Tool

To the Music And Film Arena, for The Fairey Band, a traditional brass band who appear to have been sucked into a conceptual art project by Jeremy Deller. The gist is that the band play acid house tunes, with euphoniums and tubas filling in the bass frequencies.

Final installment of Cooder’s “trilogy”, time-travelling back to ‘40s/’50s California. Complete with 53-page novella!

Seasick Steve, the good time bluesman and one-time railcar hobo, returns to Latitude with his Mississippi grooves on Saturday. One of the highlights of last year’s festival, Seasick Steve packed out the Uncut Arena on a sunny afternoon and this year he’s been bumped up the bill to the Obelisk stage...

Meet Randy and Dean: figureheads of LA's new punk underground

It’s only their fourth album in 18 years but Kim and Kelley Deal remain defiantly nonchalant

As a general rule, I must admit to finding most of the stuff that goes by the dubious name of “nu-gaze” pretty lame. If there’s a minor boom in bands who revisit the aesthetics of shoegazing, most of them strike me as being awfully conventional, a particularly insipid kind of indie that revolves around weak vocals, predictable effects and a generally fey take on orthodoxy.

A couple of things I played rather a lot over the weekend: the second Brightblack Morning Light album from 2006, which reminds me of unbearably hot afternoons in our old office, and which still sounds gorgeous on a windy Saturday afternoon in March; and “Supreme Balloon”, the 24-minute title track of the new album from Matmos.

Four VOLUMES includes nine tracks that are free to download

Former Grant Lee Buffalo front man to perform accoustically

Comprehensive makeover for little-liked 1976 movie soundtrack