As solo outlet for Carl Johns—leader of Wisconsin countryites NoahJohn—Charlemagne allows him the freedom to break the slow-shuffle shackles and explore pop. The headlong skip of "Dawn Upon" is typical, its happy quick-step framing a tale of a man tormented by moonlit visions of a lost love.
After all the talk of paying tribute to original 1970s cops David Soul and Paul Michael Glaser, Ben Stiller and Owen Wilson throw out any genuine resemblance to those freewheeling dudes and simply take the piss for 90 minutes. There are some canny gags and clever pastiches of buddy-movie clichés, but they give up on it halfway through and just cruise camply.
First released in CD form in 1992, Fragments Of A Rainy Season marked a crucial, pivotal point in the life and career of our greatest living Welshman. After years of alcohol and drug addiction had turned his life into a full-blown shambles, Cale swapped whiskey and cocaine for regular games of squash and full-time commitment to parenthood in the early '90s. Far from blunting his creative edge, sobriety and responsibility appeared to free him up to take greater risks in the studio, and brought the kind of focus that enabled him to hone his live act down to something like perfection.
The timing of this show is somewhat odd, coming as it does nearly a month before the release of Malin's second album, The Heat. The audience doesn't know the new songs and Jesse chides them for their reserve when he plays the unfamiliar material. He admits it's his own fault, though. The album was meant to be out now, but was delayed when he added two extra tracks.
Evan Parker ought to be knighted for re-mastering and reissuing this, one of the great British orchestral jazz records. Utilising stalwart British jazzers alongside wildcard improvisers like saxophonist Parker, guitarist Derek Bailey and percussionist Tony Oxley, Wheeler brilliantly fuses gorgeously limpid melodies ("Ballad Two") with free-form interludes. Great cliffs of brass echo Gil Evans, but note the subtle nod to electric Miles (those two electric pianos) and the inspired use of Norma Winstone's voice as an instrument.
