At some point on Sunday night, it seems as if quite a few restless people watching the BBC’s Glastonbury coverage started Googling “threw”, “bottle” and “Mumford & Sons”. For the past 36 hours, the most popular page on www.uncut.co.uk has been an old news story from 2010, in which The Fall’s Mark E Smith articulated his dislike for Mumford & Sons, mistook them for “a load of retarded Irish folk singers," and claimed he threw a bottle at them during a festival in Ireland.
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
Tom Waits is staring back at me from the cover of the new Uncut, which goes on sale this Thursday, January 31. It’s a picture of the young Tom that I’m looking at, long before he ended up with a face that now makes you think a tractor tyre must recently have run over it, a corrugated look he shares with his friend, Keith Richards. He is in fact startlingly young in the picture, even though it would seem he hasn’t shaved for a week and for just as long has been sleeping in the clothes he’s wearing.
If you've ever suspected that Brian Eno's enduring reputation as an avant-garde genius is more mythical than actual, his discography from the past few years makes for a satisfying read.
Things may be different now but, when I was an NME staffer in the 1990s, we were forever being accused of building bands up, only to take delight in knocking them down soon after.
100. Rene Hell – The Terminal Symphony (Type)
99. King’s Daughters And Sons – If Not Then When (Chemikal Underground)
98. Wolfgang Voigt – Kafkatrax (Profan)
