The best of compilation: a time to reflect upon a career, including even the early mishaps that eventually shape one's body of work. That's how it should be, anyway. It's telling reflection on the control freakery and uptight nature of Primal Screen that they've chosen, like some pampered footballer or insecure soap star, to relate a sanitised autobiography with Dirty Hits, ignoring their early but substantial first recordings as both fey indie janglers and one-dimensional rockers.
Set fire to anything. Set fire to the air," urged John Cale at the beginning of Music For A New Society. That 1982 masterpiece was the evisceration of a man whose fractured psyche was mirrored perfectly by songs arranged in jagged, improvisatory style; a knife held at the throat of sweetness. Now he reappears with his first album of songs for seven years, and his finest album in any genre for over two decades.
An immaculate digital restoration job, including muffle-free audio, silky silver monochrome and original 'pillarbox' framing, adds an unnerving contemporary kick to Fritz Lang's 1931 masterpiece. Detailing the slavering hunt for bug-eyed child murderer Hans Beckert (Peter Lorre) through a dark and hostile, shadow-filled Berlin, this is the original, if not the best, serial killer flick.
