going to be working, I’m going to be a pop star.” Now people are asking why I’ve got gaps in my CV, but I didn’t think making music was ever about working to a schedule. Frankly, with some of the people I love, I wish they’d take more time and not make so many records.

You’ve signed to Edwyn Collins’s label, AED.

Yeah, Analogue Enhanced Digital – his little in-joke. I was wary at first. We’ve known each other since we were teenagers and we’re so close, but this is his turf. I was wondering if it would work, but [Edwyn’s wife] Grace said, “Look, I’ll never ask you to do anything you don’t want to do. You say no and that’s it.” I thought that sounded amazing, and I said, “Well, I promise I’ll never ring up and ask you why the record isn’t on the radio.” It’s a sensible arrangement. We’re old enough to know that the most important thing is that we stay friends.

INTERVIEW: GRAEME THOMSON

Paul McCartney postpones more tour dates

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Paul McCartney has postponed a number of US tour dates, as he continues to recover a virus which saw him hospitalised in Tokyo, Japan last month. Writing on his official website, McCartney said: "I'm sorry but it’s going to be a few more weeks before we get rocking in America again. I’m feelin...

Paul McCartney has postponed a number of US tour dates, as he continues to recover a virus which saw him hospitalised in Tokyo, Japan last month.

Writing on his official website, McCartney said: “I’m sorry but it’s going to be a few more weeks before we get rocking in America again. I’m feeling great but taking my docs’ advice to take it easy for just a few more days. Look forward to seeing you all soon.”

Concerts in Lubbock, Dallas, New Orleans, Atlanta, Jacksonville, Nashville and Louisville on his Out There tour have now been pushed back until October.

The tour will resume in Albany on July 5.

The shows continue through to mid-August, before picking up again in October.

Watch Morrissey debut new song, “Kick The Bride Down The Aisle” live

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Morrissey debuted a new album song "Kick The Bride Down The Aisle" onstage in Boston on Saturday night [June 7]. Click below to watch fan-shot footage of the live unveiling of the song at the Boston Opera House. The studio version of the track will feature on Morrissey's new album World Peace Is No...

Morrissey debuted a new album song “Kick The Bride Down The Aisle” onstage in Boston on Saturday night [June 7].

Click below to watch fan-shot footage of the live unveiling of the song at the Boston Opera House. The studio version of the track will feature on Morrissey’s new album World Peace Is None of Your Business, which is set for release on July 14.

Earlier this month Morrissey streamed another new song, entitled “Earth Is The Loneliest Planet“, which was trailed with a Pamela Anderson starring spoken word video.

Morrissey was recently forced to cancel a gig in Atlanta, Georgia through ill health as well as postpone a show at the Revel Casino Hotel in Atlantic City, New Jersey.

The World Peace Is None Of Your Business tracklisting is:

‘World Peace Is None Of Your Business’

‘Neal Cassady Drops Dead’

‘Istanbul’

‘I’m Not A Man’

‘Earth Is The Loneliest Planet’

‘Staircase At The University’

‘The Bullfighter Dies’

‘Kiss Me A Lot’

‘Smiler With Knife’

‘Kick The Bride Down the Aisle’

‘Mountjoy’

‘Oboe Concerto’

Jack White announces UK arena shows for November

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Jack White has announced plans for three UK arena tours set to take place this November. While play Leeds First Direct Arena on November 17, Glasgow SSE Hydro on November 18 and London O2 Arena on November 19. Tickets go on general sale on June 13 at 9am. The shows will follow White's sold-out gig ...

Jack White has announced plans for three UK arena tours set to take place this November.

While play Leeds First Direct Arena on November 17, Glasgow SSE Hydro on November 18 and London O2 Arena on November 19. Tickets go on general sale on June 13 at 9am. The shows will follow White’s sold-out gig at London’s Eventim Apollo on July 5 and his performance later this month at Glastonbury.

White’s second solo album Lazaretto is available now.

Jack White plays:

London Eventim Apollo (July 5)

Leeds First Direct Arena (November 17)

Glasgow SSE Hydro (18)

London O2 Arena (19)

The Ramones debut album finally certified gold 38 years after release

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The Ramones self-titled debut album has been certified gold - 38 years after it was first released. According to the Recording Industry Association of America, the trade organization that represents the recording industry in the United States, the album was certified gold on April 30, 2014. The al...

The Ramones self-titled debut album has been certified gold – 38 years after it was first released.

According to the Recording Industry Association of America, the trade organization that represents the recording industry in the United States, the album was certified gold on April 30, 2014.

The album was originally released on April 23, 1976.

According to the RIAA, an album is required to have sold 500,000 copies to qualify for gold status.

King Crimson release photos and video clip from 2014 tour rehearsals

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King Crimson have released images and a video clip taken from rehearsals for their forthcoming live dates. Nine photographs have appeared this morning [July 10] on Robert Fripp's DGMLive site. You can see them here. Meanwhile, Fripp has also posted a 5 second clip of the band rehearsing on his Fac...

King Crimson have released images and a video clip taken from rehearsals for their forthcoming live dates.

Nine photographs have appeared this morning [July 10] on Robert Fripp‘s DGMLive site. You can see them here.

Meanwhile, Fripp has also posted a 5 second clip of the band rehearsing on his Facebook page of drummers Gavin Harrison, Pat Mastelotto and Bill Rieflin which you can watch here. The clip is tagged “Elstree Studios Sunday 8th. June, 2014”.

This line-up – the 8th in the band’s history – is Fripp, Harrison, Rieflin, Mastelotto, bassist Tony Levin, saxophonist Mel Collins and guitarist Jakko Jakszyk.

They are all former Crimson members, except Rieflin and Jakszyk who have been involved on the fringes of Crimson for a few years. Rieflin collaborated with Chris Wong, Robert Fripp and Toyah Willcox in a project called The Humans, while Jakszyk played in Jakszyk Fripp & Collins, alongside Robert Fripp and Mel Collins.

On Saturday [June 7], Tony Levin posted on his blog: “We moved to a bigger rehearsal room, and combined the two parts of the band that had been rehearsing separately. Since February, the three drummers have been getting together, and this past week marked the second time I’d come to Jakko’s home studio to rehearse with him — this time joined by Robert and Mel.”

The band have also now announced the entire 17-show run of dates:

September 9 & 10 @ The Egg – Albany, NY

September 12 & 13 @ Kimmel Center – Philadelphia, PA

September 15 & 16 @ Colonial Theatre – Boston, MA

September 18, 19 & 20 @ Best Buy Theater – New York, NY

September 23 @ Barrymore Theatre – Madison, WI

September 25 & 26 @ The Vic Theatre – Chicago, IL

September 30 & October 1 @ Orpheum Theatre – Los Angeles, CA

October 3 & 4 @ Warfield Theater – San Francisco, CA

October 6 @ Moore Theatre – Seattle, WA

Announcing his plans to reform the band last year in Uncut, Robert Fripp said, “King Crimson is returning to active service. We are on-call to be ready for a live performance on September 1, 2014. Seven members. Four English, three American. Three drummers. It’s a different configuration of King Crimson than before. Some are familiar names, maybe more than others.”

Fripp went on to say, “The first performance will take place in either North or South America,” Fripp told Uncut. “There will be rehearsals primarily in England, and the final batch of rehearsals will most likely be in America in August or September 2014. There is a plan to include the UK in the tour dates, but it depends on a number of circumstances. Right now the primary geographical focus is the United States.”

The Best Albums Of 2014: Halftime Report

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Always a bit of a gamble doing this, to be honest but, since it’s June, I’ve tried to put together a list of my favourite albums of 2014 thus far. Many caveats forthcoming, not least that my slightly ad hoc way of trying to remember what I’ve liked means I’ve almost certainly missed a few things. In theory, these are all records released between January and June of this year. I should also point out that this is a very personal selection, and in no way representative of what my 40-odd colleagues at Uncut might choose if we were running this as a proper poll. It’s also not exactly a Top 62, as I’ve organised them in alphabetical order rather than attempting any ranking at this early stage (ie don’t get too overexcited, Luke Abbott fans…). Still, now that I’ve all my excuses out of the way, I hope you’ll find plenty to dig into here. I’ve included links to music and extended reviews about many of these albums, so please let me know what you think. Your own charts and thoughts are as welcome as ever: besides the comments boxes at the bottom, letters to the magazine can be sent to me at uncut_feedback@ipcmedia.com. Click here to see the list in three easier-to-load chunks. Follow me on Twitter: www.twitter.com/JohnRMulvey 1. Luke Abbott – Wysing Forest (Border Community) 2. Afghan Whigs – Do To The Beast (Sub Pop) http://www.youtube.com/watch?v=ovhzeqIaggY 3. Damon Albarn – Everyday Robots (Parlophone) http://www.youtube.com/watch?v=rjbiUj-FD-o 4. Lee Bains III & The Glory Fires - Dereconstructed (Sub Pop) http://www.youtube.com/watch?v=YucWOXSCa4U ) Read my review here 5. Olga Bell – Krai (One Little Indian) 6. Black Bananas – Electric Brick Wall (Drag City) 7. Black Dirt Oak – Wawayanda Patient (MIE Music) Read my review here 8. Bohren & Der Club Of Gore – Piano Nights (PIAS) Read my review here 9. Bill Callahan – Have Fun With God (Drag City) Read my review here 10. Hans Chew – Life And Love (At The Helm) http://www.youtube.com/watch?v=QoelJhhIKcM 11. Morgan Delt – Morgan Delt (Trouble In Mind) 12. Toumani Diabaté & Sidiki Diabaté - Toumani & Sidiki (World Circuit) http://www.youtube.com/watch?v=oCEeaERMfNo 13. Drive-By Truckers – English Oceans (ATO) 14. East India Youth – Total Strife Forever (Stolen) 15. Fennesz – Bécs (Editions Mego) 16. Grandma Sparrow - Grandma Sparrow & his Piddletractor Orchestra (Spacebomb) 17. Steve Gunn & Mike Cooper – FRKWYS VOL 11: Cantos De Lisboa (RVNG INTL) 18. The Hold Steady – Teeth Dreams (Washington Square) 19. Dylan Howe – Subterranean: New Designs On Bowie's Berlin (Motorik) 20. Howlin Rain – Live Rain (Agitated) 21. Hurray For The Riff-Raff – Small Town Heroes (ATO) Read my review here 22. Kasai All Stars – Beware The Fetish (Crammed Discs) http://www.youtube.com/watch?v=Rod0kSInlgo 23. Kelis – Food (Ninjatune) 24. Stephen Malkmus & The Jicks – Wig Out At Jagbags (Domino) http://www.youtube.com/watch?v=zYC5JASqWnI 25. Mark McGuire – Along The Way (Dead Oceans) http://www.youtube.com/watch?v=KGxosUuBg0A 26. The Men – Tomorrow’s Hits (Sacred Bones) 27. Metronomy – Love Letters (Because) 28. Mogwai – Rave Tapes (Rock Action) 29. New Bums – Voices In A Rented Room (Drag City) 30. Thee Oh Sees – Drop (Castleface) 31. Angel Olsen – Burn Your Fire For No Witness (Jagjaguwar) 32. Doug Paisley – Strong Feelings (No Quarter) 33. Linda Perhacs – The Soul Of All Natural Things (Asthmatic Kitty) http://www.youtube.com/watch?v=3n-nWy6fB00 34. Plaid – Reachy Prints (Warp) http://www.youtube.com/watch?v=AJ6I6J0yrHQ 35. Pye Corner Audio – Black Mill Tapes 3&4 (Type) Read my review here 36. Pye Corner Audio/Not Waving - Intercepts (Ecstatic) 37. Real Estate – Atlas (Domino) http://www.youtube.com/watch?v=pNvj_VLkEBg Read my review here 38. Gruff Rhys – American Interior (Turnstile) 39. Chris Robinson Brotherhood – Phosphorescent Harvest (Silver Arrow) 40. Noura Mint Seymali – Tzenni (Glitterbeat) 41. Dylan Shearer – Garagearray (Castleface/Empty Cellar) 42. Jesse Sparhawk & Eric Carbonara – Tributes & Diatribes (VHF) 43. D Charles Speer & The Helix – Doubled Exposure (Thrill Jockey) 44. Håkon Stene - Lush Laments for Lazy Mammal (Hubro) 45. Suarasama – Timeline (Space) 46. Sun Kil Moon – Benji (Caldo Verde) http://www.youtube.com/watch?v=UgaquGird4w Read my review here 47. Todd Terje – It’s Album Time (Olsen) 48. Tinariwen – Emmaar (PIAS) http://www.youtube.com/watch?v=PduOJidnB_M 49. Alexander Turnquist – Wildflower (Western Vinyl) 50. Sharon Van Etten – Are We There (Jagjaguwar) 51. Wolfgang Voigt – Rückverzauberung 9/Musik für Kulturinstitutionen (Kompkakt) 52. Terry Waldo – The Soul Of Ragtime (Tompkins Square) 53. Ryley Walker – All Kinds Of You (Tompkins Square) 54. The War On Drugs – Lost In The Dream (Secretly Canadian) http://www.youtube.com/watch?v=TZ9IXScip68 55. Watter – This World (Temporary Residence) 56. Jack White – Lazaretto (Third Man/XL) http://www.youtube.com/watch?v=cYF0LtfUvJs 57. Woo – When The Past Arrives (Drag City) http://www.youtube.com/watch?v=JvBTyNKm5-Q 58. Wooden Wand – Farmer's Corner (Fire) 59. Woods – With Light And With Love (Woodsist) 60. Girma Yifrashewa – Love And Peace (Unseen Worlds) 61. You Are Wolf – Hawk To The Hunting Gone (Stone Tape) 62. Neil Young – A Letter Home (Third Man/Reprise) http://www.youtube.com/watch?v=6H47jI6xanA Read my review here

Always a bit of a gamble doing this, to be honest but, since it’s June, I’ve tried to put together a list of my favourite albums of 2014 thus far. Many caveats forthcoming, not least that my slightly ad hoc way of trying to remember what I’ve liked means I’ve almost certainly missed a few things.

In theory, these are all records released between January and June of this year. I should also point out that this is a very personal selection, and in no way representative of what my 40-odd colleagues at Uncut might choose if we were running this as a proper poll. It’s also not exactly a Top 62, as I’ve organised them in alphabetical order rather than attempting any ranking at this early stage (ie don’t get too overexcited, Luke Abbott fans…).

Still, now that I’ve all my excuses out of the way, I hope you’ll find plenty to dig into here. I’ve included links to music and extended reviews about many of these albums, so please let me know what you think. Your own charts and thoughts are as welcome as ever: besides the comments boxes at the bottom, letters to the magazine can be sent to me at uncut_feedback@ipcmedia.com.

Click here to see the list in three easier-to-load chunks.

Follow me on Twitter: www.twitter.com/JohnRMulvey

1. Luke Abbott – Wysing Forest (Border Community)

2. Afghan Whigs – Do To The Beast (Sub Pop)

3. Damon Albarn – Everyday Robots (Parlophone)

4. Lee Bains III & The Glory Fires – Dereconstructed (Sub Pop)

)

Read my review here

5. Olga Bell – Krai (One Little Indian)

6. Black Bananas – Electric Brick Wall (Drag City)

7. Black Dirt Oak – Wawayanda Patient (MIE Music)

Read my review here

8. Bohren & Der Club Of Gore – Piano Nights (PIAS)

Read my review here

9. Bill Callahan – Have Fun With God (Drag City)

Read my review here

10. Hans Chew – Life And Love (At The Helm)

11. Morgan Delt – Morgan Delt (Trouble In Mind)

12. Toumani Diabaté & Sidiki Diabaté – Toumani & Sidiki (World Circuit)

13. Drive-By Truckers – English Oceans (ATO)

14. East India Youth – Total Strife Forever (Stolen)

15. Fennesz – Bécs (Editions Mego)

16. Grandma Sparrow – Grandma Sparrow & his Piddletractor Orchestra (Spacebomb)

17. Steve Gunn & Mike Cooper – FRKWYS VOL 11: Cantos De Lisboa (RVNG INTL)

18. The Hold Steady – Teeth Dreams (Washington Square)

19. Dylan Howe – Subterranean: New Designs On Bowie’s Berlin (Motorik)

20. Howlin Rain – Live Rain (Agitated)

21. Hurray For The Riff-Raff – Small Town Heroes (ATO)

Read my review here

22. Kasai All Stars – Beware The Fetish (Crammed Discs)

23. Kelis – Food (Ninjatune)

24. Stephen Malkmus & The Jicks – Wig Out At Jagbags (Domino)

25. Mark McGuire – Along The Way (Dead Oceans)

26. The Men – Tomorrow’s Hits (Sacred Bones)

27. Metronomy – Love Letters (Because)

28. Mogwai – Rave Tapes (Rock Action)

29. New Bums – Voices In A Rented Room (Drag City)

30. Thee Oh Sees – Drop (Castleface)

31. Angel Olsen – Burn Your Fire For No Witness (Jagjaguwar)

32. Doug Paisley – Strong Feelings (No Quarter)

33. Linda Perhacs – The Soul Of All Natural Things (Asthmatic Kitty)

34. Plaid – Reachy Prints (Warp)

35. Pye Corner Audio – Black Mill Tapes 3&4 (Type)

Read my review here

36. Pye Corner Audio/Not Waving – Intercepts (Ecstatic)

37. Real Estate – Atlas (Domino)

Read my review here

38. Gruff Rhys – American Interior (Turnstile)

39. Chris Robinson Brotherhood – Phosphorescent Harvest (Silver Arrow)

40. Noura Mint Seymali – Tzenni (Glitterbeat)

41. Dylan Shearer – Garagearray (Castleface/Empty Cellar)

42. Jesse Sparhawk & Eric Carbonara – Tributes & Diatribes (VHF)

43. D Charles Speer & The Helix – Doubled Exposure (Thrill Jockey)

44. Håkon Stene – Lush Laments for Lazy Mammal (Hubro)

45. Suarasama – Timeline (Space)

46. Sun Kil Moon – Benji (Caldo Verde)

http://www.youtube.com/watch?v=UgaquGird4w

Read my review here

47. Todd Terje – It’s Album Time (Olsen)

48. Tinariwen – Emmaar (PIAS)

49. Alexander Turnquist – Wildflower (Western Vinyl)

50. Sharon Van Etten – Are We There (Jagjaguwar)

51. Wolfgang Voigt – Rückverzauberung 9/Musik für Kulturinstitutionen (Kompkakt)

52. Terry Waldo – The Soul Of Ragtime (Tompkins Square)

53. Ryley Walker – All Kinds Of You (Tompkins Square)

54. The War On Drugs – Lost In The Dream (Secretly Canadian)

55. Watter – This World (Temporary Residence)

56. Jack White – Lazaretto (Third Man/XL)

http://www.youtube.com/watch?v=cYF0LtfUvJs

57. Woo – When The Past Arrives (Drag City)

58. Wooden Wand – Farmer’s Corner (Fire)

59. Woods – With Light And With Love (Woodsist)

60. Girma Yifrashewa – Love And Peace (Unseen Worlds)

61. You Are Wolf – Hawk To The Hunting Gone (Stone Tape)

62. Neil Young – A Letter Home (Third Man/Reprise)

Read my review here

Hiss Golden Messenger announce new album, Lateness Of Dancers

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Hiss Golden Messenger has announced details of a new album, Lateness Of Dancers. Lateness Of Dancers is the fifth by Hiss Golden Messenger - the alias of songwriter and singer M.C. Taylor. It is due for release on September 15 on Merge Records. Scroll down to watch a trailer for the album. The al...

Hiss Golden Messenger has announced details of a new album, Lateness Of Dancers.

Lateness Of Dancers is the fifth by Hiss Golden Messenger – the alias of songwriter and singer M.C. Taylor.

It is due for release on September 15 on Merge Records. Scroll down to watch a trailer for the album.

The album was recorded in Taylor’s home state of North Carolina, and includes many of his longtime collaborators including Phil and Brad Cook, William Tyler, Terry Lonergan, Matt McCaughan, Alexandra Sauser-Monnig and longtime recording partner and collaborator Scott Hirsch.

Meanwhile, Hiss Golden Messenger will play the following shows in the UK:

Friday, July 18 – Latitude Festival, Suffolk

Saturday, July 19 – Bush Hall, London

Sunday, July 20 – Somersault Festival, Devon

The tracklisting for Lateness Of Dancers is:

Lucia

Saturday’s Song

Mahogany Dread

Day O Day (A Love So Free)

Lateness of Dancers

I’m A Raven (Shake Children)

Black Dog Wind (Rose Of Roses)

Southern Grammar

Chapter & Verse (Ione’s Song)

Drum

You can hear another Hiss Golden Messenger track, “Brother, Do You Know The Road?”, which isn’t included on Lateness Of Dancers, here.

Pulp: A Film About Life, Death And Supermarkets

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Jarvis and co shoot for a happy ending... As anyone who has seen Svengali, 20 Feet From Stardom or Frank will have surely realised, we are not exactly living in a golden age of music films right now. Much of my problem with these films lies in the reductive treatment of their subjects – the Sto...

Jarvis and co shoot for a happy ending…

As anyone who has seen Svengali, 20 Feet From Stardom or Frank will have surely realised, we are not exactly living in a golden age of music films right now. Much of my problem with these films lies in the reductive treatment of their subjects – the Stone Roses, a clutch of (mostly) interesting backing singers, the life of Frank Sidebottom. That Pulp (subtitled A Film About Life, Death And Supermarkets) manages to drag the genre out of its slump is quite an achievement. As much as I like Pulp, it’s still hard to muster much enthusiasm for a band who – some spry reunion shows in 2011/12 aside – haven’t released any new music for over a decade and whose story has been rigorously documented elsewhere. arvis Cocker seems to implicitly understand the shortcomings of the proposal: “It didn’t feel like a good ending,” he admits. “I know that ‘tidying up’ isn’t the greatest rock’n’roll motivation but I did want to give the story a happy ending.” To reinforce how underwhelming all this might be, we then get some footage of Jarvis changing a flat tyre, feeding some ducks, riding a bicycle.

As it turns out, Jarvis is arguably the least interesting thing about this film from New Zealand based director Florian Habicht. The events in Pulp take place in Sheffield, on December 8, 2012, the day of the band’s last UK concert. It follows the individual band members, their fans and a handful of the city’s more colourful inhabitants as they prepare for this momentous event. The band themselves prove to be amiable, self-deprecating souls – in particular drummer Nick Banks, who we first meet coaching his daughter Jeannie’s football team, the Sheffield FC U14 Ladies, who are sponsored by Pulp. Elsewhere, interviewed in a local record shop, sometime member Richard Hawley notes of the 12 year gap between Pulp’s debut It and their creative peak Different Class, “marriages don’t last that long, governments don’t last that long.”

But the real stars are the good folks of Sheffield (“a medium sized city in the north of England,” says Jarvis helpfully): knife makers, fishmongers, school children, newspaper sellers, all of whom gamely offer their thoughts on Jarvis and Pulp. “When they first started out, I listened to their music with Blur,” says Josephine, a white-haired fan of uncertain age. “And of the two, I prefer Pulp.” Habicht also interviews the workers in the city’s Castle Market, where the teenage Cocker held down a Saturday job. Meanwhile, a dance troupe, U-nique, treat Habicht’s cameras to their routine for “Disco 2000” and the Sheffield Harmony vocal group deliver a fruity a cappella version of “Common People”. We also meet a nurse who’s travelled from Georgia for the show, and a local musician who found solace in Pulp’s music during an especially turbulent period in his life. “I thin the concert was OK,” reflects Cocker at the film’s close. ”It was important to do it, and I think it was good that we left Sheffield to the last thing. Life is a random process, I think, but you can add a narrative to it. And so by doing that, it just seemed logical that you would do this thing and finish in the place where it all started.”
Michael Bonner

Ozzy Osbourne: “I’m up for another Black Sabbath album and tour”

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Ozzy Osbourne has revealed that there is a possibility for a new Black Sabbath album. The band took part in a press conference at this years Sweden Rock Festival in Sölvesborg on Friday [June 6]. The group discussed their plans for the future, and hinted that a new album may be in the works. "We...

Ozzy Osbourne has revealed that there is a possibility for a new Black Sabbath album.

The band took part in a press conference at this years Sweden Rock Festival in Sölvesborg on Friday [June 6]. The group discussed their plans for the future, and hinted that a new album may be in the works.

“We haven’t really discussed it. It is possible there’s gonna be another album,” said Osbourne. “But we haven’t really sat down and decided what we’re gonna do yet. We just wanna finish this tour and then we’ll see.”

In May, Tony Iommi said that the band’s Hyde Park gig this July could be their last ever. He admitted that he and his bandmates currently have no plans to play live after the festival and that, combined with his ill health, could mark the last time Black Sabbath fans get to see the band perform live.

Commenting on Iommi’s remarks, Osbourne said: “If it’s goodbye, we’re ending it on a high note…But I’m up for another Black Sabbath album and tour. If we can, great. If not, I’ll just carry on doing my own thing.”

Black Sabbath discuss their greatest abums in this month’s Uncut, in shops now.

Watch Arcade Fire cover The Smiths

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Arcade Fire covered The Smiths' "London" during their second show at London's Earls Court on Saturday night [June 7]. The band played the track during Saturday's show, which saw the band supported by Lorde. On the previous night's performance the band were joined by Ian McCulloch to perform the Ech...

Arcade Fire covered The Smiths‘ “London” during their second show at London’s Earls Court on Saturday night [June 7].

The band played the track during Saturday’s show, which saw the band supported by Lorde. On the previous night’s performance the band were joined by Ian McCulloch to perform the Echo And The Bunnymen track ‘The Cutter’.

During the Friday night gig Arcade Fire frontman Win Butler spoke about the band’s reasons for playing the venue, commenting: “We wanted to do Earls Court before they tear it down for condos. Get your bids in now. Hope they’re cheap.” In 2012 an online petition was launched to ‘save’ the venue, opposing plans to demolish the centre as part of redevelopment plans for the area.

Before Arcade Fire took to the stage last night the arena was transformed into a giant discotheque – featuring spotlights and glitter balls. The ‘fake’ Reflektors band played a cover of The Beatles ‘Helter Skelter’ on a second stage in the venue during the evening. As well as headlining this year’s Glastonbury Festival, Arcade Fire will also play a huge show at Hyde Park on July 3.

Arcade Fire played:

‘Reflektor’

‘Flashbulb Eyes’

‘Neighborhood #3 (Power Out)’

‘Rebellion (Lies)’

‘Joan Of Arc’

‘Month of May’

‘We Exist’

‘The Suburbs’/’The Suburbs (contd)”

‘Ready to Start’

‘Neighborhood #1 (Tunnels)’

‘Intervention/’Antichrist Television Blues”

‘No Cars Go’

‘Haïti’

‘Afterlife’

‘It’s Never Over (Oh Orpheus)’

‘Sprawl II (Mountains Beyond Mountains)’

‘Normal Person’

‘London’

‘Here Comes the Night Time’

‘Wake Up’

The Kinks discuss latest reunion plans

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The Kinks appear to be close to reuniting, according to Ray Davies in a new interview in The Sunday Times yesterday [June 8]. Speaking about the possibility of reuniting with his brother, Dave, Ray Davies confirmed, “I met Dave only last week to talk about getting back together again." “We’v...

The Kinks appear to be close to reuniting, according to Ray Davies in a new interview in The Sunday Times yesterday [June 8].

Speaking about the possibility of reuniting with his brother, Dave, Ray Davies confirmed, “I met Dave only last week to talk about getting back together again.”

“We’ve also spoken a few times on the phone and emailed. He’s been composing his own songs, but I’d really like to write with him again.”

“We both agree we don’t want to do old stuff or tour with past hits,” continued Davies. “It’s got to be something new.”

Earlier this year, Uncut carried an exclusive cover story where both Davies brothers and original drummer Mick Avory discussed the possibility of a Kinks reunion to mark the band’s 50th anniversary this year.

“It’s as close as it’s ever been to happening,” admitted Ray Davies.

Beastie Boys win $1.7 million lawsuit

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The surviving members of the Beastie Boys have won $1.7 million (£1.01 million) in their copyright lawsuit against Monster Beverage Corp. The case centred on a video created by the corporation which used five Beastie Boys songs in a "Beastie Boys Megamix" and flashed the message "RIP MCA" on screen to promote a show in 2012 without the band's knowledge or permission. The late Adam 'MCA' Yauch stated in his will that his likeness or art, including his work with the Beastie Boys, was not to be used for advertising purposes. Following an eight day trial the jury found in favour of the band, though Monster's lawyer, Reid Kahn, said the company would appeal, reports Reuters. When the verdict was read Adam Horovitz aka Ad-Rock hugged his partner Kathleen Hanna, formerly of Bikini Kill and Le Tigre and now fronting The Julie Ruin. He commented: "We're happy. We just want to thank the jury." During the trial Beastie Boys member Michael Diamond aka Mike D effectively announced the end of the band, saying that they promised the late MCA they would not make any new music after he passed away. "We have not been able to tour since MCA, Adam Yauch, died," Diamond said. "We can't make new music." When asked if the band would have given permission for their work to be used in the Monster promo, Mike D said: "Absolutely no".

The surviving members of the Beastie Boys have won $1.7 million (£1.01 million) in their copyright lawsuit against Monster Beverage Corp.

The case centred on a video created by the corporation which used five Beastie Boys songs in a “Beastie Boys Megamix” and flashed the message “RIP MCA” on screen to promote a show in 2012 without the band’s knowledge or permission. The late Adam ‘MCA’ Yauch stated in his will that his likeness or art, including his work with the Beastie Boys, was not to be used for advertising purposes.

Following an eight day trial the jury found in favour of the band, though Monster’s lawyer, Reid Kahn, said the company would appeal, reports Reuters. When the verdict was read Adam Horovitz aka Ad-Rock hugged his partner Kathleen Hanna, formerly of Bikini Kill and Le Tigre and now fronting The Julie Ruin. He commented: “We’re happy. We just want to thank the jury.”

During the trial Beastie Boys member Michael Diamond aka Mike D effectively announced the end of the band, saying that they promised the late MCA they would not make any new music after he passed away. “We have not been able to tour since MCA, Adam Yauch, died,” Diamond said. “We can’t make new music.” When asked if the band would have given permission for their work to be used in the Monster promo, Mike D said: “Absolutely no”.

Morrissey postpones another gig on American tour

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Morrissey has pulled another show on his current American tour. The singer was recently forced to cancel a gig in Atlanta, Georgia after being struck down by illness and he has now postponed tomorrow's show (June 6) at the Revel Casino Hotel in Atlantic City, New Jersey. A statement on Morrissey's ...

Morrissey has pulled another show on his current American tour.

The singer was recently forced to cancel a gig in Atlanta, Georgia after being struck down by illness and he has now postponed tomorrow’s show (June 6) at the Revel Casino Hotel in Atlantic City, New Jersey. A statement on Morrissey’s Facebook page says the gig will now take place at the same venue on June 22.

The statement reads: “As Morrissey and the touring party recover from a virus, the engagement in Atlantic City at the Revel Ovation Hall has been postponed to Sunday, June 22. All previously purchased tickets will be honored on the new date. The tour will resume as originally scheduled, without question, at the Boston Opera House on Saturday, June 7.”

The tour’s opening act Kristeen Young also revealed earlier today (June 5) that she will no longer be supporting Morrissey on the remaining dates. She wrote on Facebook: “We won’t be continuing as opening band for the Morrissey tour. Thanks to all who showed up early and gave us such life-sustaining enthusiasm. Thanks to Morrissey for his years of support and generosity. There are lots of plans and lots of possibilities and we can’t wait to tear into them.”

Robert Plant: Jimmy Page needs to “have a good rest”

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Robert Plant has responded to Jimmy Page's claim that he is "fed up" with the singer for delaying plans for reunion shows by saying the guitarist needs to "have a good rest". The band last played together in December 2007 at London's O2 Arena, but singer Plant has ruled out the possibility of a fol...

Robert Plant has responded to Jimmy Page’s claim that he is “fed up” with the singer for delaying plans for reunion shows by saying the guitarist needs to “have a good rest”.

The band last played together in December 2007 at London’s O2 Arena, but singer Plant has ruled out the possibility of a follow-up concert any time soon.

Speaking to The National, Plant said: “I think he needs to go to sleep and have a good rest, and think again. We have a great history together and like all brothers we have these moments where we don’t speak on the same page but that’s life.”

The band recently reissued their first three albums with new, previously unreleased material.

In a recent interview with the BBC guitarist Page said he was sure fans would be keen on another reunion show, but Plant has since said the chances of it happening are zero. Page commented: “I was told last year that Robert Plant said he is doing nothing in 2014, and what do the other two guys think? Well, he knows what the other guys think. Everyone would love to play more concerts for the band. He’s just playing games, and I’m fed up with it, to be honest with you. I don’t sing, so I can’t do much about it.”

The 21st Uncut Playlist Of 2014

A few headline comebacks in this week’s playlist, and if you scroll down you should be able to hear strong new music from the likes of Jeff Tweedy, Caribou, David Kilgour and, though perhaps ‘new’ music might be a misnomer, Crosby, Stills, Nash & Young. The past few days, however, have been dominated by all the Tropicalia and Chilean psychedelia that our picture editor, Phil King, brought back from his tour of South America with The Jesus And Mary Chain. If you have time to listen to just one thing from the list this week, can I recommend the insanely great Los Jaivas track below? Reminds me a little of the Lula Cortes/Ze Ramalho album (like an Amazonian Amon Duul II, very roughly) that got reissued a few years back. And one bit of housekeeping, while I’m here: we have a new email address for your letters to Uncut. Please send brickbats, bouquets and all the usual associated business to uncut_feedback@ipcmedia.com. Thanks. Follow me on Twitter: www.twitter.com/JohnRMulvey 1 Sundown Songs – Far From Home (CD Baby) 2 David Kilgour & The Heavy Eights – End Times Undone (Merge) http://www.youtube.com/watch?v=k8WXo_CzaAE 3 Ruthann Friedman – Chinatown (Wolfgang) 4 Richard Thompson – Acoustic Classics (Proper) 5 Desertshore – Migrations Of Glass (Caldo Verde) 6 Los Vidrios Quebrados – Fictions (Anima) 7 Caetano Veloso – Transa (Philips) 8 Tamba Trio – Avanco (Philips) 9 Clementina – Cada Voce? (Museu Da Imagem E Do Som) 10 Los Jaivas – 1971: Primer Disco De Los Jaivas (Columbia) http://www.youtube.com/watch?v=la2lYOsJ9Zc 11 Crosby, Stills, Nash & Young – CSNY 1974 (Rhino) 12 Jennifer Castle – Pink City (No Quarter) 13 Jack White – Lazaretto (Third Man/XL) http://www.youtube.com/watch?v=cYF0LtfUvJs 14 Various Artists – Country Funk II: 1967-1974 (Light In The Attic) 15 Neil Young – A Letter Home (Reprise) 16 [REDACTED] 17 Sam Doores - True To My Luck: The Early Years (CDR) 18 Various Artists – C86 (Cherry Red) 19 The War On Drugs – Lost In The Dream (Secretly Canadian) 20 Caribou – Can’t Do Without You (City Slang) 21 Sinead O’Connor - I'm Not Bossy, I'm The Boss (Nettwerk) 22 Congregacion – Viene (Machitun) 23 Electric Würms – Musik, Die Schwer Zu Twerk (Bella Union) 24 Benjamin Booker - Benjamin Booker (Rough Trade) 25 Peter Broderick And Greg Haines - Greg Gives Peter Space (Erased Tapes) 26 Girma Yifrashewa – Love And Peace (Unseen Worlds) 27 Richard Reed Parry – Music For Heart And Breath (Deutsche Grammofon) 28 Jeff Tweedy – I’ll Sing It (dBpm) 29 Eastlink – Eastlink (In The Red) 30 Bob Carpenter – Silent Passage (No Quarter) http://www.youtube.com/watch?v=c8TMRjSpSoY 31 Alexander Turnquist – Wildflower (Western Vinyl)

A few headline comebacks in this week’s playlist, and if you scroll down you should be able to hear strong new music from the likes of Jeff Tweedy, Caribou, David Kilgour and, though perhaps ‘new’ music might be a misnomer, Crosby, Stills, Nash & Young.

The past few days, however, have been dominated by all the Tropicalia and Chilean psychedelia that our picture editor, Phil King, brought back from his tour of South America with The Jesus And Mary Chain. If you have time to listen to just one thing from the list this week, can I recommend the insanely great Los Jaivas track below? Reminds me a little of the Lula Cortes/Ze Ramalho album (like an Amazonian Amon Duul II, very roughly) that got reissued a few years back.

And one bit of housekeeping, while I’m here: we have a new email address for your letters to Uncut. Please send brickbats, bouquets and all the usual associated business to uncut_feedback@ipcmedia.com. Thanks.

Follow me on Twitter: www.twitter.com/JohnRMulvey

1 Sundown Songs – Far From Home (CD Baby)

2 David Kilgour & The Heavy Eights – End Times Undone (Merge)

3 Ruthann Friedman – Chinatown (Wolfgang)

4 Richard Thompson – Acoustic Classics (Proper)

5 Desertshore – Migrations Of Glass (Caldo Verde)

6 Los Vidrios Quebrados – Fictions (Anima)

7 Caetano Veloso – Transa (Philips)

8 Tamba Trio – Avanco (Philips)

9 Clementina – Cada Voce? (Museu Da Imagem E Do Som)

10 Los Jaivas – 1971: Primer Disco De Los Jaivas (Columbia)

11 Crosby, Stills, Nash & Young – CSNY 1974 (Rhino)

12 Jennifer Castle – Pink City (No Quarter)

13 Jack White – Lazaretto (Third Man/XL)

http://www.youtube.com/watch?v=cYF0LtfUvJs

14 Various Artists – Country Funk II: 1967-1974 (Light In The Attic)

15 Neil Young – A Letter Home (Reprise)

16 [REDACTED]

17 Sam Doores – True To My Luck: The Early Years (CDR)

18 Various Artists – C86 (Cherry Red)

19 The War On Drugs – Lost In The Dream (Secretly Canadian)

20 Caribou – Can’t Do Without You (City Slang)

21 Sinead O’Connor – I’m Not Bossy, I’m The Boss (Nettwerk)

22 Congregacion – Viene (Machitun)

23 Electric Würms – Musik, Die Schwer Zu Twerk (Bella Union)

24 Benjamin Booker – Benjamin Booker (Rough Trade)

25 Peter Broderick And Greg Haines – Greg Gives Peter Space (Erased Tapes)

26 Girma Yifrashewa – Love And Peace (Unseen Worlds)

27 Richard Reed Parry – Music For Heart And Breath (Deutsche Grammofon)

28 Jeff Tweedy – I’ll Sing It (dBpm)

29 Eastlink – Eastlink (In The Red)

30 Bob Carpenter – Silent Passage (No Quarter)

31 Alexander Turnquist – Wildflower (Western Vinyl)